Road to Paradise. Paullina Simons
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And I like to nap in the afternoons. How could I nap if I was the only one driving? With so many skillsets clearly missing, a vague half of the western country appearing to me monolithically when I slept—snow and yellow flowers between two vast bodies of water—I was on a rack of doubt.
Which was precisely why when Gina approached my breasts in the locker room and offered to go with me, to split the costs and share the driving and the fear, I did not say no right away. Anxiety danced in me, but summer danced in me, too. I was eighteen, out of high school, and had a 1966 stock-car racing Mustang with black Le Mans stripes. And Gina didn’t. Though she had had other things that I know meant a lot to her. Boyfriends, and things.
Gina and I were like sisters in kindergarten. She lived on Summer Street, a short walk away, and had a stay-at-home mom, a working dad, a grandma living with them, and a sister she didn’t get along with, but still—an actual sister.
Her mother didn’t mind that we used to play mostly at her house; she said she didn’t like the endless parade of strangers through mine. I don’t know quite what she meant by that. Strangers didn’t parade through our rooms above a garage. So there we were, tight and inseparable, and suddenly, just like that, out of the blue, for no good reason, almost to spite me, my bestest bud Gina becomes friends with the mousy, gossipy Agnes Tuscadero, whom I didn’t like to begin with but after the revelations at the Tuscaderos’ idle-talk kitchen table, I hated like Jews hate Hitler. Gina said we could all be friends. She didn’t understand why the three of us could not all be friends. So we feebly played together, got together, walked into town, went to Larchmont beach, talked about being grounded, getting freedom, lying to our parents, and suddenly, just like that, out of the blue, for no good reason, it occurred to me it wasn’t Agnes who was the third wheel.
Marc said Gina was not a serious person, that she was too lightweight for me. I deserved a better, more profound friend. Like him.
Gina maintained we were all still friends. Every Saturday she kept inviting me out, to the beach, to Rye Playland. “Come on, the more the merrier.” She wouldn’t take my no for an answer, though it was the only answer she kept getting. Except once. A year ago June she invited me out to a club with her new boyfriend Eddie. “Come out with us, please? I really want you to meet him. I want him to meet all my best friends. You’ll love him. He is so funny.”
“What about Agnes?” I said glumly.
“She’s not as funny.” Agnes apparently was grounded. I couldn’t believe I agreed to go as Agnes’s pathetic mid-day Friday, afterthought replacement. But I went.
Eddie was pretty funny.
Then Agnes wasn’t grounded anymore, and Gina cold-turkey stopped asking me to go places with her. Nearly the entire senior year had cruised by and we had barely spoken till the afternoon in the locker room.
Gina and I weren’t such strangers once, but there is something so personal about traveling in a car with someone. So intimate. Sharing the minutes of your day, your every minute for days, maybe weeks, with another human being. I couldn’t understand why in the world she’d want to come with me. But the thought of traveling alone was not entirely pleasant. Tension was inherent in both scenarios. On the one hand, Gina, but on the other, terror and alone! It was like that Valentine’s Day Hallmark card for fools: “BEING WITH YOU IS ALMOST LIKE BEING WITH SOMEONE.” Now that was sentiment I responded to. What was better: Gina or violent dread?
“I’m thinking, I’m thinking,” I told her when she accosted me again in the hall.
“Well, I have to know soon.”
“Why?”
“What do you mean why? I have to pack, no? I have to tell my mother. I have to get ready, too.”
“Look, if I agree to do this, you have to agree to take a bus the last leg of your trip. I’m not driving to Bakersfield.”
“You sure about that?” Gina said, and before I could respond, quickly added, “How close is Bakersfield to Mendocino?” a wide smile on her not really Italian face.
About me. First, all the things I’m not. I am not objectively beautiful. I have found very few people who are; is that fair to say? On the bell curve, I fall somewhere near the top of the downward creep toward homeliness, though perhaps more like a drop than a creep first thing in the morning when I don’t wear mascara or lipgloss, but I bet not even Christy Worsoe, the homecoming queen, looks good then. I can be thought of as plain in my unadorned state, but Emma, who has no obligation to make me feel better about myself, says I look cute when I crawl out for Saturday morning French toast with ricotta cheese before track, all sleepy and punk-haired, and because she says this, I don’t feel as homely as I might. There is nothing wrong with my face, but there is nothing extra right with it, either.
Other things about me. I don’t function well at night. I’m a morning person. I deeply believe that in that two-word, sea-like panoply of “morning person” are veiled a thousand tributaries, big and small, which comprise the essence of a human being. I have tested this divide on my friends Marc and Debbie and Tracy, on Emma too, and found it to be true. I get up and function best early in the day. I clean my room, get my work and schoolbooks together, make sure my sneakers are dry and my clothes ready for track. I take a shower, I eat breakfast. I have a list of things to do before the bus comes, and I do them all. My brain works. I get things out of the freezer for dinner, I make coffee for Emma, I check the boiler to make sure the pilot light is on so that the Lambiels have hot water. We once had a big problem with that, and it became my responsibility to check, and I never forget. I go to school. My library books are returned on time, I don’t indulge in compulsive behavior when I have things to do. I don’t leave my schoolwork until the last minute. I don’t put down my library books and then forget where I put them. I don’t squander the little money I have. I help out. When Emma and I are working an evening for the diplomats, I stay until the work is done. I always say, is there anything else I can do? and, what can I do to help?
If Emma wants me to iron, I iron. I don’t like ironing, and once I burned a silk shirt and the top of my hand and still have the scar to prove it (the blouse needed to be thrown out), but I iron anyway.
I don’t cut corners. If I am told to run seven miles to prepare for tomorrow’s 440-meter race, I run seven miles, even if I think it’s excessive. I don’t get so obsessed in watching TV/reading/knitting/washing the car/cleaning that I forget what time it is. That’s the major part of it, I think—I, as a morning person, always keep track of time. I know when it’s time to go to school, and when it’s time to clean, and when it’s time to read, and to rest, and to ask Emma why she has taken care of me for thirteen years (though there’s never been a good time to ask that, so I haven’t). We sometimes stay up and watch a late movie on a Saturday night, but rarely. Once, in 1978, we stayed up for “Towering Inferno” because I wanted to see how it ended. It ended at two, and I’ve never forgotten the feeling of having to drag my sorry ass out of bed four hours later. I sometimes read late, in my bed, but when I see it’s eleven-thirty, I put the book down and go to sleep so I won’t feel like a zombie the next day. I hate feeling like a zombie. I hate that feeling, because it’s not me. It’s not who I am, zombie-like on Sundays because I couldn’t put down The Reincarnation of Peter Proud. I don’t like myself when I lose track of time, so to like myself more, I put down the book and go to sleep.
Now take my friend Marc. Marc doesn’t know the definition of the word “time.” He does stay up till two, three, sometimes all night, and then I don’t see him in school the next day. He is constantly on the verge of failing, making up work, being late with assignments, copying my notes between classes, rushing, dropping things, forgetting things. Oh, does he forget things. Even things that are important to him. He likes to paint; you’d think he’d remember to bring along the tools of his craft, like his brushes and oils. But no. I can’t tell you how many times he