The Teacher at Donegal Bay. Anne Doughty
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and mould the world into which you come. If I were ever to write the story of my life, it would have to begin well before the date on my birth certificate and I couldn’t do it without the fragments that most people neglect or throw away, like these faded prints at Queen’s Crescent.
The throb in my head had eased slightly as the noise level dropped from the fierce crescendo around four o’clock to the random outbursts of five minutes past. Another few minutes and I really would be able to get to my feet and collect my scattered wits.
I stared out through the dusty window at the house opposite. In the room the mirror image of mine, there were filing cabinets; a young man in shirt sleeves bent over a drawingboard under bright fluorescent tubes. On the floors below, each window framed a picture. Girls in smart dresses sat on designer furniture, in newly decorated offices with shiny green pot plants. They answered telephones, made photocopies and poured out cups of Cona coffee, disappearing with them to the front of the house, to their bosses who occupied the still elegant rooms that looked out upon the wide pavements of the next salubrious crescent.
Colin would be having tea by now. Outside the large conference room in the thickly carpeted lobby, waitresses in crisp dresses would pour from silver teapots and hand tiny sandwiches to men who dropped their briefcases on their chairs and greeted each other with warm handshakes. Beyond the air-conditioned rooms of the beflagged hotel, I saw the busy London streets, the traffic whirling ceaselessly round islands of green in squares where you could still hear a blackbird sing.
Daddy would probably be in the garden. He might be talking to the tame blackbird that follows his slight figure up and down the rosebeds as he weeds, working steadily and methodically, as if he could continue all day and never get tired. ‘Pace yourself, Jenny,’ he’d say, as he taught me how to loosen the weeds and open the soil. ‘No use going at it like a bull at a gate. Give it the time it needs. Don’t rush it.’
He was right, of course. He usually was. A mere two hours since I’d been summoned to Miss Braidwood’s study and here I was, so agitated by what she’d said that I’d gone and given myself a headache when I had the whole weekend to work things out.
I glanced at my watch and thought of all the things I ought to be doing. But I still made no move. My mind kept going back to that lunchtime meeting. I looked round the room again. This was where I worked, where I spent my solitary lunch hours, a place where I was free to think, or to sit and dream. It wasn’t a question of whether I liked it or not, it was what it meant to me that mattered.
Up here, I could even see the hard edge of the Antrim Hills lifting themselves above the city, indifferent to the housing estates which spattered their flanks and the roads which snaked and looped up and out of the broad lowland at the head of the lough.
At the thought of the hills, invisible from where I sat, I was overcome with longing. Oh, to be driving out of the city. I closed my eyes and saw the road stretch out before me, winding between hedgerows thick with summer green, the buttercups gleaming in the strong light. Daddy and I, setting off to see some elderly relative in her small cottage by the sea or tucked away in one of the nine Glens of Antrim, whose names I could recite like a poem. The fresh wind from the sea tempering the summer heat, the sky a dazzle of blue, we move through meadow and moorland towards the rough slopes of a great granite outcrop.
‘Well, here we are, Jenny. Slemish. Keeping sheep here must’ve been fairly draughty. Pretty grim in winter even for a saint. Can we climb it, d’ye think?’
‘Oh yes, please. We’ll be able to see far more from the top.’
Bracken catching at my ankles, the mournful bleat of sheep, the sun hot on my shoulders as we circle upwards between huge boulders. A hawthorn tree still in bloom, though it is nearly midsummer, shelters a spring bubbling up among the rocks. We stop and drink from cupped hands. There isn’t another soul on the mountain and no other car parked beside us on the rough edge of the lane below. As we climb, the whole province of Ulster unrolls before us, until at last we stand in the wind, between the coast of Scotland on one far horizon and the mountains of Donegal, blue and misted, away to the west.
‘Isn’t that the Mull of Kintyre, Daddy?’
‘Yes, dear. That’s the Mull of Kintyre,’ he replied, as if his thoughts were as far away as the bright outline beyond the shimmering sea.
Reluctantly, I got to my feet. Daydreaming, my mother would call it, but the tone of her voice would make the weakness into a crime should she catch me at it.
‘Jennifer, you have got to get to that bookshop,’ I said to myself severely. There was shopping as well and whatever else happened I had to be at Rathmore Drive by 5.30 p.m.
The staffroom door was ajar. Gratefully, I pushed it wide open with my elbow, dropped the exercise books on the nearest surface and breathed a sigh of relief. No one sat on the benches beside the long plastic-covered tables. There was no one by the handsome marble fireplace, peering at the timetables and duty lists pinned to the tattered green noticeboard perched on the mantelpiece. Best of all, no one crouched by the corner cupboard, where a single broad shelf was labelled ‘J. McKinstry – English’.
I winced as the light from naked fluorescent tubes flooded the room. Mercilessly, it exposed the peeling paintwork of cupboards and skirtings, layers of dust on leafy plaster interlacings. It also revealed a folded sheet of paper bearing a badly smudged map of the world in an empty corner of the message board. Across the width of what survived of Asia, my name was neatly printed. Hastily, I read the note:
I should like to have a word with you about Millicent Blackwood. Could you please come to me in the Library on Monday at 1 p.m. before I raise the matter with Miss Braidwood. E. Fletcher.
My heart sank as I picked up the tone. Millie, poor dear, was yet another of the things I had to think about over the weekend. Oh well. I tucked the note in my handbag, switched off the lights and left the building to the mercy of the cleaners.
‘Bread,’ I said to myself. The pavements were damp and slippery with fallen leaves, the lights streamed out from shops and glistened on their trampled shapes. I looked up at the sky, heavy and overcast. There was no sign at all of the hills. I’d have given so much for a bright autumny afternoon. Then the hills would seem near enough to touch, just down the next road, or beyond the solid redbrick mill, or behind the tall mass of the tobacco factory.
But today they lay hidden under the pall of cloud, leaving me only the less lovely face of the city that had been my home for most of my childhood and all but two of my adult years. Thirty years ago Louis MacNeice called it ‘A city built upon mud; a culture built upon profit’, and it hadn’t changed much in all the years since.
I made my way to the little bakery where I buy my weekly supplies, a pleasant, homely place where bread and cakes still come warm to the counter from behind a curtain of coloured plastic ribbons. In my second year at Queen’s, Colin and I used to visit it regularly, to buy rolls for a picnic lunch, or a cake for someone’s birthday. It hadn’t changed at all. Even Mrs Green was still there, plumper and greyer and more voluble than ever.
She prides herself she’s known Colin and me since before we were even engaged. She’s followed our life as devotedly as she watches Coronation Street. Graduation and wedding, first jobs in Birmingham and visits home. I remember her asking if she might see the wedding album and how she marvelled at the enormous and ornate volume Colin’s mother had insisted upon. These days, she asked about the house or the car, the decor of the living room or the health of our parents, Colin’s prospects or our plans for the future.
I paused, my fingers already tight on the handle of the door. I turned my back on it and walked quickly away.
‘No, I can’t face it. Not today.’ No one had seen me, but I was shocked by what I had done. ‘Jenny McKinstry, what is wrong with you?’ I asked myself as I hurried on, grateful to be anonymous, invisible in the crowd.
It was something about having to perform a ritual. Having to say the right things, in the right tone. Responding to hints and suggestions in the right way. Taking my cue and playing the part of the young, married, working wife,