Dark Venetian. Anne Mather
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the inner rooms of the Palazzo in the same state as the outer walls, and Emma felt sure her first thoughts were the amount of renovation which would take place as soon as it was certain that she was to be the next Contessa.
The maid, Anna, was waiting to serve coffee and biscuits, and after several cups and a couple of cigarettes, Celeste and Emma were shown their rooms.
Celeste’s room was a huge barnlike salon with a massive tester bed hung with velvet drapes from a central cornice that could be let down to enclose completely the occupants of the bed. The tesselated floor was strewn liberally with soft piled rugs, and the furniture was made of dark stained wood accentuated by the bright colours of the bed covers and curtains.
‘Heavens!’ exclaimed Celeste, in amazement, ‘It’s like a small auditorium.’
‘Perhaps that’s what it was used for in the olden days,’ remarked Emma, forgetting for a moment her own problems. ‘Maybe the Contessas used to hold audience in their bedchambers like kings and queens used to in days gone by.’
‘Is that a fact?’ Celeste made a moue with her lips. ‘Ah, well, so long as the bed’s comfortable, I don’t suppose I shall worry. Actually, though, I imagine those drapes could prove rather stuffy on a hot evening.’
‘In this place?’ Emma shook her head. ‘I shouldn’t imagine these rooms ever get stuffy, as you put it. They’re built of stone, you know, these palazzi. And stone takes an awful lot to warm up.
Celeste sighed. ‘And where is the bathroom? I wonder if the plumbing is modern. Let’s hope so.’
The bathroom was huge, and stately, and the bath was big enough to hold half a dozen adults at one go, but the plumbing was modern, and when the taps were turned on, a refreshing stream of steaming water splayed out on to the porcelain basin.
Anna had offered to unpack for Celeste, so leaving her stepmother to the maid’s ministrations, Emma decided to explore. Her own bedroom was far less imposing than Celeste’s, but it was still rather big although the bed was a modern divan-type four-footer, for which she felt rather disappointed. She, much more than Celeste, would have welcomed the genuine atmosphere of old things in their proper place.
The lounge when she returned to it was deserted, but sounds penetrated from a door opening off to the left which seemed to lead to the kitchen quarters and she thought perhaps the old lady might be supervising the arrangements for lunch.
She stepped back out on to the long gallery which ran from front to back and stood for a moment looking down on the deserted and rather dark hall below. She could picture what the Palazzo must have looked like in the days when the hall was used for receptions, when the room was filled with beautifully adorned women in silks and satins and brocades, their jewels more fabulous than any Emma had ever seen, while the men, bewigged perhaps, or simply elegantly clothed themselves in satin breeches and waistcoats joined their ladies in the minuet, the strains of violins floating up to the younger members of the family, as they watched perhaps from the secrecy of this very balcony.
She was lost in thought, a faint smile touched her lips, and she started, shaken out of her reverie, when the outer door opened below and a shaft of sunlight momentarily dispersed the gloom, revealing a man who was entering the Palazzo, carrying a guitar case in his hand.
Completely unaware of her scrutiny, he walked silently across the hall to an ante-room. He opened the door, and without a sound disappeared inside.
Emma frowned, and straightened up. She had been leaning on the balcony rail, and her arm felt cold from the touch. But she was unconscious of any discomfort to herself. There had been something peculiar about the entrance of the man downstairs; she could not have said what it was exactly, but his movements had been deliberately stealthy, as though the last thing he wanted to do was draw attention to himself. And if that was the case, who could he be? And what was he doing down there?
Emma swallowed hard. It was difficult for her to gauge the situation. From what Celeste had told her, and the Contessa’s conversation the previous evening, she had gathered that only the apartments on the first floor were used by the Contessa and her grandson, and if this were so, what possible reason could anyone have for entering the ante-room downstairs, and with a guitar, too? It sounded ridiculous when she thought about it, and shrugging her shoulders, she turned resolutely away. Whatever was going on it was no concern of hers, and she hardly knew the Contessa well enough to go and ask whether she knew that someone was using one of her downstairs rooms.
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