TENDER IS THE NIGHT (The Original 1934 Edition). Фрэнсис Скотт Фицджеральд
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Theda Bara, the prominent motion picture actress. People told her constantly that she was a “vampire,” and she believed them. She suspected hopefully that they were afraid of her, and she did her utmost under all circumstances to give the impression of danger. An imaginative man could see the red flag that she constantly carried, waving it wildly, beseechingly—and, alas, to little spectacular avail. She was also tremendously timely: she knew the latest songs, all the latest songs—when one of them was played on the phonograph she would rise to her feet and rock her shoulders back and forth and snap her fingers, and if there was no music she would accompany herself by humming.
Her conversation was also timely: “I don’t care,” she would say, “I should worry and lose my figure”—and again: “I can’t make my feet behave when I hear that tune. Oh, baby!”
Her finger-nails were too long and ornate, polished to a pink and unnatural fever. Her clothes were too tight, too stylish, too vivid, her eyes too roguish, her smile too coy. She was almost pitifully overemphasized from head to foot.
The other girl was obviously a more subtle personality. She was an exquisitely dressed Jewess with dark hair and a lovely milky pallor. She seemed shy and vague, and these two qualities accentuated a rather delicate charm that floated about her. Her family were “Episcopalians,” owned three smart women’s shops along Fifth Avenue, and lived in a magnificent apartment on Riverside Drive. It seemed to Dick, after a few moments, that she was attempting to imitate Gloria—he wondered that people invariably chose inimitable people to imitate.
“We had the most hectic time!” Muriel was exclaiming enthusiastically. “There was a crazy woman behind us on the bus. She was absitively, posolutely nutty! She kept talking to herself about something she’d like to do to somebody or something. I was pet_rified, but Gloria simply wouldn’t get off.”
Mrs. Gilbert opened her mouth, properly awed.
“Really?”
“Oh, she was crazy. But we should worry, she didn’t hurt us. Ugly! Gracious! The man across from us said her face ought to be on a night-nurse in a home for the blind, and we all howled, naturally, so the man tried to pick us up.”
Presently Gloria emerged from her bedroom and in unison every eye turned on her. The two girls receded into a shadowy background, unperceived, unmissed.
“We’ve been talking about you,” said Dick quickly, “—your mother and I.”
“Well,” said Gloria.
A pause—Muriel turned to Dick.
“You’re a great writer, aren’t you?”
“I’m a writer,” he confessed sheepishly.
“I always say,” said Muriel earnestly, “that if I ever had time to write down all my experiences it’d make a wonderful book.”
Rachael giggled sympathetically; Richard Caramel’s bow was almost stately. Muriel continued:
“But I don’t see how you can sit down and do it. And poetry! Lordy, I can’t make two lines rhyme. Well, I should worry!”
Richard Caramel with difficulty restrained a shout of laughter. Gloria was chewing an amazing gum-drop and staring moodily out the window. Mrs. Gilbert cleared her throat and beamed.
“But you see,” she said in a sort of universal exposition, “you’re not an ancient soul—like Richard.”
The Ancient Soul breathed a gasp of relief—it was out at last.
Then as if she had been considering it for five minutes, Gloria made a sudden announcement:
“I’m going to give a party.”
“Oh, can I come?” cried Muriel with facetious daring.
“A dinner. Seven people: Muriel and Rachael and I, and you, Dick, and Anthony, and that man named Noble—I liked him—and Bloeckman.”
Muriel and Rachael went into soft and purring ecstasies of enthusiasm. Mrs. Gilbert blinked and beamed. With an air of casualness Dick broke in with a question:
“Who is this fellow Bloeckman, Gloria?”
Scenting a faint hostility, Gloria turned to him.
“Joseph Bloeckman? He’s the moving picture man. Vice-president of ‘Films Par Excellence.’ He and father do a lot of business.”
“Oh!”
“Well, will you all come?”
They would all come. A date was arranged within the week. Dick rose, adjusted hat, coat, and muffler, and gave out a general smile.
“By-by,” said Muriel, waving her hand gaily, “call me up some time.”
Richard Caramel blushed for her.
Deplorable End of the Chevalier O’Keefe.
It was Monday and Anthony took Geraldine Burke to luncheon at the Beaux Arts—afterward they went up to his apartment and he wheeled out the little rolling-table that held his supply of liquor, selecting vermouth, gin, and absinthe for a proper stimulant.
Geraldine Burke, usher at Keith’s, had been an amusement of several months. She demanded so little that he liked her, for since a lamentable affair with a débutante the preceding summer, when he had discovered that after half a dozen kisses a proposal was expected, he had been wary of girls of his own class. It was only too easy to turn a critical eye on their imperfections: some physical harshness or a general lack of personal delicacy—but a girl who was usher at Keith’s was approached with a different attitude. One could tolerate qualities in an intimate valet that would be unforgivable in a mere acquaintance on one’s social level.
Geraldine, curled up at the foot of the lounge, considered him with narrow slanting eyes.
“You drink all the time, don’t you?” she said suddenly.
“Why, I suppose so,” replied Anthony in some surprise. “Don’t you?”
“Nope. I go on parties sometimes—you know, about once a week, but I only take two or three drinks. You and your friends keep on drinking all the time. I should think you’d ruin your health.”
Anthony was somewhat touched.
“Why, aren’t you sweet to worry about me!”
“Well, I do.”
“I don’t drink so very much,” he declared. “Last month I didn’t touch a drop for three weeks. And I only get really tight about once a week.”
“But you have something to drink every day and you’re only twenty-five. Haven’t you any ambition? Think what you’ll be at forty?”
“I sincerely trust that I won’t live that long.”
She clicked her tongue with her teeth.
“You cra-azy!” she said as he mixed another cocktail—and then: “Are you any relation to Adam Patch?”
“Yes, he’s my grandfather.”
“Really?” She was obviously thrilled.
“Absolutely.”
“That’s funny. My daddy used to work for him.”
“He’s a queer old man.”
“Is he nice?” she demanded.
“Well, in private life he’s seldom unnecessarily disagreeable.”
“Tell us about him.”
“Why,” Anthony considered “—he’s all shrunken up and he’s got the remains of some gray hair that always looks as though the wind were in it. He’s very moral.”
“He’s