A Haunting Compulsion. Anne Mather
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move with the times. Producers have to be modern in outlook, malleable in intent, they have to feel for their subject, and make allowances for human error. And also they need to be capable of distinguishing between truth and fabrication.’
‘And be sexually aware!’ exclaimed Rachel, unable to prevent the bitter retort, and Jaime inclined his head mockingly.
‘That, too, of course,’ he drawled, with heavy sarcasm, and Rachel longed to wipe the smug expression from his face.
‘OH, WELL—’ Liz licked her lips a trifle nervously, as if afraid she had accidentally stirred up the very hornets’ nest she had wanted to avoid. ‘I suppose we all have our opinions, don’t we?’ She cast an appealing glance in Rachel’s direction. ‘I should have known better than to speak of it in my son’s presence. Producers are not his favourite kind of animal.’
‘It’s all right.’ Rachel had herself in control again, and regretted her momentary lapse and any embarrassment it might have caused the older woman. ‘Fortunately—fortunately, we work for different television stations. Our methods are—different.’
‘Well, I’m sure we all wish you success in your career,’ declared Liz warmly, giving her son a reproving look. ‘It’s good to know a woman can succeed in a man’s world. Generally they seem to regard us as intellectual morons.’
‘Am I missing something?’
To Rachel’s, and to Liz’s, obvious relief, Robert Shard’s appearance was well timed. He came into the room behind his wife, arching his bushy grey brows at his son, and instantly alleviating the tense atmosphere.
‘Oh, we were just discussing Rachel’s work,’ Liz explained quickly, changing the subject before he could intervene. ‘What time are you leaving? Rachel says she’ll get me one or two things from the store, while you’re at the garage.’
‘I see.’ Robert looked thoughtfully at his son, apparently still assessing the situation, and Liz gazed imploringly at Jaime, entreating him not to rekindle the subsiding hostilities.
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