Under My Skin. Doris Lessing
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see him. And they swung their bodies hard in the rhythm of the work, while arcs of black coal reached from them to the flames, and then they looked up, and their white teeth showed in grimed faces. It was like the besprizorniki on the Russian railway platforms, it was the other world, where people had holes in their clothes and bones showed on their faces. I was afraid, looking down at the men who shovelled coal while the sweat poured off them, just as I had been looking out of the dirty cracked train windows.
In Walvis Bay I met death for the first time, on the beach, a sea ebbing from sands where tiny fish lay dying in a sea-puddle. They wriggled and writhed and gasped, and then I saw that drifts of dead little fish lay all over the sands. ‘Are they dead?’ I asked, wanting confirmation, wanting the word to fit what I saw: my father and mother understood the gravity of the moment, and my father said, ‘Yes, I am afraid so,’ and my mother said, ‘Well, never mind.’ A howlingly beautiful sunset filled the sky and I understood: this is how things are and there is nothing to be done about it.
Somewhere in the Cape, ostriches ran high-stepping across scrubby sands with blue mountains far behind them. Distance. The empty distances of Africa. But the family went on in the ship around the coast to Beira, of which nothing remains in my mind, not the railway journey up to Salisbury, nor Salisbury itself, which was then a little town you could stroll across in twenty minutes, nor the twenty miles’ journey to Lilfordia, where we were to lodge while the farm was chosen.
Why ostriches, and not the ox wagons that still used the Salisbury streets, built wide so that the wagons could turn in them? Why the train in Russia but not the train Beira-to-Salisbury, surely equally exotic? Why remember this and not that? If I had decided to remember only the unpleasant, then why the ostriches, which were pure delight?
Lilfordia was the home of the Lilford family, later to be famous in the Bush War (the War of Liberation), because of Boss Lilford and his services to the white cause. Then it consisted of many rondaavels, solid and well-built thatched brick huts, scattered among shrubs which, we were at once warned, should not be approached incautiously, because of snakes. From the grown-ups’ voices – the Lilfords’ – it was clear these were no more of a danger than knocking a candle or a lamp over when playing too roughly, only something to look out for.
My father left us there and went off to look for a farm, I think, on a horse. This was when the white government was selling land to ex-servicemen for practically nothing, and when the Land Bank supported struggling white farmers on long-term loans. He would start farming on a loan. My parents had £1,000 and my father would have a pension because of his cut-off leg. He was also entitled to free repairs to his wooden leg, and, too, a spare one. This was well before the miracle legs of now, which can dance, climb, jump – do everything a normal leg does.
He chose the district of Lomagundi because it was a maize-growing area. It was in the north-east of Southern Rhodesia, very wild and with few people in it, and it stretched all the way up to the Zambesi escarpment. Banket, a large part of Lomagundi, not only grew good maize but had its name because it was full of quartz reefs similar to the rock formations called ‘banket’ on the Rand down south. So there were gold mines too. He and my mother must have realized by now that the enticements of the Empire Exhibition had little to do with reality. Fortunes had been made out of maize during the war, but were not being made now. But maize was what he wanted to grow. And that area was still being ‘opened up for settlement’. It would not have occurred to them that the land belonged to the blacks. Civilization was being brought to savages, was how they saw it, because the British Empire was a boon and a benefit to the whole world. I do not think it can be said too often that it is a mistake to exclaim over past wrong-thinking before at least wondering how our present thinking will seem to posterity. There was another reason why my parents’ view of themselves was similar to that of the English settlers on the eastern coast of America: they were colonizing an almost empty land. When the whites arrived in Southern Rhodesia thirty-four years before, there were, it is now believed, a quarter of a million black people in that land, roughly the size of Spain. When my parents arrived in 1924 there were half a million.*
My father was away some time and returned with the news that he had found a farm, or rather land that would be a farm – unstumped bush, quite undeveloped, nothing on it at all, not a house or a well or a road. My mother went off with him to look at it. They were driven by someone from the Land Department. Meanwhile we children were left with Biddy O’Halloran at Lilfordia. There it was that I reached the summit of childish wickedness. The hut where my brother and I were lodged also held Biddy. What must it have been like to share air and space with two little children, both of whom spent so much time on the pot? – for toilet training remained a sovereign prescription for good character. In the hut were two low beds, made after the fashion of the time. Into the hard mud floor were inserted short forked sticks. Into these forks were laid poles. On this square framework were laced strips of ox-hide. The lattices supported mattresses. There was a large metal cot for Harry. It goes without saying that Biddy liked my brother, sweet, obedient, delightful, the ideal little child; I would have preferred him too. There were two Lilford girls, to me big girls, ten or eleven, sunburned, bare-limbed, bare-footed, athletic and lean, unlike any children I had seen. They included little Harry in their games, but not me. I thought them sharp and sly and cruel. Their accent made them hard to understand. I was afraid of them. I longed to be included in their games. ‘Just now,’ they said. ‘Just now.’ Meaning perhaps – sometime – never. The sharp pain of exclusion.
Now I began to steal, ridiculous things like pots of rouge, ribbons, scissors, and money too. I lied about everything. There were storms of miserable hot rage, like being burned alive by hatred. When my parents came back and asked, But why scissors? I said I wanted to kill Biddy. They knew what I needed was a regular nursery routine, an ordered life, but how and when? Before that could happen, there must be a home, and it wasn’t built yet. We set off in an ox wagon on the road north. The road was then a track, and it was January, the rainy season, so the track was mud. The wagon was drawn by sixteen trek oxen. Into it went three adults and two children, and necessities, but the trunks of smart clothes, curtain materials from Liberty’s, heavy table silver, Persian carpets, a copper jug and basin, books, pictures and the piano, would come on later, by train. We were five days and nights in the wagon, because of swollen rivers and the bad road, but there is only one memory, not of unhappiness and anger, but the beginnings of a different landscape; a hurricane lamp swings, swings, at the open back of the wagon, the dark bush on either side of the road, the starry sky. It was a covered wagon, like the ones in American films, like those used by the Afrikaners in South Africa on their treks away from the British, north, to freedom.
We were again lodged with strangers, settler-fashion, paying our way, this time at a small gold mine, a couple of miles from the hill where the house would be built. It was managed by people called Whitehead, and owned by Lonrho. Nearly everything was, then. Lonrho was the successor to the British South Africa Company, which had helped Rhodes annex Southern Rhodesia, and for a long time it was referred to as ‘The Company’, and certainly not with affection. Again, there were many rondaavels, and a shack that was the central house. Beyond pale mine dumps stood up the grasshopper-like mine machinery. Beyond that was the mine store and then the compound of crowding thatched huts. Pawpaw trees, guava trees, plantains, marigolds, cosmos, cannas, moonflowers and poinsettias: these were the plants that then marked white occupancy.
Before farming could begin, at least a hundred acres of trees must be cleared, and the tree stumps dragged or burned out of the soil. Farm machinery and cattle must be bought. The house must be built, and the kraals for the cattle and sheds for the machinery.
The farm was a thousand-odd acres of bush, but there was some arrangement that enabled my father to use adjacent, non-allocated government land for grazing, and this land in our time was not settled, so ‘our’ land went on indefinitely to the Ayreshire Hills. There was no one at all living on that land, black or white.
Only one incident remains from that time that went on for months, later to be described by my parents, looking at each other with the awed, incredulous faces that accompany such moments of recognition, ‘God, that was an awful time, awful, awful!’ How did we live through it? – is the unspoken message that goes with the words.