The crescent Moon is possibly the most distinctive Moon symbol; it shows the changing shape of the Moon and also the return to the same shape. Like the Moon, it is connected to the female principle and the element of water. It is also linked to virginity. Goddesses with a strong Moon connection—such as Diana, or Artemis—are often depicted with the unmistakable crescent Moon shape close by. In Christian iconography, Mary the Virgin, also known by the lyrical epithet Star of the Sea, appears standing on a crescent Moon with stars in the background, hinting at her Goddess nature. She generally wears the color blue, symbolic of spirituality and chastity. The crescent Moon that rests on its “back” looks like a chalice.

      The crescent Moon with the star is one of the most iconographic symbols of Islam, although the symbol is believed to predate the faith by thousands of years as the symbol of another of the great Moon Goddesses, Tanit Astarte, the Queen of Heaven. There are several stories that explain why the symbol was adopted. One is that the founder of the Ottoman Empire, Osman, had a dream in which the crescent Moon stretched across the Earth. Because of this, he kept the existing Moon Goddess symbol and made it the emblem of his Empire.

      Incidentally, the croissant—virtually a national symbol of France—is said to have been invented when the Turks were besieging Budapest in 1686 (another account gives the city as Vienna three years earlier). They dug underground passages with the idea of reaching the center of town without attracting attention. However, a baker, working through the night, heard the noise and raised the alarm. As a reward for saving the city, the baker was given the right to bake a special pastry in the form of the crescent Moon that was featured on the Ottoman flag.

      CROSS

      See First signs: Cross.

      CROSS AND CROWN

      A Christian symbol, the Cross and Crown is a reminder of the rewards that come in Heaven (the crown) after the tribulations of life (the cross) are over. Some latter-day Knights Templar organizations use this symbol.

      CROSS LORRAINE

      Essentially a heraldic device used by the Dukes of Lorraine, the Cross Lorraine is a vertical bar with two horizontal bars, originally equally spaced at either end. However, this cross is used elsewhere too. In the Catholic Church the cross signifies the rank of cardinal, and in renaissance alchemy it was used as a symbol of spirit and matter.

      Additionally the Cross Lorraine is used to denote one of the degrees within Freemasonry. During the Second World War it was adopted by the French Resistance as their secret symbol, an emblem to stand in opposition to the swastika, which had been rendered sinister by the Nazis, and lost for a time its meaning as a positive Sun symbol.

      CROSSROADS

      In fairy stories and myths, it is often at the crossroads where mischief awaits, usually in the form of other-worldly spirits. Effectively, the crossroads symbolizes the intersection of two paths, making four potential routes, and a place where a decision must be made, not only practically, but metaphorically too. The X of the crossroads marks a spot where two worlds meet.

      One of the more recent tales about an encounter at a crossroads concerns the renowned blues guitarist and musician, Robert Johnson. Johnson is alleged to have met the Devil at a crossroads, and to have exchanged his soul for his remarkable talent as a musician and songwriter. Johnson exacerbated this devilish reputation when he recorded a track called “Cross Road Blues,” based on a myth from the Deep South. This legend tells that a daring person who fancied striking a deal with Satan should wait for him at a crossroads late at night. The origins of this story go back to African folklore, where a deity called Esu was the guardian of the crossroads. When Christianity took over, these old Gods were, quite literally, demonized, and Esu was transformed into the Devil. Hecate, too, personified as the Queen of the Witches, was called the Goddess of the Crossroads.

      In Celtic mythology, corpses belonging to those considered “unholy” were buried at crossroads in order to prevent them coming back to life and because the crossroads was a Gate to the Otherworld. Gibbets were placed at crossroads for the same reason.

      CROW’S FOOT

      The crow’s foot is also known as the Witch’s Foot, and was feared as an indicator of death, used in casting spells against enemies. Crows, like ravens, were associated with the witches and warlocks who were believed to be able to transform themselves into these black birds so that they could travel unnoticed to their sabbats.

      The name “crow’s feet” is also given to the lines that radiate around the outer corners of the eyes with the coming of age and the inevitable approach of death.

      CRUCIFIX

      A Latin Cross with a model of the body of the Christ fixed to it. It is used in the Christian tradition as a reminder of the sacrifice that Christ made for humankind.

      CRUX DISSIMULATA

      In third-century Rome, early Christians were persecuted to such a degree that their lives were threatened and the symbols of their faith had to be disguised. One of the ways they recognized one another was by the sign of the fish or ichthus; another way was to disguise the Cross cleverly as something else. The meaning of Crux Dissimulata is “disguised” or “dissimilar” cross.

      One of the more ingenious forms of this secret symbol, shown here, was the anchor. The top of the anchor is formed like a cross and, in addition, the anchor is plainly a symbol of stability. Because anchors are associated with the sea, too, the fish symbol could easily

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