The Complete Ring Trilogy: Ring, Spiral, Loop. Koji Suzuki

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The Complete Ring Trilogy: Ring, Spiral, Loop - Koji  Suzuki


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were bloodshot. His neck muscles began to fill the screen in a closeup, then disappeared off the left side of the screen. For a while only the black shade of the trees could be seen. A scream began to well up from deep down inside. At the same time, the man’s shoulder came back into view, then his neck, and finally his face again. His shoulders were bare, and the right one carried a deep, bloody gash several centimeters long. Drops of blood seemed to be sucked toward the camera, growing larger and larger until they hit the lens and clouded over the view. The screen cut to black once, twice, almost like blinking, and when the light returned everything was red. There was a murderous look in the man’s eyes. His face drew closer, along with his shoulder, the bone peeking out white where the flesh had been gouged out. Asakawa felt a violent pressure on his chest. He saw trees again. The sky was spinning. The color of the sky fading into sunset, the rustling of dry grass. He saw dirt, then weeds, and then sky again. Somewhere he heard a baby crying. He wasn’t sure if it was the little infant from before. Finally, the edge of the screen turned black, darkness gradually encroaching in a ring on the center. Dark and light were clearly defined now. At the center of the screen, a small round moon of light floated in the middle of the darkness. There was a man’s face in the moon. A fist-sized clump of something fell from the moon, making a dull thud. Another, and then another. With each sound, the image jumped and swayed. The sound of flesh being smashed, and then true darkness. Even then, a pulse remained. Blood still circulated, throbbing. The scene went on and on. A darkness that seemed as if it would never end. Then, just as at the beginning, words faded into view. The writing in the first scene had been crude, like that of a child just learning to write, but this was somewhat better. White letters, drifting into view and then fading, read:

       Those who have viewed these images are fated to die at this exact hour one week from now. If you do not wish to die, you must follow these instructions exactly …

      Asakawa gulped and stared wide-eyed at the television. But then the scene changed yet again. A complete and utter change. A commercial came on, a perfectly ordinary, common television commercial. A romantic old neighborhood on a summer’s evening, an actress in a light cotton robe sitting on her verandah, fireworks lighting up the night sky. A commercial for mosquito-repelling coils. After about thirty seconds the commercial ended, and just as another scene was about to start, the screen returned to its previous state. Darkness, with the last afterglow of faded words. Then the sound of static as the tape ended.

      Bug-eyed, Asakawa rewound the tape and replayed the last scene. The same sequence repeated itself: a commercial interrupted at the most important point. Asakawa stopped the video and turned off the television. But he kept staring at the screen. His throat was parched.

      “What the hell?”

      There was nothing else to say. One unintelligible scene after another, and the only thing he’d comprehended was that anybody who watched would die in exactly a week. And the part which told how to avoid this fate had been taped over with a commercial.

       … Who erased it? Those four?

      Asakawa’s jaw quivered. If he didn’t know that the four young people had died simultaneously, he could have laughed this off as sheer nonsense. But he knew. They had died, mysteriously, as predicted.

      At that moment the phone rang. Asakawa’s heart nearly jumped out of his chest at the sound. He picked up the receiver. He felt as though something were concealing itself, watching him from the darkness.

      “Hello,” he finally managed to croak. There was no reply. Something was swirling around in a dark, cramped place. There was a deep rumble, as if the earth were resounding, and the damp smell of soil. There was a chill at his ear, and the hairs on the nape of his neck stood up. The pressure on his chest increased, and bugs from the bowels of the earth were crawling on his ankles and his spine, clinging to him. Unspeakable thoughts and long-ripened hatred almost reached him through the receiver. Asakawa slammed down the receiver. Covering his mouth, he ran to the bathroom. Chills ran up and down his backbone, waves of nausea swept over him: the thing on the other end of the line hadn’t said anything, but Asakawa knew what it wanted. It was a confirmation call.

       You’ve seen it now, you know what that means. Do like it said. Or else …

      Asakawa vomited over the toilet. He didn’t have much to throw up. The whiskey he’d drunk earlier flowed out of him now, mixed with bile. The bitterness seeped into his eyes, squeezing out tears; it hurt his nose. But he felt that if he threw up everything now, here, maybe the images he’d just watched would go flowing out of him, too.

      “If I don’t, what? I don’t know! What do you want me to do? Huh? What am I supposed to do?”

      He sat on the bathroom floor and yelled, trying not to give in to his fear. “Look, those four erased it, the important part … I don’t understand it! Help me out here!”

      All he could do was make excuses. Asakawa jumped back from the toilet, not even realizing how awful he looked, and peered around the room in every direction, bowing his head in supplication to whatever might be there. He didn’t realize that he was trying to look pathetic, to draw sympathy. Asakawa stood up and rinsed his mouth at the sink, swallowing some water. He felt a breeze. He looked at the living room window. The curtains were trembling.

       Hey, I thought I shut that.

      He was certain that before drawing the curtains he’d shut the sliding glass door tightly. He remembered doing it. He couldn’t stop trembling. For no reason at all, the image of skyscrapers at night flashed across his brain, the way the lighted and unlighted windows formed a checkerboard pattern, sometimes even forming characters. If you saw the buildings as huge, oblong tombstones, then the lights were epitaphs. The image disappeared, but the white lace curtains still danced in the breeze.

      In a frenzy, Asakawa grabbed his bag from the closet and threw his things inside. He couldn’t stay here one second longer.

       I don’t care what anybody says. If I stay here I won’t last the night, forget about the week.

      Still in his sweats, he stepped down into the entryway. He tried to think rationally before going outside. Don’t just run away in fear, try to figure out some way to save yourself! An instantaneous survival instinct: he went back into the living room and pushed the eject button. He wrapped the videotape tightly in a bath towel and stowed it in his bag. The tape was his only clue, he couldn’t afford to leave it behind. Maybe if he figured out the riddle as to how the scenes were connected he’d find a way to save himself. No matter what, he only had a week left. He looked at his watch: 10:18. He was sure he’d finished watching at 10:04. Suddenly, the time seemed quite important to him. Asakawa left the key on the table and went out, leaving all the lights on. He ran to his car, not even stopping by the office first, and jammed his key in the ignition.

      “I can’t do this alone. I’ll have to ask him to help.” Talking to himself, Asakawa put the car in motion, but he couldn’t help glancing in the rearview mirror. No matter how he floored it, he couldn’t seem to get up any speed. It was like being chased in a dream, running in slow-motion. Over and over he looked at the mirror. But the black shadow chasing him was nowhere to be seen.

PART THREE

       October 12—Friday

      “First let’s have a look at this video.”

      Ryuji Takayama grinned as he spoke. They sat on the second floor of a coffee shop near Roppongi Crossing. Friday, October 12th, 7:20 p.m. Almost twenty-four hours had passed since Asakawa had watched the video. He’d chosen to have this meeting on a Friday night in Roppongi, the city’s premier entertainment district, in the hopes that, surrounded by the gay voices of girls, his dread would dissipate. It didn’t seem to be working. The more he talked about it, the more vividly the events of the previous night replayed themselves in his mind. The terror only increased.


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