A Midsummer Night's Sin. Kasey Michaels
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sides and top, rather like emerald flames. “See? These satin ribbons tie behind the head. They’re both pretty, but I really like this one best, if you don’t mind?”
“You look like a cat,” Regina said, looking down at the mask in her hands. “And I mean that in the nicest way. Mine’s … white.”
“Ivory, Regina,” Miranda corrected. “It’s shaped much like mine, except for that part that covers your nose, and isn’t that the most gorgeous lace? And all those tiny seed pearls curling all over? And those tiny little silken rosebuds? And the lovely satin ribbons? Oh, stop frowning, Reggie. It’s pretty!”
Regina looked at the mask again. Yes, there were rosebuds, three of them. One at either side of the mask and a third that, once she had it on, would be smack in the middle of her forehead. She plucked them off even as Miranda eeked in protest before breaking into a wide grin and clapping in delight.
“Then you’ll go?”
Regina looked down at the mask. She fingered the decadent scarlet silk puddle in her lap. She wavered.
“I’m certain I was told that masquerade balls are not as acceptable as they once were.”
“Well, of course they’re not, silly, or else I wouldn’t have had to steal the invitation from my brother’s desk, now, would I? But since Justin is out of town at some boxing mill, in any case, why should the invitation go to waste? Besides, the hostess is Lady Fortesque, and I know Justin has spoken of her more than a few times, so the whole thing is still … reasonably acceptable.”
Regina fingered the silk once more. Scarlet. Debutantes did not wear scarlet. They didn’t wear masks, either, she felt fairly sure. She knew for certain that they didn’t attend balls without a parent or other chaperone present.
“What happens at a masquerade ball?”
Miranda shrugged. “I would suppose that everyone hides behind their masks until such time as they’re told to take them off. Not that we’ll do that, of course. We’ll be long gone by then. But while we’re there …” She paused, probably for dramatic effect. “While we’re there, we tell no one our true names, and we’re free to dance and flirt and— Oh, Reggie, please say yes!”
Being a debutante was boring. It probably was supposed to be boring, so that everyone would quickly find someone suitable, marry and never have to do it again. Being a Hackett, daughter of the poor, martyred Lady Leticia and the totally unacceptable Reginald, Regina had endured her share of impolite stares, snide innuendo and even a few horrified mamas, who had physically escorted their sons in the opposite direction when there was a chance of having to stop and exchange pleasantries with the wealthy but socially inferior Miss Hackett. Except for those titled but poor as church mice peers who might entertain lowering themselves to courting her father’s money. Those she avoided, much to her papa’s chagrin.
To be able to dance—yes, and to flirt—without anyone knowing her name? To not be the coarse, jumped-up shipping merchant’s daughter or even the sad, drunken Lady Leticia’s daughter, just for a few stolen hours?
Sensing that her cousin was wavering, Miranda pressed her case. “We’ll be wearing these lovely capes to conceal our clothing. Doris Ann and I found them in the attics, and they don’t even half smell of camphor, not since we aired them. Can you believe my parents once actually were young enough to have worn them and these masks aeons ago? That’s why you get the scarlet one, since Papa is so short and you are so horridly tall, like your father. But not everyone is so boring as to just wear dominos and masks. Some of the guests will come in complete costumes. There will be knights and shepherdesses—all sorts of fanciful things. Why, who knows, Reggie. Perhaps by the time midnight strikes, you will have kissed a devil. Isn’t that beyond anything exciting?”
“Neither of us will be kissing any devils,” Regina said, holding the mask to her face as Doris Ann tied the satin ribbons to keep it in place. “We’ll stay for an hour, no more than that, and then make a late appearance at the recital, just in case your mother or mine ever chances to speak to the hostess. We will be late because one of the coach horses turned up lame. Also, Miranda, you will not leave my side, nor I yours, for more than the space of a dance. Agreed?”
Miranda was already struggling to push her arms into the sleeves of the concealing domino. “Oh yes, yes, agreed! Most definitely agreed!”
“And if we’re caught out, I’ll tell everyone it was all your idea, and that you kidnapped me.”
“Reggie! You wouldn’t!”
“No, probably not,” Regina agreed. “But I was just now remembering the time Mama and I visited at Mentmore and you blamed me for tossing you into the ornamental pond.”
“And they believed me and not you,” Miranda said, tying the strings of the domino under her pert little chin before pulling the hood up and over her hair. “That’s because I look so sweet and innocent and you look … well, never mind.”
“Oh no, you don’t,” Regina said as the horses drew to a halt outside a large building lit with flambeaux that cast strange shadows inside the coach. “I look so what?”
Miranda fidgeted on the seat. “Well, Mama says decadent, but Papa says exotic. And Justin …”
“Yes? My idiot cousin Justin says what?”
“He says you always look like you’re ready. And stop looking at me with your eyes all gone wide that way because I don’t know what that means, but Mama said he shouldn’t talk like that in front of me. Come on, Reggie. If we only have an hour, let’s make the most of it.”
“I suppose now I have Grandmother Hackett to blame for something else,” Regina grumbled as she tied the strings of the scarlet domino around her throat and covered her hair with the hood. “All right, I’m ready.”
HE WORE HIS DARK blond hair parted on the side and allowed it to hang loose to his shoulders, covering the thin, golden strings that secured the mask to his head. It had been fashioned for him by the premiere costumer in Paris, following Puck’s own design. It fit him perfectly, as he’d submitted to the molding of what some would call a death mask so that the costumer could work with an exact model of his customer’s bone structure.
It was a three-quarter rather than a half mask, smoothly curving down over his nose and cheekbones and rising to his hairline, all of it hugging his face. The design was simple: no lace or frills or jewels or feathers for Puck. Instead, the impact from the mask—and it was considerable—came from the paintwork applied to its smooth surface.
His inspiration had been a Catherine wheel. Eight widening, pie-shaped wedges of dramatic color emanated from the center of the wheel, located at the bridge of his nose, rather in a pinwheel design, yet all sleek and of a piece. Painted gold gilt wedges cut down the right side of his nose and across his lower cheek, up and over his right temple, the left side of his forehead, out from his left eye and across his upper cheekbone. The reverse for the other four “blades,” all of those painted in deepest ebony.
All one saw of his face beneath mask and flowing hair was his wide, full mouth, his leanly sculpted chin and a pair of amused blue-green eyes.
The result was mesmerizing. He’d planned for mesmerizing.
And he hadn’t stopped with the mask.
He was dressed all in black, even to his waistcoat and the lace at his throat and cuffs. He wore a full, knee-length, black silk courtier’s cloak lined with shimmering gold and carried a long, ebony stick bearing black streamers and a gold serpent-head top. A ruby the size of a pigeon’s egg and ringed by diamonds nestled in the spill of black lace that was his cravat. He carried a shallow, wide-brimmed, black musketeer hat adorned with a fat, curled black feather.
Paris had exclaimed over him when he’d first donned the costume; the lovely Lady de Balbec most of all, he recalled with a smile. She’d pleaded with him to leave the mask on, even as she eagerly peeled away his clothing and pulled him