The Christmas Conundrum (20 Thrillers in One Edition). Артур Конан Дойл
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Ogbourne” proves that. As I once loved you I love you now, Harriet, without one jot of abatement; but you are not the woman you were—you once were honest towards me; and now you conceal your heart in made-up speeches. Let it be: I can never see you again.’
‘You need not say that in such a tragedy tone, you silly. You may see me in an ordinary way—why should you not? But, of course, not in such a way as this. I should not have come now, if it had not happened that the Duke is away from home, so that there is nobody to check my erratic impulses.’
‘When does he return?’
‘The day after to-morrow, or the day after that.’
‘Then meet me again to-morrow night.’
‘No, Fred, I cannot.’
‘If you cannot to-morrow night, you can the night after; one of the two before he comes please bestow on me. Now, your hand upon it! To-morrow or next night you will see me to bid me farewell!’ He seized the Duchess’s hand.
‘No, but Fred—let go my hand! What do you mean by holding me so? If it be love to forget all respect to a woman’s present position in thinking of her past, then yours may be so, Frederick. It is not kind and gentle of you to induce me to come to this place for pity of you, and then to hold me tight here.’
‘But see me once more! I have come two thousand miles to ask it.’
‘O, I must not! There will be slanders—Heaven knows what! I cannot meet you. For the sake of old times don’t ask it.’
‘Then own two things to me; that you did love me once, and that your husband is unkind to you often enough now to make you think of the time when you cared for me.’
‘Yes—I own them both,’ she answered faintly. ‘But owning such as that tells against me; and I swear the inference is not true.’
‘Don’t say that; for you have come—let me think the reason of your coming what I like to think it. It can do you no harm. Come once more!’
He still held her hand and waist. ‘Very well, then,’ she said. ‘Thus far you shall persuade me. I will meet you to-morrow night or the night after. Now, let me go.’
He released her, and they parted. The Duchess ran rapidly down the hill towards the outlying mansion of Shakeforest Towers, and when he had watched her out of sight, he turned and strode off in the opposite direction. All then was silent and empty as before.
Yet it was only for a moment. When they had quite departed, another shape appeared upon the scene. He came from behind the trilithon. He was a man of stouter build than the first, and wore the boots and spurs of a horseman. Two things were at once obvious from this phenomenon: that he had watched the interview between the Captain and the Duchess; and that, though he probably had seen every movement of the couple, including the embrace, he had been too remote to hear the reluctant words of the lady’s conversation—or, indeed, any words at all—so that the meeting must have exhibited itself to his eye as the assignation of a pair of well-agreed lovers. But it was necessary that several years should elapse before the shepherd-boy was old enough to reason out this.
The third individual stood still for a moment, as if deep in meditation. He crossed over to where the lady and gentleman had stood, and looked at the ground; then he too turned and went away in a third direction, as widely divergent as possible from those taken by the two interlocutors. His course was towards the highway; and a few minutes afterwards the trot of a horse might have been heard upon its frosty surface, lessening till it died away upon the ear.
The boy remained in the hut, confronting the trilithon as if he expected yet more actors on the scene, but nobody else appeared. How long he stood with his little face against the loophole he hardly knew; but he was rudely awakened from his reverie by a punch in his back, and in the feel of it he familiarly recognized the stem of the old shepherd’s crook.
‘Blame thy young eyes and limbs, Bill Mills—now you have let the fire out, and you know I want it kept in! I thought something would go wrong with ’ee up here, and I couldn’t bide in bed no more than thistledown on the wind, that I could not! Well, what’s happened, fie upon ’ee?’
‘Nothing.’
‘Ewes all as I left ’em?’
‘Yes.’
‘Any lambs want bringing in?’
‘No.’
The shepherd relit the fire, and went out among the sheep with a lantern, for the moon was getting low. Soon he came in again.
‘Blame it all—thou’st say that nothing have happened; when one ewe have twinned and is like to go off, and another is dying for want of half an eye of looking to! I told ’ee, Bill Mills, if anything went wrong to come down and call me; and this is how you have done it.’
‘You said I could go to sleep for a hollerday, and I did.’
‘Don’t you speak to your betters like that, young man, or you’ll come to the gallows-tree! You didn’t sleep all the time, or you wouldn’t have been peeping out of that there hole! Now you can go home, and be up here again by breakfast-time. I be an old man, and there’s old men that deserve well of the world; but no I—must rest how I can!’
The elder shepherd then lay down inside the hut, and the boy went down the hill to the hamlet where he dwelt.
Second Night
When the next night drew on the actions of the boy were almost enough to show that he was thinking of the meeting he had witnessed, and of the promise wrung from the lady that she would come there again. As far as the sheep-tending arrangements were concerned, to-night was but a repetition of the foregoing one. Between ten and eleven o’clock the old shepherd withdrew as usual for what sleep at home he might chance to get without interruption, making up the other necessary hours of rest at some time during the day; the boy was left alone.
The frost was the same as on the night before, except perhaps that it was a little more severe. The moon shone as usual, except that it was three-quarters of an hour later in its course; and the boy’s condition was much the same, except that he felt no sleepiness whatever. He felt, too, rather afraid; but upon the whole he preferred witnessing an assignation of strangers to running the risk of being discovered absent by the old shepherd.
It was before the distant clock of Shakeforest Towers had struck eleven that he observed the opening of the second act of this midnight drama. It consisted in the appearance of neither lover nor Duchess, but of the third figure—the stout man, booted and spurred—who came up from the easterly direction in which he had retreated the night before. He walked once round the trilithon, and next advanced towards the clump concealing the hut, the moonlight shining full upon his face and revealing him to be the Duke. Fear seized upon the shepherd-boy: the Duke was Jove himself to the rural population, whom to offend was starvation, homelessness, and death, and whom to look at was to be mentally scathed and dumbfoundered. He closed the stove, so that not a spark of light appeared, and hastily buried himself in the straw that lay in a corner.
The Duke came close to the clump of furze and stood by the spot where his wife and the Captain had held their dialogue; he examined the furze as if searching for a hiding-place, and in doing so discovered the hut. The latter he walked round and then looked inside; finding it to all seeming empty, he entered, closing the door behind him and taking his place at the little circular window against which the boy’s face had been pressed just before.
The Duke had not adopted his measures too rapidly, if his object were concealment. Almost as soon as he had stationed himself there eleven o’clock struck, and the slender young man who had previously graced the scene promptly reappeared from the north quarter of the down. The spot of assignation having, by the accident of his running forward on the foregoing night, removed itself from the