The Greatest Christmas Novels Collection (Illustrated Edition). Лаймен Фрэнк Баум

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The Greatest Christmas Novels Collection (Illustrated Edition) - Лаймен Фрэнк Баум


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caught in the window; the tower tottered, leaned forward, fell with a crash, and buried the unhappy lovers in the ruins!

      A universal shriek arose as the russet boots waved wildly from the wreck, and a golden head emerged, exclaiming, "I told you so! I told you so!" With wonderful presence of mind, Don Pedro, the cruel sire, rushed in, dragged out his daughter, with a hasty aside,—

      "Don't laugh! Act as if it was all right!"—and, ordering Roderigo up, banished him from the kingdom with wrath and scorn. Though decidedly shaken by the fall of the tower upon him, Roderigo defied the old gentleman, and refused to stir. This dauntless example fired Zara: she also defied her sire, and he ordered them both to the deepest dungeons of the castle. A stout little retainer came in with chains, and led them away, looking very much frightened, and evidently forgetting the speech he ought to have made.

      Act third was the castle hall; and here Hagar appeared, having come to free the lovers and finish Hugo. She hears him coming, and hides; sees him put the potions into two cups of wine, and bid the timid little servant "Bear them to the captives in their cells, and tell them I shall come anon." The servant takes Hugo aside to tell him something, and Hagar changes the cups for two others which are harmless. Ferdinando, the "minion," carries them away, and Hagar puts back the cup which holds the poison meant for Roderigo. Hugo, getting thirsty after a long warble, drinks it, loses his wits, and, after a good deal of clutching and stamping, falls flat and dies; while Hagar informs him what she has done in a song of exquisite power and melody.

      This was a truly thrilling scene, though some persons might have thought that the sudden tumbling down of a quantity of long hair rather marred the effect of the villain's death. He was called before the curtain, and with great propriety appeared, leading Hagar, whosesinging was considered more wonderful than all the rest of the performance put together.

      Act fourth displayed the despairing Roderigo on the point of stabbing himself, because he has been told that Zara has deserted him. Just as the dagger is at his heart, a lovely song is sung under his window, informing him that Zara is true, but in danger, and he can save her, if he will. A key is thrown in, which unlocks the door, and in a spasm of rapture he tears off his chains, and rushes away to find and rescue his lady-love.

      Act fifth opened with a stormy scene between Zara and Don Pedro. He wishes her to go into a convent, but she won't hear of it; and, after a touching appeal, is about to faint, when Roderigo dashes in and demands her hand. Don Pedro refuses, because he is not rich.They shout and gesticulate tremendously, but cannot agree, and Roderigo is about to bear away the exhausted Zara, when the timid servant enters with a letter and a bag from Hagar, who has mysteriously disappeared. The latter informs the party that she bequeaths untold wealth to the young pair, and an awful doom to Don Pedro, if he doesn't make them happy. The bag is opened, and several quarts of tin money shower down upon the stage, till it is quite glorified with the glitter. This entirely softens the "stern sire": he consents without a murmur, all join in a joyful chorus, and the curtain falls upon the lovers kneeling to receive Don Pedro's blessing in attitudes of the most romantic grace.

The lovers kneeling to receive Don Pedro's blessing

      Tumultuous applause followed, but received an unexpected check; for the cot-bed, on which the "dress-circle" was built, suddenly shut up, and extinguished the enthusiastic audience. Roderigo and Don Pedro flew to the rescue, and all were taken out unhurt, though many were speechless with laughter. The excitement had hardly subsided, when Hannah appeared, with "Mrs. March's compliments, and would the ladies walk down to supper."

      This was a surprise, even to the actors; and, when they saw the table, they looked at one another in rapturous amazement. It was like Marmee to get up a little treat for them; but anything so fine as this was unheard-of since the departed days of plenty. There was ice-cream,—actually two dishes of it, pink and white,—and cake and fruit and distracting French bonbons, and, in the middle of the table, four great bouquets of hot-house flowers!

      It quite took their breath away; and they stared first at the table and then at their mother, who looked as if she enjoyed it immensely.

      "Is it fairies?" asked Amy,

      "It's Santa Claus," said Beth.

      "Mother did it"; and Meg smiled her sweetest, in spite of her gray beard and white eyebrows.

      "Aunt March had a good fit, and sent the supper," cried Jo, with a sudden inspiration.

      "All wrong. Old Mr. Laurence sent it," replied Mrs. March.

      "The Laurence boy's grandfather! What in the world put such a thing into his head? We don't know him!" exclaimed Meg.

      "Hannah told one of his servants about your breakfast party. He is an odd old gentleman, but that pleased him. He knew my father, years ago; and he sent me a polite note this afternoon, saying he hoped I would allow him to express his friendly feeling toward my children by sending them a few trifles in honor of the day. I could not refuse; and so you have a little feast at night to make up for the bread-and-milk breakfast."

      "That boy put it into his head, I know he did! He's a capital fellow, and I wish we could get acquainted. He looks as if he'd like to know us; but he's bashful, and Meg is so prim she won't let me speak to him when we pass," said Jo, as the plates went round, and the ice began to melt out of sight, with "Ohs!" and "Ahs!" of satisfaction.

      "You mean the people who live in the big house next door, don't you?" asked one of the girls. "My mother knows old Mr. Laurence; but says he's very proud, and doesn't like to mix with hisneighbors. He keeps his grandson shut up, when he isn't riding or walking with his tutor, and makes him study very hard. We invited him to our party, but he didn't come. Mother says he's very nice, though he never speaks to us girls."

      "Our cat ran away once, and he brought her back, and we talked over the fence, and were getting on capitally,—all about cricket, and so on,—when he saw Meg coming, and walked off. I mean to know him some day; for he needs fun, I'm sure he does," said Jo decidedly.

We talked over the fence

      "I like his manners, and he looks like a little gentleman; so I've no objection to your knowing him, if a proper opportunity comes. He brought the flowers himself; and I should have asked him in, if I had been sure what was going on upstairs. He looked so wistful as he went away, hearing the frolic, and evidently having none of his own."

      "It's a mercy you didn't, mother!" laughed Jo, looking at her boots. "But we'll have another play, some time, that he can see. Perhaps he'll help act; wouldn't that be jolly?"

      "I never had such a fine bouquet before! How pretty it is!" And Meg examined her flowers with great interest.

      "They are lovely! But Beth's roses are sweeter to me," said Mrs. March, smelling the half-dead posy in her belt.

      Beth nestled up to her, and whispered softly, "I wish I could send my bunch to father. I'm afraid he isn't having such a merry Christmas as we are."

Tail-piece

       THE LAURENCE BOY.

      Table of Contents

Eating apples and crying over the "Heir of Redclyffe"

      Jo! Jo! where are you?" cried Meg, at the foot of the garret stairs.

      "Here!" answered a husky voice from above; and, running up, Meg found her sister eating apples and crying over the "Heir of Redclyffe," wrapped up in a comforter on an old three-legged sofa by the sunny window. This was Jo's favorite refuge; and here she loved to retire with half a dozen russets and a nice book, to enjoy the quiet and the society of a pet rat who lived near by, and didn't mind her a particle.


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