The Unbreakable Trilogy. Primula Bond
Читать онлайн книгу.
come into the room hesitantly because he’ll be unable to leave. He’ll stand at the end of the bed, breathing heavily as he looks at me. He’ll come closer, and sit beside me on the bed. I’ll feel the mattress give under him. My chest will rise and fall with my breathing; will I be able to conceal the fact that my heart is hammering? My breasts will rise and fall, too. He’ll stretch out a hand and run it over my contours. I’ll be able to feel the electricity in the millimetres dividing us.
The palm of his hand might brush the points poking sharply through the silk, and they will stiffen eagerly. I’ll resist the temptation to smile, or lick my lips. I’ll be the Sleeping Beauty. But inside I’ll be melting.
I watch the countryside rush past, glance at my passengers. One or two are looking at me, but could that be because I’m looking smart today? Lashed by the sea wind and rain, bright eyed from the fresh air, but focused totally on what lies ahead of me in London?
What will Gustav do then? Will he rise and step quietly from the room, leaving me fuming with frustration? Or will he notice the dampness, close his hands over the swell of my breasts, shift nearer on the bed, a tiny fleck of saliva in the corner of his mouth, his face flushed with desire, pulse pummelling in his neck?
In the train I cross my legs, trapping my hand inside my thighs. My newspaper is open on my knee. Another review of my show. Under it I start to lift my skirt, slide my hand underneath as I plot and plan how to bring about Gustav Levi’s downfall.
I will yawn and arch my back, let my arm drop over the bed, push my breasts up higher to be seen. Will he be able to tell that even in pretend sleep I’m aching to be touched?
Shift the tempo of my fantasy. How about if he was already on the bed with me, running his hands down my back, turning me towards him. What if I flipped up, like Jake’s girl in the caravan, surprised him with my agility, pushed him down and straddled him?
‘Do you like what you see?’ I might whisper, pushing the straps of my negligee down my arms, bending over him. ‘My nipples are hard. I like them being touched. I like them being sucked.’
He will stare at them, take my breasts in his hands, this is torturing us both. He’ll rub his thumbs over the nipples, and then I’ll lower myself right over him and push them at his face, at his mouth, poke them hard so they slip between his teeth and he’ll feel the leap of desire inside him as his mouth closes round them and starts to suck.
I am lying back in my seat now, my fingers stroking myself under my skirt. This fantasy is driving me mad. Jake was right, in a way. I am jealous. Not because I want him, or our old life together, but because I want someone, right here, right now, to call my own. And if that special person turns out to be Gustav, I know that nothing will ever be simple and straightforward again.
Why can’t this train go faster? I rub my fingers faster under the newspaper, press my thighs together as the excitement builds and bursts and leaves me weak and breathless, and a little ashamed.
He’ll suck until I come, and maybe then he’ll call me selfish.
I close my eyes. One step at a time. I start to drift, away from Devon, away from everything.
A text pops up on my phone. Come to me as soon as you can. I miss you.
But it’s not from Jake. It’s from Gustav.
CHAPTER NINE
I like sitting behind this glass desk. When I’m here on my own it’s as if these few hundred square feet of prime London real estate are all mine. The whitewashed walls are adorned with my photographs, and nearly half of the exhibits are dotted with red spots to indicate a sure sale. Already limited edition prints, posters and greetings cards are being rushed out for sale in our pop-up shop – and I’ve gone with Jake’s idea to sell the Devon series as arty postcards in the village.
I am itching to go to Gustav like his text said. But I’ve managed to resist for another whole day. Something is telling me to play hard to get, just a little longer. Not withhold completely, because we have an agreement. Just not show him all my cards. How I sat on that train travelling away from my past, wanting to be with him, as he seems to want me. That silver chain permanently pulls at us, even when we’re at opposite ends of the country.
A while ago Crystal glided out of the lift with a huge cup of Americano. Not polystyrene. A proper, French-style tasse, complete with tray and plate of chocolate HobNobs. She looked round the exhibition, nodded with satisfaction at the red dots stuck onto the frames. She is wearing a red trouser suit to match the dots today. But she didn’t linger for a chat.
From here I can see the London Eye, Westminster Bridge and, if I crane my neck, part of the Houses of Parliament. I love the clear wintry daylight bathing my face. There’s something serene yet life-giving about watching the river, this once disease-ridden artery of the city flowing ceaselessly past.
It’s lunch time, and several potential buyers have wandered in. A couple are standing in front of my Halloween triptych. It’s already been sold, but I drift up to them and tell them that they can also buy a special edition if they put down a deposit.
Next, a large group of photography students troops into the gallery. I watch them study the composition and lighting, and I really enjoy giving them a mini lecture on my technique. It’s especially fun seeing their reactions as they see the Venetian series, look once, then take two, glancing at each other, as they see what the angelic nuns are actually doing to themselves.
At last the gallery is deserted.
I wander back to my desk and as I sit down I knock my bag off. A pile of old exercise books tips out all over the floor. My diaries. Covered in dust. The big print of a man’s boot on one of them. Some ripped. Why on earth didn’t she burn them?
I shouldn’t do it, I know it’ll be opening a can of worms, but there’s nobody here and so I open one at random.
Today my calendar says it’s my seventh birthday. I put a big pink heart around the day. I told everyone at school and they sang to me in assembly. Miss Joney gave me a packet of felt pens and was very kind.
When I got home I hoped there would be a chocolate cake with seven candles that I could blow out, but there wasn’t. Not any sandwiches or squash. She was there and she threw the teapot at me. It was full of tea and it didn’t hit me but the tea burned my hand.
She said the school had phoned her but it isn’t my birthday and I’m a wicked little liar. She says I’m the only girl in the world who doesn’t have a real birthday. I don’t even have a real mummy or daddy. Nobody wanted me. When I was born he found me in a plastic bag when he was coming out of church. He was a vicar then. He’s not a vicar now.
He was sitting there while she said all this new stuff. He sat in his chair, not looking at me or the teapot or at her, just looking at the floor as if he wishes I was down there so he could step on me.
I shut the diary and slam it back down on the desk. A red mist has come down over my eyes. Seven years thinking I belonged somewhere, belonged to someone, all shattered in that one moment.
A train clatters over Hungerford Bridge. The light is already fading. Try not to think of it, try not to remember, but here it comes. The paralysing sense of betrayal that lingered for months after that. Maybe years. They must have been relieved to get that off their chests. Someone could have advised them how to tell me the truth, but they never consulted anyone. I don’t know how I coped, because I can’t remember, and I didn’t write anything in my diary for about two years.
This fading winter darkness reminds me though of the muffling boredom when I was a child, too young to get away. As the light faded, closing off the cliffs and the sea behind the darkness, I would stare out of the window as the night rolled in, with no-one to talk to until I got to school the next morning, nothing to do except read and draw sad pictures in my cold little room.
They’re still hurting me, even