Why Is Murder On The Menu, Anyway?. Stevi Mittman
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the same. “Drew Scoones is not my little ‘friend.’ He’s a detective with whom I—”
“Screwed around,” my mother says. I must look shocked, because my mother laughs at me and asks if I think she doesn’t know the “lingo.”
What I thought she didn’t know was that Drew and I actually had tangled in the sheets. And, since it’s possible she’s just fishing, I sidestep the issue and tell her that Drew is just a couple of years younger than me and that I don’t need reminding.
I dig into my salad with renewed vigor, determined to show my mother that Chinese chicken salad in a steak place was not the stupid choice it’s proving to be.
After a few more minutes of my picking at the wilted leaves on my plate, the man my mother has me nearly engaged to pays his bill and heads past us toward the back of the restaurant. I watch my mother take in his shoes, his suit and the diamond pinky ring that seems to be cutting off the circulation in his little finger.
“Such nice hands,” she says after the man is out of sight. “Manicured.” She and I both stare at my hands. I have two popped acrylics that are being held on at weird angles by bandages. My cuticles are ragged and there’s blue permanent marker decorating my right hand from carelessly measuring when I did a drawing for a customer.
Twenty minutes later she’s disappointed that the man managed to leave the restaurant without our noticing. He will join the list of the ones I let get away. I will hear about him twenty years from now when—according to my mother—my children will be grown and I will still be single, living pathetically alone with several dogs and cats.
After my ex, that sounds good to me.
The waitress tells us that our meal has been taken care of by the management and, after thanking Tony, complimenting him on the wonderful meal and assuring him that once I have redecorated his place people will flock here in droves (I actually use those words and ignore my mother when she looks skyward and shakes her head), my mother and I head for the restroom.
My father—unfortunately not with us today—has the patience of a saint, hard-won from years of living with my mother. She, perhaps as a result, figures he has the patience for both of them and feels justified having none. For her, no rules apply, and a little thing like a picture of a man on the door to a public restroom is certainly no barrier to using the john. In all fairness, it does seem silly to stand and wait for the ladies’ room if no one is using the men’s.
Still, it’s the idea that rules don’t apply to her, signs don’t apply to her, conventions don’t apply to her. She knocks on the door to the men’s room. When no one answers, she gestures to me to go in ahead. I tell her that I can certainly wait for the ladies’ room to be free and she shrugs and goes in herself.
Not a minute later there is a bloodcurdling scream from behind the men’s room door.
“Mom!” I yell. “Are you all right?”
Tony comes running over, the waitress on his heels. Two customers head our way while my mother continues to scream.
I try the door, but it is locked. I yell for her to open it and she fumbles with the knob. When she finally manages to unlock it, she is white behind her two streaks of blush, but she is on her feet and appears shaken but not stirred.
“What happened?” I ask her. So do Tony and the waitress and the few customers who have migrated to the back of the place.
She points toward the bathroom and I go in, thinking it serves her right for using the men’s room. But I see nothing amiss.
She gestures toward the stall, and, like any self-respecting and suspicious woman, I poke the door open with one finger, expecting the worst.
What I find is worse than the worst.
The husband my mother picked out for me is sitting on the toilet. His pants are puddled down around his ankles, his hands are hanging at his sides. Pinned to his chest is some sort of Health Department certificate.
Oh, and there is a large, round, bloodless bullet hole between his eyes.
Four Nassau County police officers are securing the area, waiting for the detectives and crime scene personnel to show up. I was hoping one of them would turn out to be Diane, my best friend, Bobbie’s, sister, who knows how to handle my mother better than probably anyone except my dad. Anyway, she’s not here and the cops are trying, though not very hard, to comfort my mother, who in another era would be considered to be suffering from the vapors. In the twenty-first century, I’d just say she was losing it. That is, if I didn’t know her better, know she was milking it for everything it was worth.
My mother loves attention. As it begins to flag, she swoons and claims to feel faint. Despite four No Smoking signs, she insists it’s all right for her to light up because, after all, she’s in shock. Not to mention that signs, as we know, don’t apply to her.
When asked not to smoke, she collapses mournfully in a chair and lets her head loll to the side, all without mussing her hair.
Eventually, the detectives show up to find the four patrolmen all circled around her, debating whether to administer CPR or smelling salts or simply to call the paramedics. I, however, know just what will snap her to attention.
“Detective Scoones,” I say loudly. My mother parts the sea of cops.
“We have to stop meeting like this,” he says lightly to me, but I can feel him checking me over with his eyes, making sure I’m all right while pretending not to care.
“What have you got in those pants?” my mother asks him, coming to her feet and staring at his crotch accusingly. “Bay-dar? Everywhere we Bayers are, you turn up. You don’t expect me to buy that this is a coincidence, I hope.”
Drew tells my mother that it’s nice to see her, too, and asks if it’s his fault that her daughter seems to attract disasters.
Charming to be made to feel like the bearer of a plague.
He asks how I’ve been.
“Just peachy,” I tell him. “I seem to be making a habit of finding dead bodies, my mother is driving me crazy and the catering hall I booked two freakin’ years ago for Dana’s bat mitzvah has just been shut down by the Board of Health!”
“Glad to see your luck’s finally changing,” he says, and he stares at me a minute longer than I sense he wants to before turning his attention to the patrolmen, asking what they’ve got, whether they’ve taken any statements, moved anything, all the sort of stuff you see on TV, without any of the drama. That is, if you don’t count my mother’s threats to faint every few minutes when she senses no one’s paying attention to her.
Tony tells his waitstaff to bring everyone espresso, which I decline because I’m wired enough. Drew pulls him aside and a minute later I’m handed a cup of coffee that smells divinely of Kahlúa.
The man knows me well. Too well.
His partner, Harold Nelson, whom I’ve met once or twice, says he’ll interview the kitchen staff and goes off toward the back of the restaurant with a nod of recognition toward me. Hal and I are not the best of friends.
Drew asks Tony if he minds if he takes statements from the patrons first and gets to him and the waitstaff afterward.
“No, no,” Tony tells him. “Do the patrons first.” Drew glances at me like he wants to know if I’ve got the double entendre. I try to look bored.
“What it is with you and murder victims?” he asks me when we sit down at a table in the corner.
I search them out so that I can see you again, I almost say, but I’m afraid it will sound desperate instead of sarcastic.
My mother, lighting up and daring him with a look to tell her not to, reminds him that she was the one to find the body.
Drew asks what happened this time. My mother tells him how the man in the john was “taken” with me, couldn’t