Depraved Heart. Patricia Cornwell

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Depraved Heart - Patricia  Cornwell


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I reply.

      Parked on the brick driveway in front of my truck is the red Land Rover registered to Chanel Gilbert. I look through the driver’s window without touching anything. On the backseat is a bag of empty glass bottles, all of them the same and unlabeled, and the dash is dusty, the SUV filthy with pollen and trash from trees. Leaves and pine needles clog the space between the hood and the windshield. Cars don’t stay whistle clean around here. If people have garages they use them for storage.

      “It looks like it’s been sitting outside for a while. But that doesn’t mean it hasn’t been driven recently,” I start to say as I detect a distant thudding that is rapidly coming closer.

      “Yeah.” Marino is distracted, staring at my right leg. “Just so you know you’re walking a lot worse than you were earlier. Maybe the shittiest I’ve seen you walk in weeks.”

      “Good to know.”

      “I’m just saying.”

      “Thanks for pointing it out with your typical diplomacy.”

      “Don’t get pissed at me, Doc.”

      “Why would I?”

      The helicopter is a beefy black twin engine at about fifteen hundred feet and several miles west, flying along the Charles River. It’s not Lucy’s Agusta with its Ferrari blue and silver paint job. I dig my keys out of my shoulder bag and try to walk without a hitch, without stiffness or a limp as Marino’s comments sting and make me self-conscious.

      “Maybe I should drive.” He watches me skeptically.

      “Nope.”

      “You’ve been on your feet way too much today. You need to rest.”

      “That’s not happening,” I say to him.

       9

      Fifteen miles northwest of Cambridge the road is barely wide enough for my big boxy truck.

      White with dark tinted windows and built on a Chevy G 4500 chassis it’s basically an ambulance with the caduceus and scales of justice in blue on the doors. But there are no flashing lights. There’s no siren or PA system. I’m not in the business of offering emergency medical care. It’s a little late by the time I’m called, and I’m not expected to engage in high-risk aggressive driving. Certainly not here in the nation’s proud and proper birthplace where the shot was heard ’round the world during the Revolutionary War.

      Concord, Massachusetts, is known for its famous former residents like Hawthorne, Thoreau and Emerson, and for hiking and horse trails and of course Walden Pond. The people here keep to themselves, often snobbishly so, and whelping horns, beacons, flashing red and blue strobes, and breaking the speed limit and outrunning traffic lights aren’t normal or welcome. They’re also not part of a medical examiner’s SOP.

      But if I had a siren right now it would be screaming. I’d be encouraging everyone on the road to stay out of my way. It’s just a damn shame about the truck. I wish I were driving something inconspicuous. Even one of the CFC vans or SUVs. Anything but this. Everybody we pass is staring at the Grim Reapermobile, the double-wide, in Marino’s words. It’s about as common as a UFO in this low-crime part of the world where Lucy lives on her spectacular estate. Not that people don’t die around here. They have accidents, sudden cardiac catastrophes and take their own lives like anybody else. But those types of cases rarely require a mobile crime scene unit, and I wouldn’t be driving one if I weren’t coming directly from Chanel Gilbert’s house.

      It would have made sense to swap out vehicles but there isn’t time. I don’t have the luxury of taking a shower and changing my clothes. I feel concern that’s fast becoming raw fear, and it ratchets me into a higher gear. Already I’m mobilizing, getting a determined iron-hard attitude edged in stoicism that will break bones. I’ve tried Lucy repeatedly and she doesn’t answer. I’ve tried her partner Janet. She’s not answering either, and their main home number continues to seem out of order.

      “I hate to tell you but I smell it.” Marino cracks open his window and hot humid air seeps in.

      “Smell what?” I pay attention to my driving.

      “The stink you carried out of the house with you and trapped inside this damn truck.” He waves his hand in front of his face.

      “I don’t smell anything.”

      “You know what they say. A fox can’t smell its own.” Marino routinely butchers clichés and thinks an idiom is a stupid person.

      “The saying is a fox smells its own hole first,” I reply.

      He rolls down his window the rest of the way, and the sound of blowing air is soft because we’re moving slowly. I hear the helicopter. I’ve been hearing it ever since we left Cambridge and I’ve about decided we’re being followed, possibly by a TV news crew. Possibly the media has found out who the dead woman’s mother is, assuming the dead woman is really Chanel Gilbert.

      “Can you tell if it’s a news chopper? It would make sense but sounds bigger than that,” I ask Marino.

      “Can’t tell.” He’s craning his neck, looking up as best he can, and sweat is like dew on top of his shiny shaved head. “I can’t see it.” He stares out his side window at big trees, an overgrown hedge, a dented mailbox going by.

      A red-tailed hawk circles in the distance, and I’ve always considered birds of prey a good sign, a positive messenger. They remind me to keep above the fray, to have a keen eye and follow my instincts. Another stab of pain knifes through my thigh, and no matter how many times I’ve dissected what happened I can’t figure out what I miscalculated, what I didn’t notice or could have done differently. I was a hawk that got hunted down like a dove. In fact I was a sitting duck.

      “The thing is it’s not like her,” Marino is saying, and I realize I didn’t hear what he said right before it. “It’s not like you either, Doc. And I feel a need to point that out.”

      “I’m sorry. Now what are we talking about?”

      “Lucy and her so-called emergency. I keep wondering if you’ve misunderstood something. Because it doesn’t sound like her. I don’t like that we got up and walked out of a scene that may turn out not to be an accident.”

      “It’s not like Lucy to have an emergency?” I glance over at him. “Anyone can have an emergency.”

      “But I’m not understanding this and I swear I’m trying to. She texts you from her emergency line and that’s it? What did she say exactly? Hurry here now or something like that? Because like I said that doesn’t sound like her.”

      I haven’t told him what the text said. Which was nothing. It was a video link. That’s all. Now it’s gone without a trace and he has no idea about any of it.

      “Let me see the text.” He holds out a huge hand. “Let me see exactly what she said.”

      “Not while I’m driving.” I dig myself deeper into what’s becoming a pit of lies, and I don’t like the feeling.

      I resent the position I’ve been put in and I can’t find my way out. But I’m protecting people or at least that’s my intention.

      “And she said what exactly? Tell me her exact words,” Marino badgers me.

      “There was an indication of a problem.” I’m careful how I phrase it. “And now she’s not answering any of her phones. Janet isn’t either,” I repeat myself.

      “Like I said it doesn’t sound like her. Lucy never acts like there’s a problem or that she needs anyone,” he says and it’s true. “Maybe someone stole her phone. Maybe it wasn’t her who sent the message. How do you know we’re not being set up so we get to her property and find out it’s


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