Chapter Fourteen

      The Invisible Man Revealed

      The first time I saw Naomi destroy one of her beautiful watercolors, I screamed for her to stop. She gave me a look as flat as Death Valley and kept slowly and methodically shredding the damp paper.

       “Get used to it,” she said.

       Three years, close to a thousand attempts at perfection, and I’m still not used to it.

       Here’s the deal. Almost every day at 3:00 p.m., boss lady goes to the ground-floor solarium, which has the requisite northern lighting, and arranges a still life on a small table kept there for that purpose. Could be cut flowers, or an antique cream pitcher, or a found object, or all three. When she has the arrangement just so, she tapes a heavy, pre-cut sheet of Arches watercolor paper on to a small, horizontally-tilted drawing table. She selects her brushes and colors. She takes a deep breath and does some sort of Zen thing that involves closing her eyes and holding her hands out, palms up. Then she sets a timer for thirty minutes and gets to work. First a quick pencil sketch. That never takes more than a minute or two. Then she wets her brushes and begins. Sometimes the mistake happens right away, in the first pass of the brush. More often the timer will ding and she’ll step back, look at the still-life arrangement, glance at her painted version—almost always lovely, in my opinion—and then calmly peel it away from the drawing board, tear it into strips and feed the pieces into a paper shredder.

      Zzzt, zzzt, zzzt. It’s gotten to be a sound that makes my teeth hurt.

       Today is no different, except that the arrangement involves a folding carpenter’s ruler, a combination square and a brass bevel, donated to the cause by Danny Bechst, who once told me, in confidence, that Naomi was like van Gogh, except better looking and with two ears. Apparently van Gogh wrecked a lot of his paintings, too. A fact you wouldn’t expect the average carpenter to know, but in Boston there are no average carpenters. Most of them seem to have Ph.D.’s. Anyhow, Danny isn’t as appalled by the daily destruction as I am. Says he understands a quest for perfection and that one of these days when the bell dings, voilà, a flawless masterpiece.

       As for Naomi, you’d think that failing on a daily basis would bother her, but she insists that the process is relaxing. Indeed, she always appears to be calm as she methodically destroys her creation. Maybe driving me crazy makes her feel serene. All part of the unwritten job description.

       Today the shredder sounds about twenty minutes into the process, cuing me to enter the studio with the latest update on the investigation. Naomi, breaking down the still life, looks up, raises an eyebrow.

       “Dane called,” I tell her. “Shuttle delayed out of Reagan National, but they should be wheels down at Logan by five. She has some interesting tidbits about possible evildoers, but nothing solid.”

       “Evildoers?”

       “Dane does enjoy the evocative phrase.”

       “Worth the trip, just to show the flag.”

       “Jack’s day has been more productive. He interviewed Jonny Bing, the venture capitalist, and formed, he says, ‘an opinion.’ Declined to specify what opinion, exactly. Before that he made a quick run up to New Hampshire to talk to the foster care folks about Joseph Keener’s childhood. Said he uncovered some ‘facts of interest.’ He’ll fill us in tonight.”