The Death Factory: A Penn Cage Novella. Greg Iles
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I laugh at Jack’s memory. “Yeah. That was the era when Enron yuppies were buying old lots, razing the houses, and building McMansions. But Sarah decided to restore the original house on our lot. It was a midcentury modern, and she wanted a project. We got Annie onto the waiting list at the Kinkaid School, and it looked like we’d landed in the middle of the American Dream. I wrote three more novels in quick succession, and each sold better than the last. Sarah kept working on the house, wouldn’t let me help her at all. She also kept my nose to the grindstone on the novels. Like my mom, she didn’t trust something as unreliable as publishing.”
“And then she got cancer,” Jack says in a flat voice.
“Naturally.”
To our right appears a low building with a sign that reads THE NATCHEZ EXAMINER. Caitlin’s Acura is parked out front, and through the back windshield I can see my daughter’s backpack sticking up.
“That’s Caitlin’s paper,” I tell him, trying to delay the conversation. “Annie’s with her now. We’re hoping to have some better news before we tell her about Dad.”
“Good thinking,” Jack says. “So, how are you guys doing? Are you ever going to make an honest woman of her?”
This, at least, brings a smile to my face. “Actually, we decided just this morning to get married. Right about the time Dad was having his heart attack.”
“Seriously?” Jack gives me a sidelong glance. “Let’s hope that’s not an omen.”
I laugh off his comment, although the juxtaposition of those events is a little disconcerting.
Looking forward again, Jack says, “Is this the way down to the river?”
“It can be. I thought I’d take you up to the city cemetery, where you can see ten miles of the Mississippi from one spot.”
“Let’s get down to the riverbank first. I want to put my hand in that water. The Mississippi gives me that feeling Don McLean sang about in ‘American Pie.’ Driving your Chevy to the levee and all that. I know that song was about the loss of innocence, but it makes me feel nostalgia for mine.”
This is the Jack I remember. “One nostalgia trip, coming up.”
I turn left and drive to where the road ends at a two-hundred-foot drop to the river. Here the roller-coaster-steep Pierce’s Mill Road leads down to where the Magnolia Queen floated like a nineteenth-century paddlewheel palace only five days ago. I make the dogleg turn slowly, and seconds later a hundred miles of space opens up to the west of us. Five miles of the broad river is rolling toward us from Vicksburg, and Jack’s breath catches at the sight of it.
“I’ll be damned,” he says. “I see the Pacific all the time, but this sight never ceases to amaze me. It just comes out of nowhere.”
“I know what you mean. You can see the Rockies for miles, but this divide is like a buried vessel. The aorta of the whole continent.”
As we slowly descend the precipitous slope, Jack says, “Tell me something. How did Sarah progress to stage-four breast cancer without noticing anything?”
“It’s an old story, I’m told. She was so busy that she simply ignored the signs. She wrote her symptoms off to fatigue and hard physical work, told herself she didn’t have time to get things checked out. She was only thirty-six, remember. The last pure joy I remember is a trip we squeezed in to Disney World. Annie was three, and she wore her Snow White costume the whole time. The whole trip was magical. But late that week, I noticed how tired Sarah looked, and how badly she was hurting. She’d been blaming it on tiling floors, stripping furniture, that kind of thing. But the day we got home, she reached down to pick up a box from UPS and felt excruciating pain in her back. That time I made her go to the doctor. When he shot the first X-ray, there it was. Her spine was collapsing, due to bone metastases. They did full-body scans. She had bone mets all over. One of her hips was half eaten away. It was in her liver, too, and soon the brain.”
“Jesus. I never knew it was that bad.”
I wave my hand as if that could banish the memories. “That was the background of what I’m going to tell you about. Sarah went downhill fast. I was doing everything humanly possible to find a last-ditch miracle. I knew a doctor who was a big deal over at MD Anderson, and he knew a guy who was helping to develop a new drug out at UCLA, which turned out to be Herceptin. We actually got hold of some, after phenomenal effort and expense, and Sarah got to take a regimen. But it didn’t do any good. It was like trying to stop the Titanic from sinking. We were fighting a mathematical certainty.”
Jack closes his eyes and sighs like a man who knows all about time and biological entropy.
“Sarah’s parents came to stay with us, meaning to help. That didn’t work so well. Her dad couldn’t stand seeing his baby in that condition. Sarah was down to eighty-five pounds, and the pain was becoming unbearable. Bill had to move to a nearby motel. Eventually, the docs couldn’t keep her both lucid and comfortable. But that’s what she wanted. Sarah wanted to be home, and she wanted every second she could get with her daughter. Her goal was to reassure Annie until the very end. I never felt so helpless in all my life, Jack. I’d have given every dollar I had to have gone to medical school instead of law school.”
“Where was Tom in all this?”
“Natchez, mostly. But he’d been talking to the oncologists all along. He knew what was coming. He was waiting for his moment. And when it came, he rode in like the real Lone Ranger, if there ever was one. He loaded up his car with drugs, drove out to Houston with Mom, and informed the docs he was taking over the case. Mom politely asked the nurses to leave, and she and Sarah’s mother started caring for her around the clock. I don’t think Dad slept more than three hours out of twenty-four for a week. He lived at Sarah’s bedside, administering drugs like some kind of alchemist. I remember him calculating dosages of five different drugs on a legal pad, several times a day. But it worked. He kept her lucid and mostly pain-free until the absolute end.”
“That’s Tom, right down to the ground.”
I nod, thinking of my father lying helpless in his own hospital bed. “You know how people joke about doctors’ handwriting? Well, Dad’s prescriptions always looked like chicken-scratch, sure enough. But I still have a page of those drug calculations. And they look like they were written by a seventeenth-century mathematician, they’re so precise.”
“He loved Sarah like his own daughter,” Jack says. “He’s told me that.”
“Well . . . it was near the very end of that struggle that the other thing happened.”
“Which was?”
Even now, a shudder of dread goes through me at the memory. “A Hispanic guy knocked on our front door. He looked familiar, but I couldn’t place him. He was about thirty, tall, light-skinned, nerdy-looking. Turned out he was a serology technician from the Houston PD crime lab. Felix Vargas. I’d dealt with him on a few cases. Vargas was a chain-smoker, but I could smell alcohol on him the second I answered the door.”
“What did he want?”
We’ve reached the flat riverbank at the bottom of the mill road. Where the Magnolia Queen once floated in its movie-prop majesty, now only broken mooring cables trail into the river. The Mississippi is still wearing its summer colors, the muddy brown tide rolling through sandy banks thick with green willow oak and kudzu, and white fields of cotton stretching away over the flat Louisiana delta. I pull to the edge of the asphalt and park at the edge of the gray anti-erosion rocks that slope down to the water.
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