KING LEAR. William Shakespeare

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KING LEAR - William Shakespeare


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Osw.

       What dost thou know me for?

       Kent. A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-livered, action-taking, whoreson, glass-gazing, superserviceable, finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd in way of good service, and art nothing but the composition of a knave, beggar, coward, pander, and the son and heir of a mongrel bitch: one whom I will beat into clamorous whining, if thou denyest the least syllable of thy addition.

       Osw. Why, what a monstrous fellow art thou, thus to rail on one that’s neither known of thee nor knows thee?

       Kent. What a brazen-faced varlet art thou, to deny thou knowest me! Is it two days ago since I beat thee and tripped up thy heels before the king? Draw, you rogue: for, though it be night, yet the moon shines; I’ll make a sop o’ the moonshine of you: draw, you whoreson cullionly barbermonger, draw!

       [Drawing his sword.]

       Osw.

       Away! I have nothing to do with thee.

       Kent. Draw, you rascal: you come with letters against the king; and take vanity the puppet’s part against the royalty of her father: draw, you rogue, or I’ll so carbonado your shanks:— draw, you rascal; come your ways!

       Osw.

       Help, ho! murder! help!

       Kent.

       Strike, you slave; stand, rogue, stand; you neat slave, strike!

       [Beating him.]

       Osw.

       Help, ho! murder! murder!

       [Enter Edmund, Cornwall, Regan, Gloster, and Servants.]

       Edm.

       How now! What’s the matter?

       Kent. With you, goodman boy, an you please: come, I’ll flesh you; come on, young master.

       Glou.

       Weapons! arms! What’s the matter here?

       Corn.

       Keep peace, upon your lives;

       He dies that strikes again. What is the matter?

       Reg.

       The messengers from our sister and the king.

       Corn.

       What is your difference? speak.

       Osw.

       I am scarce in breath, my lord.

       Kent. No marvel, you have so bestirr’d your valour. You cowardly rascal, nature disclaims in thee; a tailor made thee.

       Corn.

       Thou art a strange fellow: a tailor make a man?

       Kent. Ay, a tailor, sir: a stonecutter or a painter could not have made him so ill, though he had been but two hours at the trade.

       Corn.

       Speak yet, how grew your quarrel?

       Osw.

       This ancient ruffian, sir, whose life I have spared at suit of

       his grey

       beard,—

       Kent. Thou whoreson zed! thou unnecessary letter!—My lord, if you’ll give me leave, I will tread this unbolted villain into mortar and daub the walls of a jakes with him.—Spare my grey beard, you wagtail?

       Corn.

       Peace, sirrah!

       You beastly knave, know you no reverence?

       Kent.

       Yes, sir; but anger hath a privilege.

       Corn.

       Why art thou angry?

       Kent.

       That such a slave as this should wear a sword,

       Who wears no honesty. Such smiling rogues as these,

       Like rats, oft bite the holy cords a-twain

       Which are too intrinse t’ unloose; smooth every passion

       That in the natures of their lords rebel;

       Bring oil to fire, snow to their colder moods;

       Renege, affirm, and turn their halcyon beaks

       With every gale and vary of their masters,

       Knowing naught, like dogs, but following.—

       A plague upon your epileptic visage!

       Smile you my speeches, as I were a fool?

       Goose, an I had you upon Sarum plain,

       I’d drive ye cackling home to Camelot.

       Corn.

       What, art thou mad, old fellow?

       Glou.

       How fell you out?

       Say that.

       Kent.

       No contraries hold more antipathy

       Than I and such a knave.

       Corn.

       Why dost thou call him knave? What is his fault?

       Kent.

       His countenance likes me not.

       Corn.

       No more perchance does mine, or his, or hers.

       Kent.

       Sir, ‘tis my occupation to be plain:

       I have seen better faces in my time

       Than stands on any shoulder that I see

       Before me at this instant.

       Corn.

       This is some fellow

       Who, having been prais’d for bluntness, doth affect

       A saucy roughness, and constrains the garb

       Quite from his nature: he cannot flatter, he,—

       An honest mind and plain,—he must speak truth!

       An they will take it, so; if not, he’s plain.

       These kind of knaves I know which in this plainness

       Harbour more craft and more corrupter ends

       Than twenty silly-ducking observants

       That stretch their duties nicely.

       Kent.

       Sir, in good faith, in sincere verity,

       Under the allowance of your great aspect,

       Whose influence, like the wreath of radiant fire

       On flickering Phoebus’ front,—

       Corn.

       What mean’st by this?

       Kent. To go out of my dialect, which you discommend so much. I know, sir, I am no flatterer: he that beguiled you in a plain accent was a plain knave; which, for my part, I will not be, though I should win your displeasure to entreat me to’t.

       Corn.

       What was the offence you gave him?

       Osw.

       I never gave him any:

       It pleas’d the king his master very late

       To strike at me, upon his misconstruction;

       When he, compact, and flattering his displeasure,

       Tripp’d me behind; being down, insulted, rail’d

       And put upon him such a deal of man,

       That worthied him, got praises of the king

       For him attempting who was self-subdu’d;

       And, in the fleshment of this dread exploit,

       Drew on me here


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