Daniel Isn’t Talking. Marti Leimbach
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in a big hat, prefers miniskirts and boots up to her thighs, cuts the necks out of her sweatshirts and wears them hanging about her shoulders, sleeps in the nude amid satin sheets and takes pride in the fact that she can accomplish most sexual acts even underwater. Well, this is what I’ve managed to wheedle out of Stephen anyway – and yes, I wish I’d never asked. Penelope’s parents, as it happened, were believers in the theory that humans evolved from fish, and spent every family holiday risking their children’s lives in scuba gear and wetsuits. Thus, the child had learned at least how to hold her breath.
She is not a beauty, Penelope. She has a hook nose and stringy hair, eyes that seem overly wide apart in her face, like those of a cow. But she has something about her that far outclasses the likes of Stephen, who it must be said is a man who understands his limitations and so, perhaps unwisely, surrounds himself with extraordinary people to lighten his spirits and to give him something to think about other than whatever happens to be on television that week. Even I can see Penelope’s appeal, her showy sexuality, her beautifully articulated vowels. When she met me once by accident on the street, she did not say, ‘Oh, you,’ with haughty disregard, but instead asked me to say a number of words for her: zebra, aluminum, advertisement, Alabama. The sound of these words seemed to fill her with a moment of exhilaration, such that the nostrils of her bony nose quivered, hearing the long ‘a’ of Alabama, the protracted ‘oο’ of aluminum. Like Henry Higgins, she could place an accent without trouble, and she declared correctly that I was mid-Atlantic, but with some time further south, possibly Virginia. To Stephen she said, ‘Hi, pet,’ and then moved on.
But Stephen did not mention Penelope, or give hint to the fact she’d bought that flat with him, nor that his relationship with her was crumbling with the arrival at the University of London of a member of the elite among French ethnomusicologists, Dr Jacques-Pierre Devereaux, world-renowned expert on Asian idiophonic sound, who had whisked Penelope away to do field work in Thailand. He took me chastely to Hampstead Heath, where we sat on the lawn by the lake, watching a fireworks display.
‘What would be your eight desert island discs?’ he asked me. I had no idea what he meant, having not at that time ever heard the Radio 4 show in which celebrities are asked what they’d listen to if stuck on a desert island. I didn’t understand that this question was loaded with the invitation to display a sharpness of mind and deep cultural understanding of classical music.
‘Peter and the Wolf?’ I said. I could not think of a second. Stephen was stretched out on a tartan rug, his chin resting in his hands. Fireworks filled the night air with booming sounds, with bright colours reflecting now against his skin. His face took on an almost tribal aspect. When I declared I had no second choice, he pushed his gaze in the direction of the lake, wearing an expression as if he was suddenly, irretrievably bored. I am not a stupid woman. This gesture alone should have been indication enough to me that Stephen expected a woman to entertain him in that Edwardian manner of being pleasantly witty in conversation, knowledgeable about history, proficient at the piano or perhaps even the harp. In other words, that he would be no great friend of mine whatever he thought of my legs. But I shrugged, blew the grey wisps of a spent dandelion in his direction, and announced that I preferred the music of seashells and mermaids, of bellowing whales and chattering dolphins. Wouldn’t the desert island be a symphony enough for me, providing as it did all of these sounds, not to mention the ceaseless clap of waves against rocks, the delicately lapping surf?
He seemed pleased with that answer. Clasping my naked ankle, he pulled me gently beside him on the rug, kissed me and called me darling.
I can only imagine what Penelope would have answered to such a question.
‘So, is this what is bothering you?’ asks Jacob now. His eyes are large and round in the dim light of his study. His leather chair creaks as he shifts his weight, leaning toward me. ‘This woman? Penelope?’
I shake my head. I don’t even know why I’ve wasted his time with this information. Wasted my time.
‘Then can we talk about what is really going on?’ Jacob asks.
‘I don’t know what is really going on,’ I say.
When I want him, I must go to him, find him, take him by the hand. In the sunlight, he lies on his back, his legs kicking the glass doors in a steady rhythm, his small fingers shoved down his nappy. He will not speak or look at me while I sound out words for him. It appears a deliberate effort, this turning away, for he seems to search for everything but my face, my eyes that seek him out, my lips that produce the words I am so desperate for him to try. ‘Mummy,’ I say, hoping he will imitate. Beside me is Emily, her mouth pursed reproachfully at her brother, who is pulling away from me now, having decided that if he cannot be left alone to kick the door he would rather be in another room. ‘Say Mummy, Daniel!’ Emily urges. But he will not speak to us or stay with us. He wiggles free and begins to climb. A spot of sunlight has divided into a rainbow across one side of the wall, and he is scrambling up the back of the sofa now to lay his tongue against its colours.
‘I’ve made an appointment for Daniel to see a consultant about his hearing,’ I tell Stephen. ‘So you’re going to have to move the school thing.’
He is sitting at the table eating his lunch as he studies the Financial Times. He flaps the paper to uncrease it, glances at me, then returns to the headlines. He says, ‘This is a top girls’ school and it has exactly two places available for the autumn.’
I decide that if he isn’t going to look at me, then I am not going to answer, at least not out loud. Instead, I shrug. I send my eyebrows up and tilt my head this way and that, as though considering what Stephen is saying. None of this can he see because he is too busy reading the Financial Times. But then he lays the paper on the table, folds his arms across his chest, and sighs. ‘Melanie, I am listening,’ he says reasonably. ‘I think we should both be there. Why aren’t you eating anything?’
In front of me is a cheese omelette, peas and grilled tomato, all of it grown cold. ‘I am eating,’ I say. ‘I’m about to eat.’
He says, ‘Emily should be there. They’ll want to meet her.’
At the other end of the table is Emily in a plastic smock with a big flower printed across the front. She is painting a blue cap on to a plastic monkey the size of her hand and seems wholly disinterested in our conversation. ‘She’s four years old,’ I say. ‘What are they going to do, give her a test?’
I’d meant to be sarcastic, but Stephen looks at me squarely and says, ‘Yes.’ Then he takes my fork and stabs at the omelette. Adding on a few peas, he holds the fork to my mouth. Then he smiles, a gorgeous warm smile, and it seems to me that I haven’t seen him smile at me in so long I stare at him, mesmerised. He looks so sweet all of a sudden that I wish we could just stay like this. He says, ‘You are going to eat. Emily is going to go to school. Things are going to be normal around here.’
I open my mouth for the omelette, chew slowly, still watching Stephen, who I realise now is just trying to manage our family the same way he manages his office. If I let him, perhaps he will succeed.
‘What about Daniel?’
‘What about him?’ he says.
‘The appointment with the consultant.’
‘How many consultants do you need?’ Stephen cuts some more of my omelette, hands me the fork, then nods to indicate that I should eat. ‘Didn’t you already take Daniel to a consultant? I certainly have a bill for a consultant.’
‘He wasn’t so good, that doctor. This next one is the very best.’ I chew slowly, then put my fork down, standing now to clear the plates. ‘I don’t want Emily tested,’ I say.
He is annoyed, but all he says is, ‘Move the appointment.’
‘I’m really worried about Daniel.’
‘About his hearing?’ asks Stephen. ‘You think there’s something wrong with his hearing?’
I consider this.