The Mulberry Empire. Philip Hensher
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the throat, and strangles the Londoner all day and all night.
But if it is true that London knows no seasons, that, perhaps, is because it knows only one Season. It is here, in May, that we find ourselves; here, standing with the linkboys and the cutpurses and the crossing-sweepers, each unpromising youth with the tools of his unpromising trade, standing and gawping at the slow procession unfurling before them, at this hour of early dusk in late spring. It is the height of the Season, and also, nearly, the end of it – a paradox more often stated than relished. The linkboys and cutpurses and crossing-sweepers stand just where Piccadilly turns into Park Lane, and watch the procession before them, silently or raucously calling out, according to their temperament. Up Piccadilly comes a succession of carriages, each a closed black box on wheels, shiny and locked, drawn, mostly, by two black horses, for all the world as if the cashboxes of Threadneedle Street had, with one voice, cried, ‘Enough of the City!’ and, equipped each with a pair of plate-faced footmen and a set of wheels, set off to see if what they had always heard of the West End and its Court could possibly be the case. Up Piccadilly come the melancholy cashboxes, and, at the corner, you can see, as they turn, the whinnying wheels and hooves pulling free of the mud, that each, too, contains a treasure.
The linkboys cry out, with ridicule or amazement, at what they see. At this corner, the inhabitants of each carriage lean forward, and look out. Because here, you see, at this corner, lives the Duke, the old victor of Waterloo, and everyone is curious about the Duke’s habits, and will, on passing from Piccadilly into the Park, lean forward in the hope of a brief glimpse of the great man. It is a hope which is often gratified; the Duke is a man who likes to show himself, and strolls, daily, in the Park to accept the homage of strangers. But tonight, there is nothing to be seen. If the inhabitants of the carriages sink back with a minor disappointment, their evenings indefinably clouded now in some way, we have not been disappointed; because now, with the linkboys and the cutpurses, we have caught a marvellous glimpse of a lady or two. Out of the funereal darkness of the inside of a carriage, for all the world like the glitter of a black cashbox being flung open, a glistening white face appears, bathed and almost certainly scented, a white face which allows you to dream of the white flesh, the dream of white lace and silk almost certainly hidden underneath the dark cloak, and, most marvellous of all – something which forces even the wiser cynics of the observing mob into an awed silence – the unmistakable deep glitter of diamonds, brought from the far East for no reason but to decorate these cool, lovely, clean faces. Everywhere else in the city – everywhere else in the great world, as far as the linkboys know – is mud and filth, and these white faces with their bright white light of diamonds shine like unaccustomed, unimaginable virtue.
They flash in the gaze of the street observers for one second, these costly faces, and then move on in their stately way. Where are they all going, all in the same direction? Why, they are going out, naturally, because this is the Season, and in the Season it does not do, if you are of a certain level in society, to stay at home. It is required of you to put on your least comfortable clothes, ones fitted neither for a London cold nor a London heat, and go and sit for a few hours with people you know nothing of and care nothing for, drawing what satisfaction you may from the fact that when you leave to go home, outside there may be poor people who may be prepared to gawp, who, you hope, are eaten up with envy of you; because if no one in London envies you in your party-going plight, it is hard to see why you should continue the exercise.
2.
