Hudson Bay. Robert Michael Ballantyne

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Hudson Bay - Robert Michael Ballantyne


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yourself, gentle reader, standing at the gate of one of the forts in Hudson Bay, watching a savage arranging his snow-shoes, preparatory to entering the gloomy forest. Let us walk with this Indian on a visit to his traps.

      The night is very dark, as the moon is hid by thick clouds, yet it occasionally breaks out sufficiently to illumine our path to Stemaw’s wigwam, and to throw the shadows of the neighbouring trees upon the pale snow, which crunches under our feet as we advance, owing to the intense cold. No wind breaks the stillness of the night, or shakes the lumps of snow off the branches of the neighbouring pines or willows; and nothing is heard save the occasional crackling of the trees as the severe frost acts upon their branches. The tent, at which we soon arrive, is pitched at the foot of an immense tree, which stands in a little hollow where the willows and pines are luxuriant enough to afford a shelter from the north wind. Just in front, a small path leads to the river, of which an extensive view is had through the opening, showing the long fantastic shadows of huge blocks and mounds of ice cast upon the white snow by the flickering moonlight. A huge chasm, filled with fallen trees and mounds of snow, yawns on the left of the tent; and the ruddy sparks of fire which issue from a hole in its top throw this and the surrounding forest into deeper gloom. The effect of this wintry scene upon the mind is melancholy in the extreme—causing it to speed across the bleak and frozen plains, and visit again the warm fireside and happy faces in a far-distant home; and yet there is a strange romantic attraction in the wild woods that gradually brings it back again, and makes us impatient to begin our walk with the Indian. Suddenly the deer-skin robe that covers the aperture of the wigwam is raised, and a bright stream of warm light gushes out, tipping the dark-green points of the opposite trees, and mingling strangely with the paler light of the moon—and Stemaw stands erect in front of his solitary home, to gaze a few moments on the sky and judge of the weather, as he intends to take a long walk before laying his head upon his capote for the night. He is in the usual costume of the Cree Indians: a large leathern coat, very much overlapped in front, and fastened round his waist with a scarlet belt, protects his body from the cold. A small rat-skin cap covers his head, and his legs are cased in the ordinary blue cloth leggins. Large moccasins, with two or three pair of blanket socks, clothe his feet; and fingerless mittens, made of deer-skin, complete his costume. After a few minutes passed in contemplation of the heavens, the Indian prepares himself for the walk. First he sticks a small axe in his belt, serving as a counterpoise to a large hunting-knife and fire-bag which depend from the other side. He then slips his feet through the lines of his snow-shoes, and throws the line of a small hand-sledge over his shoulder. The hand-sledge is a thin, flat slip or plank of wood, from five to six feet long by one foot broad, and is turned up at one end. It is extremely light, and Indians invariably use it when visiting their traps, for the purpose of dragging home the animals or game they may have caught. Having attached this sledge to his back, he stoops to receive his gun from his faithful squaw3, who has been watching his operations through a hole in the tent; and throwing it on his shoulder, strides off, without uttering a word, across the moonlit space in front of the tent, turns into a narrow track that leads down the dark ravine, and disappears in the shades of the forest. Soon he reaches the termination of the track (made for the purpose of reaching some good dry trees for firewood), and stepping into the deep snow with the long, regular, firm tread of one accustomed to snow-shoe walking, he winds his way rapidly through the thick stems of the surrounding trees, and turns aside the smaller branches of the bushes.

