Wonder Boys. Michael Chabon
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the summer of 1958 it was reported in the Pittsburgh newspapers that Joseph Tedesco, a native of Naples and an assistant groundskeeper at Forbes Field, had been suspended from his job for keeping an illegal vegetable garden on a scrap of vacant land that lay just beyond the wall in center right. It was his third summer at the ballpark; in the years before this he had failed at several modest enterprises, among them a domestic gardening business, an apple orchard, and a nursery. He was careful in his work but terrible with money, and he lost two of his businesses through disorderly bookkeeping. The rest of them he lost through drink. His well-tended but rather overexuberant patch of tomatoes, zucchini, and romano beans on tall poles, some four hundred and twenty feet from home plate, had caught the unfavorable notice of a real estate broker who was attempting to close the deal for the sale of the ballpark site to the University of Pittsburgh, and soon afterward Mr. Tedesco found himself sitting, in his vast undershorts, in his living room in Greenfield, while his former crewmates went on chalking foul lines and hosing down the infield dirt. Then his tale of injustice made the papers; there was a public outcry and a protest from the union; and a week after the scandal broke Mr. Tedesco was back on the job, having fulfilled his promise to dig up the offending plants and transplant them to his own postage-stamp backyard on Neeb Avenue. A few weeks later, just after the all-star break, at his youngest child’s and only daughter’s eighth birthday party, Mr. Tedesco had too much to drink, choked on a piece of meat while laughing at a joke, and died, surrounded by his wife and children, his two grandchildren, and his rows of Early Girls and lima beans. With an almost mysterious affection his daughter would afterward remember him as a big, fat, shiftless, and overexuberant minor craftsman, with bad habits, who committed a kind of suicide-by-appetite.
I’m not sure how much of that I’ve got right, but it shows the lengths to which I’ve had to go in order to account for why a woman as sensible and afraid of disorder as Sara Gaskell would ever waste an hour on a man like me. Her mother, whom I’d met on two occasions, was a sad, strong, undemonstrative Polish lady with a black wardrobe and a white mustache who worked in a laundry. In raising her half-orphaned daughter, she had brought to bear all of her considerable armaments in a largely successful effort to expunge Joseph Tedesco’s evanescent legacy of failure and excess, and raise a woman who would always go for the sure thing, however modest. Thus Sara had submerged an early love of literature to the study of accounting, following this with a Ph.D. in administration. She’d refused the proposals of the first two great loves of her life in order to pursue her career, and then, having found herself Chancellor of our college at the age of thirty-five, allowed herself to marry.
She chose the head of the English Department: his affairs were in order, his career well-established, his habits husbandly, and he kept his seven thousand books not simply alphabetized but grouped by period and country of origin. As the eighth child of a poor Greenfield family she was attracted to Walter’s genteel manners, to his Dartmouth education, his knowledge of sailboats, his parents’ penthouse apartment on Central Park West. Her mother approved of him; Sara told herself that he was quite literally the best she could hope for. Nevertheless, in spite of all her mother’s efforts, there remained a wild and sentimental Neapolitan streak in Sara, and this, along with some faint Electral residue she saw crackling in the air around me, may also help to explain her willingness to endanger her stable existence for the doubtful pleasure of my company.
The other explanation I used to make to myself was that my lover was an addict and I was a manufacturer of her particular drug of choice. Sara would read anything you handed her—Jean Rhys, Jean Shepherd, Jean Genet—at a steady rate of sixty-five pages an hour, grimly and unsparingly and without apparent pleasure. She read upon waking, sitting on the toilet, stretched out in the backseat of the car. When she went to the movies she took a book with her, to read before the show began, and it was not unusual to find her standing in front of the microwave, with a book in one hand and a fork in the other, heating a cup of noodle soup while she read, say, At Lady Molly’s for the third time (she was a sucker for series and linked novels). If there was nothing else she would consume all the magazines and newspapers in the house—reading, to her, was a kind of pyromania—and when these ran out she would reach for insurance brochures, hotel prospectuses and product warranties, advertising circulars, sheets of coupons. Once I had come upon the spectacle of Sara, finished with a volume of C. P. Snow while only partway through one of the long baths she took for her bad back, desperately scanning the label on a bottle of Listerine. She’d even read my first book, long before she ever met me, and I liked to think that she was the best reader I had. Every writer has an ideal reader, I thought, and it was just my good luck that mine wanted to sleep with me.
“You can toss them in there,” she said, in a stage voice, pointing me like a tour guide into a small, pale blue room with a parquet floor and a bay window, high-ceilinged like all the rooms in the house. I carried the coats in and Sara followed, closing the door behind us. On the left-hand wall, alongside an Empire armoire, hung two large sets of baseball cards in oblong frames. I’d examined them in the past and I knew they represented the championship New York Yankee teams of 1949 and 1950. The opposite wall was covered in framed photographs of Yankee Stadium, taken at various epochs in its history. Against this wall lay the headboard of a bed with newel posts and a frilly white dust ruffle. Its surface was white and smooth and bare of any wraps or other garments. I spread Sara out across it. Crabtree’s and Miss Sloviak’s coats slid to the floor. I climbed onto the bed beside Sara and looked down at her anxious face.
“Hi,” I said.
“Hi, big guy.”
I lifted the skirt of her party dress and placed the palm of my hand against the outcropping of her left hip, where the waistband of her panty hose cut into the skin. I slipped my hand under the elastic and reached for the ten thousandth time for the wool of her pussy, automatically, like a luckless man diving for the rabbit’s foot in his pocket. She put her lips against my neck, beneath my earlobe. I felt her trying to relax her body against mine, joint by joint. She worked at the topmost button of my shirt, got a hand inside, and cupped my left breast.
“This one’s mine,” she said.
“That’s right,” I said. “All yours.”
We didn’t say anything for a minute. The guest room was right over the living room and I could hear a flashing ribbon of Oscar Peterson fluttering below us.
“So?” I said at last.
“You go first,” she said.
“All right.” I took off my eyeglasses, stared at the spots on their lenses, put them back on. “This morning—”
“I’m pregnant.”
“What? Are you sure?”
“My period is nine days late.”
“Still, nine days, that doesn’t—”
“I’m sure,” she said. “I know I must be pregnant, Grady, because although I gave up all hope of ever having a child a year ago, when I turned forty-five, I really only reconciled myself to the notion a couple of weeks ago. Or, I mean, I realized that I’d reconciled myself to it. You remember we even talked about it.”
“I remember.”
“So, naturally.”
“How do you like that.”
“How do you like it?”
I thought about that for a moment.
“It sort of makes for an interesting complement to my news,” I said. “Which is that Emily left me this morning.” I felt her grow still beside me, as if she were listening for footsteps in the hall. I stopped talking and listened for a moment until I realized that she was only waiting for me to continue. “It’s for real, I think. She went out to Kinship for the weekend, but I don’t think she really plans on coming home.”
“Huh,” she said, matter-of-factly, trying to sound as if I had just imparted some moderately interesting fact about the manufacture of grout. “So then, I guess what we do is divorce our spouses, marry each other, and have this baby. Is that it?”
“Simple,” I said. I lay there for