THE COMPLETE ROUGON-MACQUART SERIES (All 20 Books in One Edition). Эмиль Золя

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THE COMPLETE ROUGON-MACQUART SERIES (All 20 Books in One Edition) - Эмиль Золя


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suggested a dangerous idea to Miette. Nothing would satisfy her but a complete bath. A little above the bridge over the Viorne there was a very convenient spot, she said, barely three or four feet deep and quite safe; the weather was so warm, it would be so nice to have the water up to their necks; besides which, she had been dying to learn to swim for such a long time, and Silvere would be able to teach her. Silvere raised objections; it was not prudent at night time; they might be seen; perhaps, too they might catch cold. However, nothing could turn Miette from her purpose. One evening she came with a bathing costume which she had made out of an old dress; and Silvere was then obliged to go back to aunt Dide’s for his bathing drawers. Their proceedings were characterised by great simplicity. Miette disrobed herself beneath the shade of a stout willow; and when both were ready, enveloped in the blackness which fell from the foliage around them, they gaily entered the cool water, oblivious of all previous scruples, and knowing in their innocence no sense of shame. They remained in the river quite an hour, splashing and throwing water into each other’s faces; Miette now getting cross, now breaking out into laughter, while Silvere gave her her first lesson, dipping her head under every now and again so as to accustom her to the water. As long as he held her up she threw her arms and legs about violently, thinking she was swimming; but directly he let her go, she cried and struggled, striking the water with her outstretched hands, clutching at anything she could get hold of, the young man’s waist or one of his wrists. She leant against him for an instant, resting, out of breath and dripping with water; and then she cried: “Once more; but you do it on purpose, you don’t hold me.”

      At the end of a fortnight, the girl was able to swim. With her limbs moving freely, rocked by the stream, playing with it, she yielded form and spirit alike to its soft motion, to the silence of the heavens, and the dreaminess of the melancholy banks. As she and Silvere swam noiselessly along, she seemed to see the foliage of both banks thicken and hang over them, draping them round as with a huge curtain. When the moon shone, its rays glided between the trunks of the trees, and phantoms seemed to flit along the riverside in white robes. Miette felt no nervousness, however, only an indefinable emotion as she followed the play of the shadows. As she went onward with slower motion, the calm water, which the moon converted into a bright mirror, rippled at her approach like a silver-broidered cloth; eddies widened and lost themselves amid the shadows of the banks, under the hanging willow branches, whence issued weird, plashing sounds. At every stroke she perceived recesses full of sound; dark cavities which she hastened to pass by; clusters and rows of trees, whose sombre masses were continually changing form, stretching forward and apparently following her from the summit of the bank. And when she threw herself on her back, the depths of the heavens affected her still more. From the fields, from the distant horizon, which she could no longer see, a solemn lingering strain, composed of all the sighs of the night, was wafted to her.

      She was not of a dreamy nature; it was physically, through the medium of each of her senses, that she derived enjoyment from the sky, the river, and the play of light and shadow. The river, in particular, bore her along with endless caresses. When she swam against the current she was delighted to feel the stream flow rapidly against her bosom and limbs. She dipped herself in it yet more deeply, with the water reaching to her lips, so that it might pass over her shoulders, and envelop her, from chin to feet, with flying kisses. Then she would float, languid and quiescent, on the surface, whilst the ripples glided softly between her costume and her skin. And she would also roll over in the still pools like a cat on a carpet; and swim from the luminous patches where the moonbeams were bathing, to the dark water shaded by the foliage, shivering the while, as though she had quitted a sunny plain and then felt the cold from the boughs falling on her neck.

      She now remained quite silent in the water, and would not allow Silvere to touch her. Gliding softly by his side, she swam on with the light rustling of a bird flying across the copse, or else she would circle round him, a prey to vague disquietude which she did not comprehend. He himself darted quickly away if he happened to brush against her. The river was now but a source of enervating intoxication, voluptuous languor, which disturbed them strangely. When they emerged from their bath they felt dizzy, weary, and drowsy. Fortunately, the girl declared one evening that she would bathe no more, as the cold water made the blood run to her head. And it was in all truth and innocence that she said this.

