Letter from a Stranger. Barbara Taylor Bradford
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them so often and been such a big part of their lives.
According to Anita Lowe there was an estrangement between her mother and grandmother. About what? Something truly terrible? It must be, since it had lasted ten long years. All of those hours, days, weeks, months and years lost. Gone forever. For God’s sake, why? She had no answers for herself.
Fury with her mother swept through Justine, and she automatically reached for the phone, wanting to confront her; then her hand fell away. Her mother wasn’t in Los Angeles. Three days ago she had flown to China on a buying trip for her interior design business. From China she was going to Hong Kong, would not be returning for six weeks. She could not call her now. The time was all wrong.
She looked at her watch. It was almost three thirty. Richard would not arrive from New York for another hour. She needed to talk to him; they had to make a plan… the first thing they must do was find their grandmother. Before it was too late.
In the small back hall, Justine took Gran’s old loden green wool cape off a peg, threw it around her shoulders, then went outside. She needed to think coherently, to settle herself before her brother arrived.
A few moments ago she had been about to call Richard on his cell phone, then had instantly changed her mind. She knew she must curb her desire to immediately share this shattering news with him. That was their usual way of doing things, their modus operandi, and always had been.
As twins they were joined at the hip, and there was an extra special bond between them, an emotional attachment and a link that she realized was not exclusive to them. All twins were like that. But this afternoon she understood she must wait until he arrived, so that she could show him the letter and discuss everything with him face to face. Together they would come up with a plan of action, she was certain of that. They had been the best team all of their lives.
Crossing the back yard, she mounted the white wood staircase built into the hillside. Carlos, Pearl’s husband, had obviously repainted it recently, and it gleamed in the sunshine. Ten steps took her straight up to a wide landing, where on the left side of the hill there was a large gazebo, also freshly painted in readiness for the spring weather.
Her grandmother’s gazebo.
Justine paused and then stepped into it. She squeezed her eyes shut, remembering the happy times they had spent here in her childhood. Opening her eyes, she glanced around, aware that anxiety about Gran was paramount. She couldn’t help worrying, wondering how she was, now that she knew she was not dead.
She left the gazebo and went on climbing the staircase until she came to the end. It stopped in front of a stretch of green lawn; just beyond was the gallery, originally built by her grandmother, then revamped by her father, and remodelled in certain areas by her brother four years ago.
The gallery was beautiful, made of limestone, and was two storeys high; long, simple, yet elegant in its architecture, the central building was flanked on each end by a studio. Each one had limestone half-walls topped with huge plate-glass windows. The studios were actually part of the gallery and the whole structure was finished with a sloping, green-tiled roof. This was new, and had been designed by her twin, considered to be one of the best architects in the business today. She thought it was an inspired touch. The green-tiled roof appeared to float above the gallery and the glass ‘boxes’, and there was a lovely unity and fluidity to the entire building which was somewhat European in its design inspiration.
Justine went into the gallery and turned on the lights, then took off her loden cape, put it on a small wooden bench just inside the door. Because of the many paintings hanging in the gallery, some of which were rather valuable, the air was permanently controlled and remained the same temperature year round. It was cool and peaceful, and she appreciated the airiness, the spaciousness, the vaulted ceiling, the stillness and calm that existed here.
Slowly, she walked through the gallery, not focusing on any of the paintings as she sometimes did, simply moving determinedly through the flowing vast white space. Richard had designed a large, freestanding partition on rollers, which he called ‘a floating wall’, because it could be easily rolled around at will, and repositioned anywhere. He had used several of them in the centre of the gallery, on which were hung some of his own paintings, as well as many by other artists. Justine moved between them with ease, pushing them gently aside as required.
Within seconds she was approaching the far end of the gallery, heading toward the corner where paintings by her grandmother were displayed. Coming to a standstill, she zeroed in on one of them in particular which she had admired for years. It was a painting of two girls, most likely in their teenage years, and they were standing in a flower-filled meadow with dark green hills in the distance under an azure sky. The girls were enchanting in their gauzy summer dresses, their skirts billowing around them, their hair blowing in the wind. She had known for as long as she could remember that the taller of the two girls, the blue-eyed blonde, was her grandmother, Gabriele. The other had always been anonymous. Her identity a mystery.
Could she be Anita Lowe?
Leaning forward, Justine read the little wood strip on the wall next to the painting. It was called Friends in the Meadows. Underneath the title was the name Gabriele Hardwicke, and the year it was painted, 1969.
Unexpectedly, she remembered something – her grandmother’s penchant for detail, how she had kept careful records of almost everything.
Reaching for the small painting, Justine lifted it off the wall, carried it into Richard’s design studio adjoining this end of the gallery. Carefully, she placed the painting face down on an empty table and stared at the back of the canvas. And there it was, a small label, close to the frame and yellowed with age. On it was written A & G: 1938. And the label was secured under a piece of Sellotape.
Gabriele had painted this from memory, hadn’t she? And did the A stand for Anita? Perhaps. Certainly she couldn’t help wondering about that, because in the letter Anita Lowe had said she was Gabriele’s most longstanding and closest friend. So it must be her, surely? But in a way it didn’t really matter whether this girl portrayed was Anita Lowe or not. Because the real Anita had spoken out most eloquently and effectively, three weeks or so ago, when she had finally put pen to paper after obviously hesitating about doing so for a number of years. She had helped her friend at last. Thank God she had. Vaguely, at the back of her mind, she now remembered her grandmother speaking about her best friend… Anita.
Carrying the painting back to the gallery, Justine hung it in its place, then stepped back and studied it for a few seconds. The other girl had brown hair and sparkling dark eyes, and there was something exotic-looking about her. She wondered why she had never noticed this before… perhaps because she had been looking only at the dazzling blonde girl who was her grandmother, the bewitching Gabriele. She knew, all of a sudden, that this was Anita.
Returning to the centre of the gallery, where the high-flung cathedral ceiling came to its peak, she sat down in the only chair, a white canvas director’s chair. The cool white space, the silence and the overwhelming sense of tranquillity usually had a soothing effect on her, and today especially so: a perfect peacefulness was enveloping her. She closed her eyes, thinking of her gran and the last time she had seen her.
She was drifting with her thoughts when the shrilling telephone brought her up with a start. She fumbled in her jacket pocket for her cell phone, and pulled it out. ‘Hello?’
‘I’m almost there,’ Richard said.
‘I’m glad. Where are you?’
‘What is it? You sound odd.’
‘I’m fine. Where are you?’
‘Just leaving New Preston. Why?’
‘I want you to do me a favour.’
‘Of course, what is it?’
‘I want you to drive right up here to the gallery, where I’m waiting for you.’
‘I’ll come up after I’ve said hello to Daisy.’
‘Please don’t do that, Rich! You must come