Best of Nora Roberts Books 1-6: The Art of Deception / Lessons Learned / Mind Over Matter / Risky Business / Second Nature / Unfinished Business. Nora Roberts
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a woman? It was here now. Kirby opened her arms to it.
His heartbeat wasn’t steady, and it should have been. His mind wasn’t clear, and it had to be. How could he win with her when he lost ground every time he was around her? If he followed through on his promise—or threat—that they’d be lovers, how much more would he lose? And gain, he thought as he let himself become steeped in her. The risk was worth taking.
“You’ll pose for me,” he said against her mouth. “And you’ll make love with me. There’s no choice.”
That was the word that stopped her. That was the phrase that forced her to resist. She’d always have a choice. “I don’t—”
“For either of us,” Adam finished as he released her. “We’ll decide on the clothes after breakfast.” Because he didn’t want to give either of them a chance to speak, he propelled her from the room.
An hour later, he propelled her back.
She’d been serene during the meal. But he hadn’t been fooled. Livid was what she was, and livid was exactly how he wanted her. She didn’t like to be outmaneuvered, even on a small point. It gave him a surge of satisfaction to be able to do so. The defiant, sulky look in her eyes was exactly what he wanted for the portrait.
“Red, I think,” he stated. “It would suit you best.”
Kirby waved a hand at her closet and flopped backward onto her bed. Staring up at the ceiling, she thought through her position. It was true she’d always refused to be painted, except by her father. She hadn’t wanted anyone else to get that close to her. As an artist, she knew just how intimate the relationship was between painter and subject, be the subject a person or a bowl of fruit. She’d never been willing to share herself with anyone to that extent.
But Adam was different. She could, if she chose, tell herself it was because of his talent, and because he wanted to paint her, not flatter her. It wasn’t a lie, but it wasn’t quite the truth. Still, Kirby was comfortable with partial truths in certain cases. If she was honest, she had to admit that she was curious to see just how she’d look from his perspective, and yet she wasn’t entirely comfortable with that.
Moving only her eyes, she watched him as he rummaged through her closet.
He didn’t have to know what was going on in her head. Certainly she was skilled in keeping her thoughts to herself. It might be a challenge to do so under the sharp eyes of an artist. It might be interesting to see just how difficult she could make it for him. She folded her hands demurely on her stomach.
While Kirby was busy with her self-debate, Adam looked through an incredible variety of clothes. Some were perfect for an orphan, others for an eccentric teenager. He wondered if she’d actually worn the purple miniskirt and just how she’d looked in it. Elegant gowns from Paris and New York hung haphazardly with army surplus. If clothes reflected the person, there was more than one Kirby Fairchild. He wondered just how many she’d show him.
He discarded one outfit after another. This one was too drab, that one too chic. He found a pair of baggy overalls thrown over the same hanger with a slinky sequin dress with a two-thousand-dollar label. Pushing aside a three-piece suit perfect for an assistant D.A., he found it.
Scarlet silk. It was undoubtedly expensive, but not chic in the way he imagined Melanie Burgess would design. The square-necked bodice tapered to a narrow waist before the material flared into a full skirt. There were flounces at the hem and underskirts of white and black and fuchsia. The sleeves were short and puffed, running with stripes of the same colors. It was made for a wealthy gypsy. It was perfect.
“This.” Adam carried it to the bed and stood over Kirby. With a frown, she continued to stare up at the ceiling. “Put it on and come up to the studio. I’ll do some sketches.”
She spoke without looking at him. “Do you realize that not once have you asked me to pose for you? You told me you wanted to paint me, you told me you were going to paint me, but you’ve never asked if you could paint me.” With her hands still folded, one finger began to tap. “Instinct tells me you’re basically a gentleman, Adam. Perhaps you’ve just forgotten to say please.”
“I haven’t forgotten.” He tossed the dress across the bottom of the bed. “But I think you hear far too many pleases from men. You’re a woman who brings men to their knees with the bat of an eye. I’m not partial to kneeling.” No, he wasn’t partial to kneeling, and it was becoming imperative that he handle the controls, for both of them. Bending over, he put his hands on either side of her head then sat beside her. “And I’m just as used to getting my own way as you are.”
She studied him, thinking over his words and her position. “Then again, I haven’t batted my eyes at you yet.”
“Haven’t you?” he murmured.
He could smell her, that wild, untamed fragrance that was suited to isolated winter nights. Her lips pouted, not by design, but mood. It was that that tempted him. He had to taste them. He did so lightly, as he’d intended. Just a touch, just a taste, then he’d go about his business. But her mouth yielded to him as the whole woman hadn’t. Or perhaps it conquered.
Desire scorched him. Fire was all he could relate to. Flames and heat and smoke. That was her taste. Smoke and temptation and a promise of unreasonable delights.
He tasted, but it was no longer enough. He had to touch.
Her body was small, delicate, something a man might fear to take. He did, but no longer for her sake. For his own. Small and delicate she might be, but she could slice a man in two. Of that he was certain. But as he touched, as he tasted, he didn’t give a damn.
Never had he wanted a woman more. She made him feel like a teenager in the back seat of a car, like a man paying for the best whore in a French bordello, like a husband nuzzling into the security of a wife. Her complexities were more erotic than satin and lace and smoky light—the soft, agile mouth, the strong, determined hands. He wasn’t certain he’d ever escape from either. In possessing her, he’d invite an endless cycle of complications, of struggles, of excitement. She was an opiate. She was a dive from a cliff. If he wasn’t careful, he was going to overdose and hit the rocks.
It cost him more than he would have believed to draw back. She lay with her eyes half closed, her mouth just parted. Don’t get involved, he told himself frantically. Get the Rembrandt and walk away. That’s what you came to do.
“Adam…” She whispered his name as if she’d never said it before. It felt so beautiful on her tongue. The only thought that stayed with her was that no one had ever made her feel like this. No one else ever would. Something was opening inside her, but she wouldn’t fight it. She’d give. The innocence in her eyes was real, emotional not physical. Seeing it, Adam felt desire flare again.
She’s a witch, he told himself. Circe. Lorelei. He had to pull back before he forgot that. “You’ll have to change.”
“Adam…” Still swimming, she reached up and touched his face.
“Emphasize your eyes.” He stood before he could take the dive.
“My eyes?” Mind blank, body throbbing, she stared up at him.
“And leave your hair loose.” He strode to the door as she struggled up to her elbows. “Twenty minutes.”
She wouldn’t let him see the hurt. She wouldn’t allow herself to feel the rejection. “You’re a cool one, aren’t you?” she said softly. “And as smooth as any I’ve ever run across. You might find yourself on your knees yet.”
She was right—he could’ve strangled her for it. “That’s a risk I’ll have to take.” With a nod, he walked through the door. “Twenty minutes,” he called back.
Kirby clenched her fists together then slowly relaxed them. “On your knees,” she promised herself. “I swear it.”
Alone in Kirby’s studio, Adam searched for the mechanism to the passageway. He looked