Selections from the Speeches and Writings of Edmund Burke. Edmund Burke
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Roman critic describes ("Huc igitur incumbat orator: hoc opus ejus, hic labor est; sine quo caetera nuda, jejuna, infirma, ingrata sunt: adeo velut spiritus operis hujus atque animus est IN AFFECTIBUS. Horum autem, sicut antiquitus traditum accepimus, duae sunt species: alteram Graeci pathos vocant, quem nos vertentes recte ac proprie AFFECTUM dicimus; alteram ethos, cujus nomine (ut ego quidem sentio) caret sermo Romanus, mores appellantur."—Quintilian, "Instit. Orat." lib. vi. cap. 2.) as essential to the true orator, are concerned, the author of "Reflections on the French Revolution," and "Letters on a Regicide Peace," is justly admired and appreciated. Moreover, if what we understand by the "sublime" in eloquence has ever been embodied, the speeches and writings of Burke appear to have been drawn from those five sources ("pegai") to which Longinus alludes. In the 8th chapter of his fragment "On the Sublime," he observes, that if we assume an ability for speaking well, as a common basis, there are five copious fountains from whence sublimity in eloquence may be said to flow; viz.
1. Boldness and grandeur of thought.
2. The pathetic, or the power of exciting the passions into an enthusiastic reach and noble degree.
3. A skilful application of figures, both from sentiment and language.
4. A graceful, finished, and ornate style, embellished by tropes and metaphors.
5. Lastly, as that which completes all the rest—the structure of periods, in dignity and grandeur.
These five sources of the sublime, the same philosophical critic distinguishes into two classes; the first two he asserts to be gifts of nature, and the remaining three are considered to depend, in a great measure, upon literature and art. Again, if we may linger for a moment in the attractive region of classical authorship, how justly applicable are the words of Cicero in his "De Oratore," to the vastness and variety of Burke's attainments! "Ac mea quidem sententia, nemo poterit esse omni laude cumulatus orator, nisi erit OMNIUM RERUM MAGNARUM ATQUE ARTIUM SCIENTIAM CONSECUTUS."—Cic. "De Orat." lib. i. cap. 6. Equally descriptive of Burke's power in raising the dormant sensibilities of our moral nature by his intuitive perception of what that nature really and fundamentally is, are the following expressions of the same great authority:—"Quis enim nescit, maximam vim existere oratoris, in hominum mentibus vel ad iram aut ad odium, aut dolorem incitandis, vel, ab hisce, iisdem permonitionibus, ad lenitatem misericordiamque revocandis? Quare, NISI QUI NATURAS HOMINUM, VIMQUE OMNEM HUMANITATIS, CAUSASQUE EAS QUIBUS MENTES AUT EXCITANTUR, AUT REFLECTUNTUR, PENITUS PERSPEXERIT, DICENDO, QUOD VOLET, PERFICERE NON POTERIT."—Cic. "De Orat." lib. i. cap. 12.
But to return. If a critical analysis of Burke, as an exhibition of genius, be attempted, his characteristic endowments may, probably, be not incorrectly represented by the following succinct statement.
1. Endless variety in connection with exhaustless vigour of mind.
2. A lofty power of generalisation, both in speculative views and in his argumentative process.
3. Vivid intensity of conception, which caused abstractions to stand out with almost living force and visible feature, in his impassioned moments.
4. An imagination of oriental luxuriance, whose incessant play in tropes, metaphors, and analogies, frequently causes his speeches to gleam on the intellectual eye, as Aeschylus says the ocean does, when the Sun irradiates its bosom with the "anerithmon gelasma" of countless beams. 5. His positive acquirements in all the varied realms of art, science, and literature, endowed him with such vast funds of knowledge (In the wealth of his multitudinous acquirements, Burke seems to realise Cicero's ideal of what a perfect orator should know:—"Equidem omnia, quae pertinent ad usum civium, morem hominum, quae versantur in consuetudine vitae, in ratione reipublicae, in hac societate civili, in sensu hominum communi, in natura, in moribus, co hendenda esse oratori puto."—Cicero "De Orat." lib. ii. cap. 16.), that Johnson declared of Burke—"Enter upon what subject you will, and Burke is ready to meet you."