      The forest is now almost dark, the foliage overhead having become so dense that the moon only penetrates through it in a few places, causing the spots on which it falls to shine with a strange phosphoric light, and rendering the surrounding masses darker by contrast. The faint outline, of an old snowshoe track, at first discernible, is now quite invisible; but still Stemaw moves forward with rapid, noiseless step, as sure of his way as if a broad beaten track lay before him. In this manner he moves on for nearly two miles, sometimes stooping to examine closely the newly-made track of some wild animal, and occasionally giving a glance at the sky through the openings in the leafy canopy above him, when a faint sound in the bushes ahead brings him to a full stop. He listens attentively, and a noise, like the rattling of a chain, is heard proceeding from the recesses of a dark, wild-looking hollow a few paces in front. Another moment, and the rattle is again distinctly heard; a slight smile of satisfaction crosses Stemaw’s dark visage, for one of his traps is set in that place, and he knows that something is caught. Quickly descending the slope, he enters the bushes whence the sound proceeds, and pauses when within a yard or two of his trap, to peer through the gloom. A cloud passes off the moon, and a faint ray reveals, it may be, a beautiful black fox caught in the snare. A slight blow on the snout from Stemaw’s axe-handle kills the unfortunate animal; in ten minutes more it is tied to his sledge, the trap is reset and again covered over with snow, so that it is almost impossible to tell that anything is there; and the Indian pursues his way.

      The steel-trap used by the Indians is almost similar to the ordinary rat-trap of England, with this difference, that it is a little larger, is destitute of teeth, and has two springs in place of one. A chain is attached to one spring for the purpose of fixing a weight to the trap, so that the animal caught may not be able to drag it far from the place where it was set. The track in the snow enables the hunter to find his trap again. It is generally set so that the jaws, when spread out flat, are exactly on a level with the snow. The chain and weight are both hid, and a thin layer of snow spread on top of the trap. The bait (which generally consists of chips of a frozen partridge, rabbit, or fish) is then scattered around in every direction; and, with the exception of this, nothing distinguishes the spot. Foxes, beavers, wolves, lynx, and other animals are caught in this way, sometimes by a fore leg, sometimes by a hind leg, and sometimes by two legs at once, and occasionally by the nose. Of all these ways the Indians prefer catching by two legs, as there is then not the slightest possibility of the animal escaping. When foxes are caught by one leg, they often eat it off close to the trap, and escape on the other three. I have frequently seen this happen; and I once saw a fox caught which had evidently escaped in this way, as one of its legs was gone, and the stump healed up and covered again with hair. When they are caught by the nose they are almost sure to escape, unless taken out of the trap very soon after being caught, as their snouts are so sharp or wedge-like that they can pull them from between the jaws of the trap without much difficulty.

      Having now described the way of using this machine, we will rejoin Stemaw, whom we left on his way to the next trap. There he goes, moving swiftly over the snow mile after mile, as if he could not feel fatigue, turning aside now and then to visit a trap, and giving a short grunt when nothing is in it, or killing the animal when caught, and tying it on the sledge. Towards midnight, however, he begins to walk more cautiously, examines the priming of his gun, and moves the axe in his belt, as if he expected to meet some enemy suddenly. The fact is, that close to where he now stands are two traps which he set in the morning close to each other for the purpose of catching one of the formidable coast wolves. These animals are so sagacious that they will scrape all round a trap, let it be ever so well set, and after eating all the bait, walk away unhurt. Indians consequently endeavour in every possible way to catch them—and, among others, by setting two traps close together; so that, while the wolf scrapes at one, he may perhaps put his foot in the other. It is in this way that Stemaw’s traps are set, and he now proceeds cautiously towards them, his gun in the hollow of his left arm. Slowly he advances, peering through the bushes, but nothing is visible; suddenly a branch crashes under his snow-shoe, and with a savage growl a large wolf bounds towards him, landing almost at his feet. A single glance, however, shows the Indian that both traps are on his legs, and that the chains prevent his further advance. He places his gun against a tree, draws his axe from the belt, and advances to kill the animal. It is an undertaking, however, of some difficulty. The fierce brute, which is larger than a Newfoundland dog, strains every nerve and sinew to break its chains; while its eyes glisten in the uncertain light, and foam curls from its blood-red mouth. Now it retreats as the Indian advances, grinning horribly as it goes; and anon, as the chains check its further retreat, it springs with fearful growl towards Stemaw, who slightly wounds it with his axe, as he jumps backward just in time to save himself from the infuriated animal, which catches in its fangs the flap of his leggin, and tears it from his limb. Again Stemaw advances, and the wolf retreats and again springs on him, but without success. At last, as the wolf glances for a moment to one side—apparently


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Squeiaw is the Indian for a woman. Squaw is the English corruption of the word, and is used to signify a wife.