The carriage now rounding the corner extracts itself with such unpredictable lurchings from the mud beneath the wheels that the cockaded footman on top almost drops his reins. Inside, a startled face lunges towards the window, to the rich appreciation of the street onlookers; they like a nice-looking girl. The nice-looking girl smooths her dress, braces herself as if with cold, and draws back into her seat. By her is an old man, his skin so taut and leathery, his eyes so yellow and unobserving, and the whole effect so quickly angular as he sits there in the clothes for his immaculate evening that you almost expect a forked tongue to dart out, to catch a fly or two. His blood is cold, his movements quick and stiff. He is not in the first flush of fashion, nor of youth; his clothes, though immaculate, have a distinct first-gentleman-of-Europe air, as if remembering on his behalf what he has now forgotten, his high season, so long ago. The fashion of thirty years before, too, accounts for his air; not inattentive, exactly, but strongly attentive to something not in the carriage, something Bella cannot see and does not wish to share. The ruby witch, she once heard him call it; the opium he has been taking, daily, for decades. In recent years, noticing, perhaps, that the young did not care for it and often disapproved of it, he has stopped mentioning it with his customary glee, even to what remains of his family. Bella would not mention it, but has grown used to the idea that when her father hands her into the carriage on their evening round, his touch will not be firm, his gaze fixed on a spot somewhere beyond her. The jerk of the carriage into or out of the mud jolted him into seeing; now his eyes are glazing over again, into their customary blank bliss. His daughter looks at him; she knows the expression very well, and blushes for him.
‘I see the Duke is still in town,’ she says.
‘The Duke would never leave town before – before—’ her father says, as his look moves back inside the carriage. ‘I remember, once, many years ago, before you were born or not long after. In the Park we were, and I greeted the Duke. Old acquaintances we were, and he stopped and pinched y’brother’s cheek. “Fine child, that, Colonel,” he said. And Harry took one look at him, with his great beak and his great ramrod shoulders and started to howl. Never saw the Duke again, not to speak to.’
‘Poor Harry,’ Bella Garraway murmurs. Her father has been galvanized by his own anecdote, which Bella has heard many times before; everyone in London has one story about the Duke of Wellington, and – Bella sometimes thinks – each is told and retold until every story has been heard by every man, woman and child in London, and then they die, stories melting into silence, and oblivion. Her father’s story always moves her, strangely, even though it hardly amounts to a story, so ruefully does it reflect on poor Harry and his hopes. She has no response for his story, but it hardly matters, because now Colonel Garraway is sinking back into his sharp-elbowed opiate haze.
The line of wheeled cashboxes moves on, stately as an oriental caravan through the trackless wastes of Piccadilly and Park Lane, all with one end, it seems, in view. At this time of the year, at this time of the afternoon, it is always thus; the upper few thousand, scrubbed and whited like so many peripatetic sepulchres, squeeze themselves into their least comfortable clothes, and set off for the evening’s entertainment. To dinner, to a rout, to a dance, to the opera; the upper few thousand, encased in whatever it has been decreed they should wear, limber stiffly through their doors, and into their carriages, to set off to see whatever people they have been seeing every week, all through the Season. Stiffened by their unyielding but undeniably fashionable raiment, you would recognize a member of the upper few thousand even unclad, fresh from the bath, or at the loose-robed gates of heaven; their gait is jointed and unnatural as a puppet’s is, and an old dowager walks as smartly as an upright old soldier. You would recognize them naked, but they are held up by their clothes and, stripped of their acquired carapace, they would surely fall, bonelessly, to the ground. As they manoeuvre their much corseted old bodies in or out of the carriage, it is difficult not to fancy that they creak in the exercise. But fashion dictates the stiff brocades and tight corseting, and fashion, here and now, is obeyed as promptly as an admiral.
Of course, everyone who now is making their slow path up Park Lane knows everything that is to be known of their fellow pilgrims. They are a very few, few thousand, and only rarely do they admit a new postulant at the crepuscular shrines of the fashionable London evening. Rarely, and usually by virtue merely of being born, is a new member of Society admitted. Money may admit you as a curiosity; or genius, particularly if displayed by a foreigner about whose origins it is possible to be rather vague, such as that excitingly-coiffeured Signor Paganini who was everywhere with his recitals two years ago. Adventure, too, or heroism committed by a suitably handsome young man in the East may serve very well to supply the fashionable two-legged curiosity of the Season. A young man with a good tale to tell, possessed of the fortune which accrues so readily in India and the deserts which lie beyond the Bosphorus, may be