6. In addition to these high gifts, may be added, an ability to wield the weapons of sarcasm and irony, with a keenness of application and effect rarely equalled. But, in all candour, it may be added, that just as a profusion of figures and metaphors sometimes tempted this great orator into incongruous images and coarse analogies, so his passion for irony was occasionally too intense. Hence, there are occasions where his pungency is embittered into acrimony, strength degenerates into vulgarism, and the vehemence of satire is infuriated with the fierceness of invective.
7. With regard to language and style, it may be truly said, they were the absolute vassals of his Genius, and did homage to its command in every possible mode by which it chose to employ them. Thus, in his "Letters on a Regicide Peace," and above all, in "French Revolutions," the reader will find almost every conceivable manner of style and mode of expression the English language can develop; and what is more—together with classical richness, there are also the pointed seriousness and persuasive simplicity of our own vernacular Saxon, which increase the attractions of Burke's style to a wonderful extent. But, beyond controversy, among these great endowments, the imaginative faculty is that which appears to be the most transcendent in the mental constitution of Burke. And so truly is this the case, that both among his contemporaries, as well as among his successors, this predominance of imagination has caused his just claims as a philosophic thinker and statesman to be partially overlooked. The union of ideal theory and practical realisation, of imaginative creation with logical induction, is indeed so rare, we cannot be surprised at the injustice which the genius of Burke has had to endure in this respect. And yet, in the nature of our faculties themselves, there exists no necessity why a vivid power to conceive ideas, should NOT be combined with a dialectic skill in expressing them. Degerando, an admirable French writer, in one of his Treatises, has some profound observations on this subject; and does not hesitate to define poetry itself as a species of "logique cachee."
But when we assert that these excellencies, which have thus been succinctly exhibited, characterise the mental constitution of Burke, we do not mean that others have not, in their degree, possessed similar endowments. Such an inference would be an absurd extravagance. But what we mean to affirm is—the qualifications enumerated have never been combined into co-operative harmony, and developed in proportionable effect, as they appear in the speeches and writings of this wonderful man. But after all, we have not reached what may be considered a peerless excellence, the peculiar gift—the one great and glorious distinction, which separates Burke's oratory from that of all others, and which has caused his speeches to be blended with political History, and to incorporate themselves with the moral destiny of Europe—namely, HIS INTUITIVE PERCEPTION OF UNIVERSAL PRINCIPLES. The truth of this statement may be verified, by comparing the eloquence of Burke with specimens of departed orators; or by a reference to existing standards in the parliamentary debates. Compared, then, either with the speeches of Chatham, Holland, Pitt, Fox, etc. etc., we perceive at once the grand distinction to which we refer. These illustrious men were effective debaters, and, in various senses, orators of surpassing excellency. But how is it, that with all their allowed grandeur of intellect and political eminence, they have ceased to operate upon the hearts and minds of the present Age, either as teachers of political Truth, or oracles of legislative Wisdom? Simply, BECAUSE they were too popular in temporary effect, ever to become influential by permanent inspiration. In their highest moods, and amid their noblest hours of triumph, they were "of the earth earthy." Party; personality; crushing rejoinders, or satirical attacks; a felicitous exposure of inconsistency, or a triumphant self-vindication; brilliant repartees, and logical gladiatorship—such are among the prominent characteristics which caused parliamentary debates in Burke's day to be so animating and interesting to those who heard, or perused them, amid the excitements of the hour. It is not to be denied that commanding eloquence, vast genius, political ardour, intellectual enthusiasm, together with indignant denunciation and argumentative subtlety, were thus summoned into exercise by the perils of the Nation, and the contentions of Party. Nevertheless, the local, the temporal, the conventional, and the individual, in all which relates to the science of politics or the tactics of partisanship—are sufficient to excite and employ the energies and qualities which made the general parliamentary debates of Burke's period so captivating. But when we revert to his own speeches and writings, we at once perceive WHY, as long as the mind can comprehend what is true, the heart appreciate what is pure, or the conscience authenticate the