The Beautiful & Damned. Фрэнсис Скотт Фицджеральд
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pseudo-wise and valueless, nursed to an utter senility by the women they had broken.
Ah, he was more than that, as he paced the long carpet in the lounge after dinner, pausing at the window to look into the harried street. He was Anthony Patch, brilliant, magnetic, the heir of many years and many men. This was his world now — and that last strong irony he craved lay in the offing.
With a stray boyishness he saw himself a power upon the earth; with his grandfather’s money he might build his own pedestal and be a Talleyrand, a Lord Verulam. The clarity of his mind, its sophistication, its versatile intelligence, all at their maturity and dominated by some purpose yet to be born would find him work to do. On this minor his dream faded — work to do: he tried to imagine himself in Congress rooting around in the litter of that incredible pigsty with the narrow and porcine brows he saw pictured sometimes in the rotogravure sections of the Sunday newspapers, those glorified proletarians babbling blandly to the nation the ideas of high school seniors! Little men with copy-book ambitions who by mediocrity had thought to emerge from mediocrity into the lustreless and unromantic heaven of a government by the people — and the best, the dozen shrewd men at the top, egotistic and cynical, were content to lead this choir of white ties and wire collar-buttons in a discordant and amazing hymn, compounded of a vague confusion between wealth as a reward of virtue and wealth as a proof of vice, and continued cheers for God, the Constitution, and the Rocky Mountains!
Lord Verulam! Talleyrand!
Back in his apartment the grayness returned. His cocktails had died, making him sleepy, somewhat befogged and inclined to be surly. Lord Verulam — he? The very thought was bitter. Anthony Patch with no record of achievement, without courage, without strength to be satisfied with truth when it was given him. Oh, he was a pretentious fool, making careers out of cocktails and meanwhile regretting, weakly and secretly, the collapse of an insufficient and wretched idealism. He had garnished his soul in the subtlest taste and now he longed for the old rubbish. He was empty, it seemed, empty as an old bottle —
The buzzer rang at the door. Anthony sprang up and lifted the tube to his ear. It was Richard Caramel’s voice, stilted and facetious:
“Announcing Miss Gloria Gilbert.”
“How do you do?” he said, smiling and holding the door ajar.
Dick bowed.
“Gloria, this is Anthony.”
“Well!” she cried, holding out a little gloved hand. Under her fur coat her dress was Alice-blue, with white lace crinkled stiffly about her throat.
“Let me take your things.”
Anthony stretched out his arms and the brown mass of fur tumbled into them.
“Thanks.”
“What do you think of her, Anthony?” Richard Caramel demanded barbarously. “Isn’t she beautiful?”
“Well!” cried the girl defiantly — withal unmoved.
She was dazzling — alight; it was agony to comprehend her beauty in a glance. Her hair, full of a heavenly glamour, was gay against the winter color of the room.
Anthony moved about, magician-like, turning the mushroom lamp into an orange glory. The stirred fire burnished the copper andirons on the hearth —
“I’m a solid block of ice,” murmured Gloria casually, glancing around with eyes whose irises were of the most delicate and transparent bluish white. “What a slick fire! We found a place where you could stand on an iron-bar grating, sort of, and it blew warm air up at you — but Dick wouldn’t wait there with me. I told him to go on alone and let me be happy.”
Conventional enough this. She seemed talking for her own pleasure, without effort. Anthony, sitting at one end of the sofa, examined her profile against the foreground of the lamp: the exquisite regularity of nose and upper lip, the chin, faintly decided, balanced beautifully on a rather short neck. On a photograph she must have been completely classical, almost cold — but the glow of her hair and cheeks, at once flushed and fragile, made her the most living person he had ever seen.
“… Think you’ve got the best name I’ve heard,” she was saying, still apparently to herself; her glance rested on him a moment and then flitted past him — to the Italian bracket-lamps clinging like luminous yellow turtles at intervals along the walls, to the books row upon row, then to her cousin on the other side. “Anthony Patch. Only you ought to look sort of like a horse, with a long narrow face — and you ought to be in tatters.”
“That’s all the Patch part, though. How should Anthony look?”
“You look like Anthony,” she assured him seriously — he thought she had scarcely seen him— “rather majestic,” she continued, “and solemn.”
Anthony indulged in a disconcerted smile.
“Only I like alliterative names,” she went on, “all except mine. Mine’s too flamboyant. I used to know two girls named Jinks, though, and just think if they’d been named anything except what they were named — Judy Jinks and Jerry Jinks. Cute, what? Don’t you think?” Her childish mouth was parted, awaiting a rejoinder.
“Everybody in the next generation,” suggested Dick, “will be named Peter or Barbara — because at present all the piquant literary characters are named Peter or Barbara.”
Anthony continued the prophecy:
“Of course Gladys and Eleanor, having graced the last generation of heroines and being at present in their social prime, will be passed on to the next generation of shopgirls—”
“Displacing Ella and Stella,” interrupted Dick.
“And Pearl and Jewel,” Gloria added cordially, “and Earl and Elmer and. Minnie.”
“And then I’ll come along,” remarked Dick, “and picking up the obsolete name, Jewel, I’ll attach it to some quaint and attractive character and it’ll start its career all over again.”
Her voice took up the thread of subject and wove along with faintly upturning, half-humorous intonations for sentence ends — as though defying interruption — and intervals of shadowy laughter. Dick had told her that Anthony’s man was named Bounds — she thought that was wonderful! Dick had made some sad pun about Bounds doing patchwork, but if there was one thing worse than a pun, she said, it was a person who, as the inevitable comeback to a pun, gave the perpetrator a mock-reproachful look.
“Where are you from?” inquired Anthony. He knew, but beauty had rendered him thoughtless.
“Kansas City, Missouri.”
“They put her out the same time they barred cigarettes.”
“Did they bar cigarettes? I see the hand of my holy grandfather.”
“He’s a reformer or something, isn’t he?”
“I blush for him.”
“So do I,” she confessed. “I detest reformers, especially the sort who try to reform me.”
“Are there many of those?”
“Dozens. It’s ‘Oh, Gloria, if you smoke so many cigarettes you’ll lose your pretty complexion!’ and ‘Oh, Gloria, why don’t you marry and settle down?’”
Anthony agreed emphatically while he wondered who had had the temerity to speak thus to such a personage.
“And then,” she continued, “there are all the subtle reformers who tell you the wild stories they’ve heard about you and how they’ve been sticking up for you.”
He saw, at length, that her eyes were gray, very level and cool, and when they rested on him he understood what Maury had meant by saying she was very young and very old. She talked always about herself as a very charming child might talk, and her comments on her tastes and distastes were unaffected and spontaneous.
“I must confess,” said Anthony