Odd Hours. Dean Koontz
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I went under. A current sucked me down. I fought upward, broke the surface, spat out a mouthful of seawater, and gasped for air.
I rolled onto my back, using a flutter kick and a modified butterfly stroke to make for land at an easy pace. If one of the redheads waited on the shore for me, I wanted to give him time to hear the dinghy proceeding steadily north and to decide either to follow it or to return to the pier.
Besides, maybe a shark, a really huge shark, a giant mutant shark of unprecedented size would surface under me, kill me with one bite, and swallow me whole. In that event, I would no longer have to worry about Annamaria, the people of Magic Beach, or the possible end of the world.
All but effortlessly afloat in the buoyant salt water, gazing up into the featureless yet ever-changing fog, with no sounds but my breathing and the slop of water washing in and out of my ears, having adjusted to the cold but not yet aching from it, I was as close to the experience of a sensory-deprivation tank as I ever wanted to get.
With no distractions, this seemed like an ideal moment to walk my memory through the red-tide dream in search of meaningful details that had not initially registered with me. I would have been relieved to recall a neon sign that provided the month, day, and hour of the cataclysm, the precise location, and a description of the event.
Unfortunately, my predictive dreams don’t work that way. I do not understand why I have been given a prognostic gift vivid enough to make me feel morally obliged to prevent a foreseen evil—but not clear enough to allow me to act at once with force and conviction.
Because of the disturbing supernatural aspects of my life and because the weight of my unusual responsibilities outweighs my power to fulfill them, I risk being crushed by stress. Consequently, I have kept the nonsupernatural part of my life simple. As few possessions as possible. No obligations like a mortgage or a car payment to worry about. I avoid contemporary TV, contemporary politics, contemporary art: all too frantic, fevered, and frivolous, or else angry, bitter.
At times, even working as a fry cook in a busy restaurant became too complicated. I contemplated a less demanding life in tire sales or the retail shoe business. If someone would pay me to watch grass grow, I could handle that.
I have no clothes except T-shirts and jeans, and sweatshirts in cool weather. No wardrobe decisions to make.
I have no plans for the future. I make my life up as I go along.
The perfect pet for me is a ghost dog. He doesn’t need to be fed, watered, or groomed. No poop to pick up.
Anyway, drifting through fog toward the shrouded shore, I was at first unable to fish new details of the dream from memory. But then I realized that in the vision, Annamaria had not worn the clothes I had seen her wear in life.
She had been pregnant, as in life, suspended in the air above the luminous and crimson sea, a tempest of fiery clouds behind her.
As I stood on a beach crawling with snakes of light, she floated toward me, freed from the power of gravity, arms folded across her breast, eyes closed.
I recalled her garment fluttering, not as if billowing in the winds of a cataclysm, but as if stirred gently by her own magical and stately progress through the air.
Not a dress or gown. Voluminous but not absurdly so. A robe of some kind, covering her from throat to wrists, to ankles.
Her ankles had been crossed, her feet bare.
The fabric of the garment exhibited the softness and the sheen of silk, and it hung in graceful folds; yet there had been something strange about it.
Something extraordinary.
I was certain that it had been white at first. But then not white. I could not recall what color it had subsequently become, but the change of color hadn’t been the strange thing.
The softness of the weave, the sheen of the fabric. The graceful draping. The slightest flutter of the sleeves, and of the hem above the bare feet …
Scissors-kicking, the heels of my sneakered feet bumped something in the water, and an instant later my stroking hands met resistance. I flailed once at an imagined shark before I realized I had reached shallow water and that I was fighting only sand.
I rolled off my back, rose into night air colder than the water. Listening to the outboard engine fade in the distance, I waded ashore through whispering surf and a scrim of sea foam.
Out of the white fog, up from the white beach came a gray form, and suddenly a dazzling light bloomed three inches from my face.
Before I could reel backward, the flashlight swung up, one of those long-handled models. Before I was able to dodge, the flashlight arced down and clubbed me, a glancing blow to the side of my head.
As he hit me, he called me a rectum, although he used a less elegant synonym for that word.
The guy loomed so close that even in the confusing fog-refracted slashes of light, I could see that he was a new thug, not one of the three miscreants from the pier.
The motto of Magic Beach was EVERYONE A NEIGHBOR, EVERY NEIGHBOR A FRIEND. They needed to consider changing it to something like YOU BETTER WATCH YOUR ASS.
My ears were ringing and my head hurt, but I was not dazed. I lurched toward my assailant, and he backed up, and I reached for him, and he clubbed me again, this time harder and squarely on the top of the head.
I wanted to kick his crotch, but I discovered that I had fallen to my knees, which is a position from which crotch-kicking is a too-ambitious offense.
For a moment I thought the faithful were being summoned to church, but then I realized the bell was my skull, tolling loudly.
I didn’t have to be psychic to know the flashlight was coming down again, cleaving fog and air.
I said a bad word.
Considering that this is my fourth manuscript, I have become something of a writer, even though nothing that I have written will be published until after my death, if ever.
As a writer, I know how the right bad word at a crucial moment can purge ugly emotions and relieve emotional tension. As a guy who has been forced to struggle to survive almost as long as he has been alive, I also know that no word—even a really, really bad word—can prevent a blunt object from splitting your skull if it is swung with enthusiasm and makes contact.
So having been driven to my knees by the second blow, and with my skull ringing as though the hunchback of Notre Dame were inside my head and pulling maniacally on bell ropes, I said the bad word, but I also lunged forward as best I could and grabbed my assailant by the ankles.
The third blow missed its intended target, and I took the impact on my back, which felt better than a whack on the head, although not as good as any moment of a massage.
Facedown on the beach, gripping his ankles, I tried to pull the sonofabitch off his feet.
Sonofabitch wasn’t the bad word that I used previously. This was another one, and not as bad as the first.
His legs were planted wide, and he was strong.
Whether my eyes were open or closed, I saw spirals of twinkling lights, and “Somewhere over the Rainbow” played in my head. This led me to believe that I had nearly been knocked unconscious and that I didn’t have my usual strength.
He kept trying to hit my head again, but he also had to strive to stay upright, so he managed only to strike my shoulders three or four times.
Throughout this assault, the flashlight beam never faltered, but repeatedly slashed the fog, and I was impressed by the manufacturer’s durability standards.
Although we were in a deadly serious struggle, I could not help but see absurdity in the moment. A self-respecting thug ought to have a gun or at least