CHAPTER ONE

      Laura Foster was a hopeless romantic. Her best friend Jo said it was her greatest flaw, and at the same time her most endearing trait, because it was the thing that most frequently got her into trouble, and yet falling in love was like a drug to her. Having a crush, daydreaming about someone, feeling her heart race faster when she saw a certain man walk towards her – she thrived on all of it, and was disastrously, helplessly, hopelessly incapable of seeing when it was wrong. Everyone has a blind spot. With Laura, it was as if she had a blind heart.

      Anyone with a less romantic upbringing would be hard to find. She wasn’t a runaway nun, or the daughter of an Italian count, or a mysterious orphan. She was the daughter of George and Angela Foster, of Harrow, in the suburbs of London. She had one younger brother, Simon, who was perfectly normal, not a secret duke, nor a spy, nor a soldier. George was a computer engineer, and Angela was a part-time translator. As Jo once said to her, about a year after they met at university, ‘Laura, why do you go around pretending to be Julie Andrews, when you’re actually Hyacinth Bucket?’

      But Laura never stopped reality getting in the way of fantasy. By the time she was eighteen she had fallen for: a runny-nosed, milk-bottle-glasses-wearing primary-school outcast called Kevin (in her mind Indiana Jones, with specs); her oboe teacher Mr Wallace, a thin, spotty youth, over whom she developed a raging obsession and calluses on her oboe-playing fingers, so ferociously did she practise (she would stand outside his flat in Camden in the hope she might see him; she wore a locket which contained a bus ticket he’d dropped around her neck); and about fifteen different boys at the boys’ school around the corner from hers in Harrow.

      When she went to university, the scope was even greater, the potential for romance limitless. She wasn’t interested in a random pull at a club. No, Laura wanted someone to stand underneath her window and recite poetry to her. She was almost always disappointed. There was Gideon, the budding theatre director who hadn’t quite come out of the closet. Juan, the Colombian student who spoke no English. Or the rowing captain who was much more obsessed with the tracking machine at the gym than her. Her dentist, who charged her far too much and then made her pay for dinner. And the lecturer in her humanities seminar who she never spoke to, and who didn’t know her name, who she wasted two terms staring at in a heartfelt manner.

      For all of these Laura followed the same pattern. She went off her food; she mooned around; she was acutely conscious of where they were in any room, thought she saw them around every corner – was that the back of his curly head going into the newsagent’s? She became a big, dumb idiot whenever any of them spoke to her, so fairly often they walked away, bemused that this nice girl with dark blonde hair, a sweet smile and a dirty laugh who seemed to like them was suddenly behaving like a nun in a shopping centre, eyes downcast, mute. Or they’d ask her out – and then Laura, for her part, usually came tumbling down to earth with a bang when she realised they weren’t perfect, weren’t this demigod she’d turned them into in her mind. It wasn’t that she was particularly picky – she was just a really bad picker.

      She believed in The One. And every man she met, for the first five minutes, two weeks, four months, had the potential in her eyes to be The One – until she reluctantly realised they were gay (Gideon from the Drama Society), psychopathic (Adam, her boyfriend for several months, who eventually jacked in his MA on the Romantic Poets and joined the SAS to become a killing machine), against the law (Juan, the illegal immigrant from Colombia), or Josh (her most recent boyfriend, whom she’d met at a volunteer reading programme seminar at work, decided was The One after five minutes, dated for over a year, before realising, really, all they had in common was a love of local council literacy initiatives).

      It’s fine for girls to grow up believing in something like The One, but the generally received wisdom by the time Laura was out of university, as she moved into her mid-twenties, as her friends started to settle down, was that he didn’t really exist – well, he did, but with variations. Not for Laura. She was going to wait till she found him. To her other best friend Paddy’s complaints that he was sick of sharing their flat with a lovesick teenager all the time, as well as a succession of totally disparate, odd men, Laura said firmly that he was being mean and judgemental. James Patrick – Paddy to