THE RIDE FROM Nadine’s to the paper mill site takes ten to fifteen minutes. The land called the “industrial park” sits below the bluff south of town, where four or five large factories and a few smaller ones operated from the 1940s through the 1980s and ’90s, before going through down cycles, changes of ownership by second- and third-tier companies, and finally the sheriff chaining the gates shut. It’s the same story all over the South—all over America, really.

      I drive along the bluff most of the way, thinking about Buck and who might have killed him. Both his widow and Nadine believe the Bienville Poker Club must be behind the crime. I don’t disagree in principle, but I’ve yet to see any evidence. Before I forget, I text Ben Tate, my editor at the Watchman, and ask him to find out who employed the security guards who started covering the industrial park after we published our story on Buck and whether any were on duty last night.

      Again the river dominates my view for most of the route, this time on my right, as I drive south along the bluff, which is mostly covered with kudzu here. Searching the Sirius channels for some of the music Buck and I used to play together, I realize I’m thinking about my son, whom Nadine mentioned back in her bookshop. He was in my mind earlier, at the cemetery wall, just below the dark drama of Adam and my father. My talk with Nadine dispelled the clouds of sediment that memory raised, and during the drive along the bluff my little boy rises from the deep darkness.

      I got married fourteen years ago, to a colleague in Washington. Her name is Molly McGeary, and quite a few TV viewers still remember her. After starting as a reporter at the Washington Times, Molly became one of the first print journalists to make the jump to television. First she moved to USA Today as a political reporter. Then a producer at NBC happened to catch her on a panel at a conference in New York, and she was off. In no time she was making appearances on the Today show, covering Washington stories and the business side of the entertainment sector.

      At the time I married Molly, I believed I loved her. But looking back later, I realized I was in that situation where everyone you know—lifelong friends, colleagues, old classmates—has already been married for years and is having children, some their second or third child. Faced with this, you start wondering if you were put on earth merely to work and have a succession of sexual relationships that ultimately go nowhere. That kind of anxiety skews your objectivity, makes you persuade yourself that you’re feeling things you’re really not. You believe you ought to be feeling those things, so eventually—with the help of your parents, your cajoling friends, and a romantic co-conspirator—you do. That was my state of mind before I went to Iraq. By the time I got back, I knew that life could be snatched away at any moment, and the only sensible thing to do was get married and start procreating.

      Molly and I were still in the glow of infatuation when we walked down the aisle. The first year was a good one. But after she got pregnant—a planned decision—the reality of having a child started to come home to us, and particularly to her. To my consternation, as the fetus grew inside her, and she ballooned up in the later months, she began to feel that our baby was a parasitical being, sapping the life from her, changing her irrevocably. At first I thought Molly was only half-serious. And surely, I reasoned, such feelings must be common among professional women? They would inevitably pass. But within two weeks of delivering Adam (yes, I named my son after my dead brother), I witnessed something I had never quite understood before: postpartum depression.

      With the clarity of hindsight, I now believe Molly never recovered from that condition—not while we were together. We consulted a parade of medical experts, tried several promising therapies, and went to great lengths to get first-class child care so that Molly could return to her career. Nothing worked. Two years passed like that—a mostly wonderful time for Adam and me, but for Molly a sort of shadow play that never quite became real. She stayed emotionally muted, exhausted, and irritable when she did feel alert. She resented the demands of motherhood, but also the demands of her job. And then—just as I was considering a radical job change to try to improve the situation—I discovered that death had been hovering over us once more, just as it had when I was fourteen.

      In late August, I was working in the main offices of the Post, on Fifteenth and L, where Woodward and Bernstein did the work that made me want to follow in their footsteps. I was supposed to be home by six thirty, to take over caring for Adam so that Molly could attend a network event. Then I got a call from CNN. Could I run over to their studio and appear on Lou Dobbs Tonight to discuss President Bush signing the bailout bill, and the suspension of trading on both Russian stock exchanges? This was before the era of ubiquitous pundits on television every night, so it was something I felt I should do. Molly agreed, though she let me know she wasn’t happy about giving up her evening to