Antony and Cleopatra. Colleen McCullough
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a long black tear.
Peacock feathers had been clustered everywhere, but nowhere more lushly than about a tall gold dais in front of the mast. On a throne sat a woman clad in a dress of peacock feathers, her head burdened with the same red and white crown as the figurehead man wore. Her shoulders sparkled with the jewels in a wide gold collar, and a broad girdle of the same kind was cinched about her waist. Crossed on her breast she carried a shepherd’s crook and a flail in gold worked with lapis blue. Her face was made up so heavily that it was quite impossible to see what she looked like; its expression was perfect impassivity.
The ship passed him by closely enough to see how wide it was, and how wonderfully made; the deck was paved in green and blue faïence tiles to match the roofs. A peacock ship, a peacock queen. Well, thought Antony, inexplicably angered, she will see who is cock of the walk in Tarsus!
He took the bridge to the city at a gallop, tumbled off the horse at the door to the governor’s palace and strode in shouting for his servants.
‘Toga and lictors, now!’
So when the Queen sent her chamberlain, the eunuch Philo, to inform Marcus Antonius that she had arrived, Philo was told that Marcus Antonius was in the agora hearing cases on behalf of the fiscus, and could not see Her Majesty until the morrow.
Such had actually been Antony’s intention for days; it had been formally posted on the tribunal in the agora, so when he took his place on the tribunal he saw what he had expected – a hundred litigants, at least that many advocates, several hundred spectators and several dozen vendors of drinks, snacks, nibbles, parasols and fans. Even in May, Tarsus was hot. For that reason his court was shaded by a crimson awning that said SPQR on fringed flaps every few feet around its margins. Atop the stone tribunal sat Antony himself on his ivory curule chair, with twelve crimson-clad lictors to either side of him and Lucilius at a table stacked with scrolls. The most novel actor in this drama was a hoary centurion who stood in one corner of the tribunal; he wore a shirt of gold scales, golden greaves, a chest loaded with phalerae, armillae and torcs, and a gold helmet whose scarlet horsehair ruff spread sideways like a fan. But the chest loaded with decorations for valorous deeds wasn’t what cowed this audience. It was the Gallic longsword the centurion held between his hands, its tip resting on the ground. It reminded the citizens of Tarsus that Marcus Antonius owned imperium maius, and could execute anyone for anything. If he took it into his head to issue an execution order, then this centurion would carry it out on the spot. Not that Antony had any intention of executing a fly or a spider; Easterners were used to being ruled by people who executed as capriciously as regularly, so why disillusion them?
Some of the cases were interesting, some entertaining as well. Antony waded through them with the efficiency and detachment that all Romans seemed to possess, be they members of the proletariat or the aristocracy. A people who understood law, method, routine, discipline, though Antony was less dowered with these essentially Roman qualities than most. Even so, he attacked his task with vigor, and sometimes venom. A sudden stir in the crowd threw a litigant off balance just as he reached the point whereat he would pass his case over to the highly paid advocate at his side; Mark Antony turned his head, frowning.
The crowd had parted, sighing in awe, to permit the passage of a small procession led by a nut-brown, shaven-headed man in a white dress, a fortune in gold chains around his neck. Behind him walked Philo the chamberlain in linen of blues and greens, face painted delicately, body glittering with jewels. But they were as nothing compared to the conveyance behind them: a spacious litter of gold, its roof of faïence tiles, nodding plumes of peacock feathers at its cornerposts. It was carried by eight huge men as black as grapes, with the same purple tint to their skins. They wore peacock kilts, collars and bracelets of gold, and flaring gold nemes headdresses.
Queen Cleopatra waited until the bearers gently set her litter down, then, without waiting for assistance in alighting, she slid lithely out of it and approached the steps of the Roman tribunal.
‘Marcus Antonius, you summoned me to Tarsus. I am here,’ she said in a clear, carrying voice.
‘Your name is not on my roster of cases for today, madam! You will have to apply to my secretary, but I assure you that I will see that your name is first on my list in the morning,’ said Antony with the courtesy due to a monarch, but no deference.
Inside, she was boiling. How dared this clodhopper of a Roman treat her like anyone else! She had come to the agora to show him up as the boor he was, display her immense clout and authority to the Tarsians, who would appreciate her position and not think too well of Antony for metaphorically spitting on her. He wasn’t in the Roman forum now, these weren’t Roman businessmen (all of them had quit the area as unprofitable). These were people akin to her Alexandrian people, sensitive to the prerogatives and rights of monarchs. Mind being pushed aside for the Queen of Egypt? No, they would preen at the distinction! They had all visited the wharf to marvel at Philopator, and had come to the agora fully expecting to find their cases postponed. No doubt Antony thought they would esteem his democratic principles in seeing them first, but that was not how an Eastern cerebral apparatus worked. They were shocked and disturbed, disapproving. What she was doing in standing so humbly at the foot of his tribunal was demonstrating to the Tarsians how arrogant the Romans were.
‘Thank you, Marcus Antonius,’ she said. ‘If perhaps you have no plans for dinner, you might join me on my ship this evening? Shall we say, at twilight? It is more comfortable to dine after the heat has gone out of the air.’
He stared down at her, a spark of anger in his eyes; somehow she had put him in the wrong, he could see it in the faces of the crowd, fawning and bowing, keeping their distance from the royal personage. In Rome, she would have been mobbed, but here? Never, it seemed. Curse the woman!
‘I have no plans for dinner,’ he said curtly. ‘You may expect to see me at twilight.’
‘I will send my litter for you, Imperator Antonius. Please feel free to bring Quintus Dellius, Lucius Poplicola, the brothers Saxa, Marcus Barbatius and fifty-five more of your friends.’
Cleopatra hopped nimbly into her litter; the bearers picked up its poles and turned it around, for it was not a mere couch, it had a head and a foot to enable its occupant to be properly seen.
‘Proceed, Melanthus,’ said Antony to the litigant who the Queen’s arrival had stopped in mid-sentence.
The rattled Melanthus turned helplessly to his highly paid advocate, arms spread wide in bewilderment. Whereupon the man showed his competence by taking up the case as if no interruption had occurred.
It took his servants a while to find a tunic clean enough for Antony to wear to dinner on a ship; togas were too bulky to dine in, and had to be shed. Nor were boots (his preferred footwear) convenient; too much lacing and unlacing. Oh, for a crown of valor to wear upon his head! Caesar had worn his oak leaves for all public occasions, but only extreme valor in combat as a young man had earned him the privilege. Like Pompey the Great, Antony had never won a crown, brave though he had always been.
The litter was waiting. Pretending all this was great fun, Antony climbed in and ordered the bevy of friends, laughing and joking, to walk around the litter. The conveyance was admired, but not as much as the bearers, a fascinating rarity; even in the busiest, most varied slave markets, black men did not come up for sale. In Italia they were so rare that sculptors seized upon them, but those were women and children, and rarely pure-blooded like Cleopatra’s bearers. The beauty of their skins, the handsomeness of their faces, the dignity of their carriage were marveled at. What a stir they would create in Rome! Though, thought Antony, no doubt she had them with her when she had lived in Rome. I just never saw them.
The gangplank, he noted, was gold save for its railings, of the rarest citrus wood, and the faïence deck was strewn with rose petals oozing a faint perfume when trodden upon. Every pedestal that held a golden vase of peacock feathers or a priceless work of art was chryselephantine – delicately carved ivory inlaid with gold. Beautiful girls whose supple limbs showed through tissue-fine robes ushered them down the deck between the columns to a pair of great gold doors wrought in bas relief by some master; inside was a huge room