Nikki Gemmell’s Threesome: The Bride Stripped Bare, With the Body, I Take You. Nikki Gemmell
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thirties but still stamp through puddles and sing off-key too much, as if tucked inside you is a little girl who refuses to die.
The only thing I’ve ever had a passion for was Jesus, Theo tells you. When I was eleven. It was something to do with the hips.
She was expelled from your convent school because the Mother Superior decided she had more influence over the students than the nuns did. She has many stories like this. You do not. She’s called Diz by the people closest to her. She’s always rolling her cigarettes from a battered silver case and this only adds to her charm, as does her air of being constantly in heat. Your friend is lush, ripe, her body a peachy size fourteen. She’s one of those women who look like they enjoy an abundance of everything, food, fresh air, sex, laughter, love. When alongside Theo you feel pale, like a leaf left too long in the water, bleached of colour and life.
But you don’t envy her for you know too much about her. She’s your oldest friend in the world, you’ve loved her since you were thirteen. You’re not sure why it’s so disturbing to hear she has no passion in her; perhaps it’s because your life, in contrast, on the cusp of your honeymoon, seems bathed in love. As you walk home from the cafe you smile out loud at that thought, you can’t help it, you smile widely as you walk down the street.
it is absolutely necessary to wash the armpits and hips every day
You’ve laughed with Theo that your husband always sleeps with his T-shirt and boxer shorts on, even when it’s hot. That he doesn’t appreciate the sweetness of skin to skin, the softness of it and the smell, the warmth. Just the sight of a man’s chest can make you wet. You’d never say an expression like that to him, makes me wet. You would to Theo. Cole would be horrified at how much she knows.
You love placing your palm on Cole’s chest when you’re lying in bed, curving your torso around the crescent of his back, the jigsaw fit of it. You love the smell of him when he hasn’t washed, especially the softness under his arms. If he knew, he’d describe it as unseemly. Sometimes in bed Cole doesn’t allow your hand to stay on his chest, he brusques it away. Sometimes he lets your hand rest there. Sometimes he clamps your hand like it’s caught in a trap and when you drag it away he clutches it tight and it becomes a game to disentangle yourself.
But only you’re giggling, in the close dark.
girls can never be too thoughtful
Why are you putting on your socks, you ask.
Because I’m going back to the room, Lovely.
But we’ve just got here, Donkey. Your swimmers are still wet.
I know, but there’s a very important meeting in front of the telly. Are you coming?
No, I’ll stay a bit longer.
You feel guilty saying no for Cole needs you a lot and he’s loud with his want, it’s almost a petulance, like a boy’s. But you can feel your skin absorbing this hard Moroccan light like the desert does rain, can feel it uncurling something within you. Here the light bashes you; in England, it licks you. Cole’s skin and eyes recoil from it; his skin is very pale, almost translucent; he’s away, inside, a lot. Not only on holidays but in London too. He sequesters himself by habit. At work, until late, or in front of the television, or in the bathroom. He can stay on the toilet for three-quarters of an hour or more, if you sit next to him on the couch he’ll make his way to the armchair without even realising what he’s doing, if you put your hand on his groin in bed he’ll shrug it away. He sleeps with the curve of his back to you more often than not.
Yet even when he’s away he needs you nearby: he’s told you that you’re his life. You love the ferocity in his need, to be wanted so much. Cole is the only man you’re attracted to whom you can talk to without a fear of silence, like an empty highway, right through the middle of the conversation. Or of saying something ridiculous and telling, or of your lip trembling, or of blushing. Your body stays obedient around Cole, you’re in control, you can relax. It’s one of the reasons why you married him. That you’re comfortable with him, that you don’t have to act too much, you can be, almost, yourself. No one else is allowed so close.
dance away with all your might
Your big toe’s kissed, indulgently, when you throw back your arms like a diva on the sunlounger and declare you’ll be staying by the pool a little longer. Neither Cole nor yourself has seen anything, yet, of the new city you’re in, even though you’ve been here for four days. Theo would berate you for this but marriage has made you soft, dulled your curiosity. The crush of robed and veiled people at the airport, the mountains of luggage and squealing children and machine-guns on guards were all a little overwhelming, so both Cole and yourself are content to stay wrapped within the hotel for a while. It’s like the one in the movie The Shining, with wide, deco corridors and a surreally spare lobby and the regret of some long-ago lost decadence. A bastion of French colonialism that’s now frequented by wealthy Europeans, but there are not enough of them to plump out its space. There are no Muslims. Perhaps they find it too ridiculous, or unwelcoming, or odd, but there’s no one to ask.
You would’ve sought the answers once, you shone with curiosity once. Now you’re almost too languid to care, for you’re distracted, deliciously so. You sit on the edge of the pool and dawdle your fingertips in its coolness and remember something from the day-old Times, that the urge to think rarely strikes the contented. You smile—so what?—and wave over a pool waiter for another Bellini. How you love them. You’ve never allowed yourself the luxury of laziness, or four Bellinis in a row before.
A donkey pulls a cart of clippings up a rose-bowered path of the hotel’s gardens. A man flicks a whip lazily over the animal’s back. It’s something of this land at least. You must photograph it.
it is a wife’s duty to make her husband’s home happy
Midnight is thick with heat and humming with stillness before the assault of the frogs and the birds and your eyes are shut but you can sense Cole’s gaze, can feel his greed and there’s a tightness in your throat. Your relationship works delightfully, easily, in so many ways, except for the sex.
But that is not what you married Cole for.
A tongue hits your eye, slug-wet and heavy. Your husband strips away the recalcitrant sheet wound about your legs and nudges, insistently, his knee between your thighs. He must make love on his terms, which isn’t often. You usually make love in the mornings to take advantage of his hardness upon waking. Cole’s penis often doesn’t feel hard enough, as if it’s thinking of something else. He doesn’t come very often. Both of you usually give up before he has and it’s always with relief on your part. You wonder if Cole has a condition that causes him to take so long to come, or if he’s undersexed, or just tired. Like you have been, a lot.
As Cole is on top of you on this wide hotel bed you’re looking at the numbers of the clock radio by the bed flicking over their minutes and you’re thinking of Marilyn Monroe who said I don’t think I do it properly – you read it in a newspaper once with astonishment and relief: so, someone else, and what a someone else. You’re not sure if Cole does it properly, you don’t know what properly is. Theo would, for she is a sex therapist with a discreet Knightsbridge office and a Sunday magazine column. You suspect she finds you both innocent and ridiculous and sweet. Cole and you have never done any of that making love twice in a row