      Then their long conversations began anew. The dangers to which the innocence of their love had lately been exposed had left no other trace in Silvere’s mind than great admiration for Miette’s physical strength. She had learned to swim in a fortnight, and often, when they raced together, he had seen her stem the current with a stroke as rapid as his own. He, who delighted in strength and bodily exercises, felt a thrill of pleasure at seeing her so strong, so active and adroit. He entertained at heart a singular admiration for her stout arms. One evening, after one of the first baths that had left them so playful, they caught each other round the waist on a strip of sand, and wrestled for several minutes without Silvere being able to throw Miette. At last, indeed, it was the young man who lost his balance, while the girl remained standing. Her sweetheart treated her like a boy, and it was those long rambles of theirs, those wild races across the meadows, those birds’ nests filched from the tree crests, those struggles and violent games of one and another kind that so long shielded them and their love from all impurity.

      Then, too, apart from his youthful admiration for his sweetheart’s dashing pluck, Silvere felt for her all the compassionate tenderness of a heart that ever softened towards the unfortunate. He, who could never see any forsaken creature, a poor man, or a child, walking barefooted along the dusty roads, without a throb of pity, loved Miette because nobody else loved her, because she virtually led an outcast’s hard life. When he saw her smile he was deeply moved by the joy he brought her. Moreover, the child was a wildling, like himself, and they were of the same mind in hating all the gossips of the Faubourg. The dreams in which Silvere indulged in the daytime, while he plied his heavy hammer round the cartwheels in his master’s shop, were full of generous enthusiasm. He fancied himself Miette’s redeemer. All his reading rushed to his head; he meant to marry his sweetheart some day, in order to raise her in the eyes of the world. It was like a holy mission that he imposed upon himself, that of redeeming and saving the convict’s daughter. And his head was so full of certain theories and arguments, that he did not tell himself these things in simple fashion, but became lost in perfect social mysticism; imagining rehabilitation in the form of an apotheosis in which he pictured Miette seated on a throne, at the end of the Cours Sauvaire, while the whole town prostrated itself before her, entreating her pardon and singing her praises. Happily he forgot all these fine things as soon as Miette jumped over the wall, and said to him on the high road: “Let us have a race! I’m sure you won’t catch me.”

      However, if the young man dreamt like this of the glorification of his sweetheart, he also showed such passion for justice that he often made her weep on speaking to her about her father. In spite of the softening effect which Silvere’s friendship had had upon her, she still at times gave way to angry outbreaks of temper, when all the stubbornness and rebellion latent in her nature stiffened her with scowling eyes and tightly-drawn lips. She would then contend that her father had done quite right to kill the gendarme, that the earth belongs to everybody, and that one has the right to fire a gun when and where one likes. Thereupon Silvere, in a grave voice, explained the law to her as he understood it, with strange commentaries which would have startled the whole magistracy of Plassans. These discussions took place most often in some remote corner of the Sainte-Claire meadows. The grassy carpet of a dusky green hue stretched further than they could see, undotted even by a single tree, and the sky seemed colossal, spangling the bare horizon with the stars. It seemed to the young couple as if they were being rocked on a sea of verdure. Miette argued the point obstinately; she asked Silvere if her father should have let the gendarme kill him, and Silvere, after a momentary silence, replied that, in such a case, it was better to be the victim than the murderer, and that it was a great misfortune for anyone to kill a fellow man, even in legitimate defence. The law was something holy to him, and the judges had done right in sending Chantegreil to the galleys. At this the girl grew angry, and almost struck her sweetheart, crying out that he was as heartless as the rest. And as he still firmly defended his ideas of justice, she finished by bursting into sobs, and stammering that he was doubtless ashamed of her, since he was always reminding her of her father’s crime. These discussions ended in tears, in mutual emotion. But


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