One Night Only. Sue Welfare
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The receptionist’s smile held. ‘Not a problem,’ she murmured, her attention on Felix, who gave her an okay signal with his thumb and forefinger.
‘We’re good to go, whenever you are,’ he said.
The receptionist cranked her smile up a notch. ‘I hope you’ll be very comfortable during your stay with us, Ms Redford,’ she said, handing Helen the keys to her suite. Still smiling, she waved a porter over. ‘This is Christov, he’ll show you up to your room and take care of your bags, and if there is anything you want, anything at all, then please just let us know.’ She paused, turning the corporate hospitality smile up to stun for the benefit of the camera, and then added, ‘And can I just say how pleased we are to have you here at the Billingsfield Arms, Helen. Welcome home. It’s really good to have you back.’
Helen smiled graciously right on cue. ‘Thank you. It’s good to be back.’
‘And cut,’ said Felix. ‘That’s fantastic, really nice. Okay, lovely, lovely, lovely. Now am I right in thinking we’ve got one of the suites with the balcony? The one overlooking the quay?’ he asked first Natalia and then the woman behind the desk.
They were causing a stir. People were coming in off the street to watch what was going on; people who wouldn’t normally consider ever going into the Billingsfield Arms. People, Helen suspected, who the hotel management would probably prefer stayed outside, but who were making their way inside, past the doorman, past the plate glass and handsome oak panelling, to watch the filming. There were two men in anoraks, tracksuit bottoms and baseball caps standing just inside the revolving doors and alongside them two girls with babies in buggies. The girls had bare legs, their hair dragged up into topknots. Over by the entrance to the restaurant were a gaggle of women who had been shopping on the market, and were surrounded by piles of thin stripy carrier bags, the bags spilling their contents out onto the plush carpet.
The doorman stood to one side taking it all in, although from his expression it was painfully obvious he was unsure what to do. Did he throw the gawpers out or let them stay? How bad would it look for the hotel if he ended up on Youtube, hustling the hoi polloi back onto the streets?
Helen smiled at all of them. She had already done a round of autographs and hellos. One of the women, who before coming in had stubbed out a cigarette on the sole of her shoe and pocketed it, waved at her. Helen’s smile broadened as the doorman looked on, narrow-eyed and suspicious, as the woman found herself a chair and started to rifle through the complimentary magazines and newspapers.
Usually the Billingsfield Arms was the kind of establishment where people – guests and staff alike – spoke in hushed tones; where hurrying or shouting, shows of petulance or bad manners, were frowned upon. It was certainly not a place for shell suits and flip-flops, puffa jackets and baseball caps. Other hotel guests – mostly corpulent men of a certain age looking up from behind their broadsheets – cast glances in the film crew’s direction, making a great show of not being curious about all the comings and goings. But despite their measured indifference it seemed as if the business of the hotel had ground to a halt for the filming, as the staff crept out to join the people from the market to take in the floorshow.
‘That’s right. Suite thirty-four, top floor,’ the receptionist was saying. ‘I thought you’d already been up and had a look around?’
‘I did, but we have looked at quite a few. That is the one with the balcony, right? In the middle – the one with the view of all those warehouses?’ said Felix. Felix had bright red hennaed hair and was chewing gum.
‘That is correct,’ said the woman briskly; she didn’t look like the kind of woman who took kindly to hippies or chewing gum.
‘Okay, so we’re sure about that, are we?’ asked Felix.
The receptionist’s expression hardened. ‘Of course I’m sure. Suite thirty-four with a balcony. Your colleague booked it.’ She glanced at Natalia, who was nodding furiously.
Helen stood to one side of the melee along with her luggage. They had been in the hotel foyer for what seemed like forever, unpacking the equipment, setting up and then filming her walking down the street, looking up at the hotel, coming in out of the rain, making her way to the front desk, smiling at the receptionist, confirming her booking. All this for what would amount to a few seconds of airtime or probably be cut in the edit and not used at all. But it was getting them to bond, to gel as a team, which Natalia had explained was very important to all of them.
‘We really want you to trust us and understand where we’re coming from, Helen. We’re here to support you on your journey and make this a great show,’ she had said in a rather earnest pre-filming pep talk. Helen looked from face to face, well aware that no one else appeared to care a stuff about bonding, trust or any journey, other – possibly – than the one home.
So far their impromptu audience had hung on through it all, totally enthralled by all the comings and goings. One of the women, who was leaning against a baby buggy, blew a big pink bubble in her bubble gum.
Helen’s attention wandered, while Felix, Natalia and the receptionist discussed balconies, views and who had seen what and when. The hotel hadn’t changed that much since Helen had last been there. It was no less intimidating, no less grand. It stood just off the market square, no more than five minutes walk from the Carlton Rooms and the main shopping centre. Considering how far she had travelled since leaving Billingsfield it was odd to think that so many of the significant moments and events in her earlier life had been played out within a few hundred yards of each other.
The Billingsfield Arms still resembled a Victorian gentleman’s club with few visible concessions to the twenty-first century. Above the huge open fire hung an ornate gold-framed mirror reflecting the wood-panelled walls, the deep buttoned leather sofas and the high-backed winged chairs arranged around low tables. The floors were covered in thick, heavily patterned wine-red carpet that deadened every sound, every footfall, creating an atmosphere that made you whisper and walk on tiptoes so as not to shatter the tomb-like silence. It was a bastion of old conservative values, of Queen and country, with an ambience that was still more colonial than metropolitan.
With the crew still wrangling over locations the little crowd finally began to get bored and wander away. The girl blew another great balloon in her bubble gum and then – as it burst with a satisfying wet pop – peeled the fallout off her face and teased it from her lank greasy hair before following the others back out into the market square.
Helen glanced up at the mirror above the hearth, wondering what she might see reflected in it. Time dragged. Roots had arranged the shoot; they’d promised a light afternoon schedule, a nice hotel and dinner and then a bright and early start the following morning. It had all made perfect sense at the time.
Arthur had nodded when he looked at the proposal. ‘Good idea, split the days – do some of the filming on the Friday afternoon, then do the rest the next day when you’re rested and raring to go, and then the show on Saturday evening. Sounds perfect to me. Oh, and don’t forget you’ve sound checks Saturday afternoon. I’ve talked to the team at Roots and they seem to think the theatre will make a great backdrop – you know, see you in your natural environment. Your pianist will be there from three I think, but I’ll check.’ Arthur had sniffed his cigar. ‘So let’s see, train there late Friday morning, filming and your show Saturday and then back home Sunday, done and dusted.’
‘You’ll be there, Arthur, won’t you?’ Helen had said.
‘For the show?’ He grinned, ‘Oh God, yes – of course I will, I wouldn’t miss it for the world. You’ll be brilliant. I know you will. I’ve seen the rehearsals, haven’t I? To be honest, watching you work I wondered why the hell we hadn’t done it sooner.’
Flattered, Helen had smiled, although she had rather hoped he’d be there with her for the filming too. As if