The Greatest Works of Edward Bellamy: 20 Dystopian Novels, Sci-Fi Series & Short Stories. Edward Bellamy
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lives. No doubt you even criticise them in various ways as falling short of what they might be, for such is human nature; but if you would understand how they seem to me, shut your eyes a moment and try to conceive in fancy what our cotton and woolen and paper mills were like a hundred years ago.
Picture low rooms roofed with rough and grimy timbers and walled with bare or whitewashed brick. Imagine the floor so crammed with machinery for economy of space as to allow bare room for the workers to writhe about among the flying arms and jaws of steel, a false motion meaning death or mutilation. Imagine the air space above filled, instead of air, with a mixture of stenches of oil and filth, unwashed human bodies, and foul clothing. Conceive a perpetual clang and clash of machinery like the screech of a tornado.
But these were only the material conditions of the scene. Shut your eyes once more, that you may see what I would fain forget I had ever seen--the interminable rows of women, pallid, hollow-cheeked, with faces vacant and stolid but for the accent of misery, their clothing tattered, faded, and foul; and not women only, but multitudes of little children, weazen-faced and ragged--children whose mother's milk was barely out of their blood, their bones yet in the gristle.
* * * * *
Edith introduced me to the superintendent of one of the factories, a handsome woman of perhaps forty years. She very kindly showed us about and explained matters to me, and was much interested in turn to know what I thought of the modern factories and their points of contrast with those of former days. Naturally, I told her that I had been impressed, far more than by anything in the new mechanical appliances, with the transformation in the condition of the workers themselves.
"Ah, yes," she said, "of course you would say so; that must indeed be the great contrast, though the present ways seem so entirely a matter of course to us that we forget it was not always so. When the workers settle how the work shall be done, it is not wonderful that the conditions should be the pleasantest possible. On the other hand, when, as in your day, a class like your private capitalists, who did not share the work, nevertheless settled how it should be done it is not surprising that the conditions of industry should have been as barbarous as they were, especially when the operation of the competitive system compelled the capitalists to get the most work possible out of the workers on the cheapest terms."
"Do I understand." I asked, "that the workers in each trade regulate for themselves the conditions of their particular occupation?"
"By no means. The unitary character of our industrial administration is the vital idea of it, without which it would instantly become impracticable. If the members of each trade controlled its conditions, they would presently be tempted to conduct it selfishly and adversely to the general interest of the community, seeking, as your private capitalists did, to get as much and give as little as possible. And not only would every distinctive class of workers be tempted to act in this manner, but every subdivision of workers in the same trade would presently be pursuing the same policy, until the whole industrial system would become disintegrated, and we should have to call the capitalists from their graves to save us. When I said that the workers regulated the conditions of work, I meant the workers as a whole--that is, the people at large, all of whom are nowadays workers, you know. The regulation and mutual adjustment of the conditions of the several branches of the industrial system are wholly done by the General Government. At the same time, however, the regulation of the conditions of work in any occupation is effectively, though indirectly, controlled by the workers in it through the right we all have to choose and change our occupations. Nobody would choose an occupation the conditions of which were not satisfactory, so they have to be made and kept satisfactory."
* * * * *
While we were at the factory the noon hour came, and I asked the superintendent and Edith to go out to lunch with me. In fact, I wanted to ascertain whether my newly acquired credit card was really good for anything or not.
"There is one point about your modern costumes," I said, as we sat at our table in the dining hall, "about which I am rather curious. Will you tell me who or what sets the fashions?"
"The Creator sets the only fashion which is now generally followed," Edith answered.
"And what is that?"
"The fashion of our bodies," she answered.
"Ah, yes, very good," I replied, "and very true, too, of your costumes, as it certainly was not of ours; but my question still remains. Allowing that you have a general theory of dress, there are a thousand differences in details, with possible variations of style, shape, color, material, and what not. Now, the making of garments is carried on, I suppose, like all your other industries, as public business, under collective management, is it not?"
"Certainly. People, of course, can make their own clothes if they wish to, just as they can make anything else, but it would be a great waste of time and energy."
"Very well. The garments turned out by the factories have to be made up on some particular design or designs. In my day the question of designs of garments was settled by society leaders, fashion journals, edicts from Paris, or the Lord knows how; but at any rate the question was settled for us, and we had nothing to do but to obey. I don't say it was a good way; on the contrary, it was detestable; but what I want to know is, What system have you instead, for I suppose you have now no society leaders, fashion journals, or Paris edicts? Who settles the question what you shall wear?"
"We do," replied the superintendent.
"You mean, I suppose, that you determine it collectively by democratic methods. Now, when I look around me in this dining hall and see the variety and beauty of the costumes, I am bound to say that the result of your system seems satisfactory, and yet I think it would strike even the strongest believer in the principle of democracy that the rule of the majority ought scarcely to extend to dress. I admit that the yoke of fashion which we bowed to was very onerous, and yet it was true that if we were brave enough, as few indeed were, we might defy it; but with the style of dress determined by the administration, and only certain styles made, you must either follow the taste of the majority or lie abed. Why do you laugh? Is it not so?"
"We were smiling," replied the superintendent, "on account of a slight misapprehension on your part. When I said that we regulated questions of dress, I meant that we regulated them not collectively, by majority, but individually, each for himself or herself."
"But I don't see how you can," I persisted. "The business of producing fabrics and of making them into garments is carried on by the Government. Does not that imply, practically, a governmental control or initiative in fashions of dress?"
"Dear me, no!" exclaimed the superintendent. "It is evident, Mr. West, as indeed the histories say, that governmental action carried with it in your day an arbitrary implication which it does not now. The Government is actually now what it nominally was in the America of your day--the servant, tool, and instrument by which the people give effect to their will, itself being without will. The popular will is expressed in two ways, which are quite distinct and relate to different provinces: First, collectively, by majority, in regard to blended, mutually involved interests, such as the large economic and political concerns of the community; second, personally, by each individual for himself or herself in the furtherance of private and self-regarding matters. The Government is not more absolutely the servant of the collective will in regard to the blended interests of the community than it is of the individual convenience in personal matters. It is at once the august representative of all in general concerns, and everybody's agent, errand boy, and factotum for all private ends. Nothing is too high or too low, too great or too little, for it to do for us.
"The dressmaking department holds its vast provision of fabrics and machinery at the absolute disposition of the whims of every man or woman in the nation. You can go to one of the stores and order any costume of which a historical description exists, from the days of Eve to yesterday, or you can furnish a design of your own invention for a brand-new costume, designating any material at present existing, and it will be sent home to you in less time than any nineteenth-century dressmaker ever even promised to fill an order. Really, talking of this, I want you to see our garment-making machines in operation. Our paper garments, of course, are seamless, and made wholly by machinery. The apparatus being adjustable