Chapter Six

      The next morning was fine and bright. Small wispy white clouds were draped theatrically across the sky and made an impressive spectacle as I pulled back my curtains to let the day in. The silver maple tree planted in the street outside my window was just beginning to adorn itself in its gorgeous yellow-gold hues for the autumn. There was a decided chill in the air as I opened the front door and walked down the brownstone steps onto my street.

      It’s only a short walk from my apartment to Celia’s but it’s an essential part of my Saturdays. My Saturdays are as close to sacred as they can be and I guard them jealously. Well, I do now. This was not always the case. When I first took the helm at Kowalski’s I felt I had to be there every single minute the shop was open. I developed a disaster-movie mentality to my business; as if the moment I wasn’t there things would start blowing up, or a meteor would burst through the atmosphere on a collision course with the shop, or aliens would invade—or all of the above—and I would return to find the place gutted with my staff staring blankly at me, asking, ‘Where were you when we needed you?’

      After about a year I got so tired and so stressed out that all my creativity drained and we started to lose customers because my designs became lacklustre. It was then that Ed took me to one side and politely but firmly suggested that I needed time away from the business—for everyone’s sake.

      ‘You need some down time, girl,’ he told me, in no uncertain terms. ‘Marnie and I are more than capable of running the store without you for one whole day. You say you love this city so much? Well, give yourself the time to enjoy it. If you don’t, you’ll never survive here.’ As ever, he was right. So I set aside my Saturdays for seeing Celia and other friends, while Sundays were designated for reading, researching new styles and ideas and generally just spending time exploring my wonderful city, mostly under the wise (if slightly food-obsessed) guidance of Ed.

      Talking of food, on my way to Celia’s I always make a oneblock detour south to visit M&H Bakers, my neighbourhood bakery, to pick up some warm pastries, bagels or muffins for our chats. I love the New York combination of good food and good conversation. I’m not sure why, but somehow it’s a whole lot easier to solve life’s problems when you’re in the middle of demolishing a warm bagel smothered in cream cheese with smoked salmon, or a slice of blueberry pie. Even Ed, who vociferously dislikes the Upper West Side, is impressed by this place.

      Frank, the small round guy behind the bakery counter, shouted out as I walked in, ‘Good mornin’ to ya, Ms Duncan!’

      ‘Hi, Frank. How are you today?’

      He waved his hand from side to side. ‘Oh, so-so. You know.’

      ‘Uh-huh,’ I replied with a nod. No matter how brightly the sun is shining, how many customers he has or generally how good his life is, Frank will always find something to despair over. In that sense, he is every inch a New Yorker. ‘So,’ I asked with a smile, ‘what’s the special today, then? Anything good?’

      Frank placed a hand across his heart and feigned offence. ‘Do I have anything good? Do I have anything good? I am shocked you gotta ask me! OK, lady, how’s this…’ He reached behind him and lifted a basket onto the counter. ‘Check these babies out.’ I surveyed the basket full of large, golden brown bagels. The smell was amazing—like warm spiced apple pie.

      ‘Wow. Apple, sugar and cinnamon, right? I’ll take six, please.’

      Frank let out a whoop and clapped his hands. ‘She got it!’ He spun round and called loudly into the back of the store. ‘Hey, Luigi, she got it right again!’

      A short, incredibly hairy arm appeared round the door that led to the kitchen, and waved. A thick breathy Italian-American voice called back, ‘Dat’s great, Frankie!’

      Frank turned back and filled a brown paper bag with bagels. ‘You’re too good, Rosie,’ he smiled, shaking his head. ‘Too good. But we’ll get you one day soon.’

      In all the years I’ve come to this place, I’ve never actually seen Luigi. Well, only the incredibly hairy arm and the disembodied voice. Why is he always out back? What if they have to keep him there? What if the sight of all of him is simply too traumatic for the average bakery customer? I have this theory about Luigi. Picture the scene: a young couple in Italy go to see the priest in their small village, late at night. In the priest’s small, dimly lit kitchen they present their one and only child to him. Horror paints the priest’s face and he has to look away. Even in the meagre candlelight