A Child of the Revolution: Historical Novel. Emma Orczy
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hair, others with fair or dark curls fluttering about their heads, men in silk embroidered coats, with dainty buckled shoes and filmy lace at throat and wrist, were chasing one another in and out of the leafy bosquets, just like a lot of children, playing some puerile game of blindman's bluff, which elicited many a little cry of mock alarm and silvery peals of merry laughter. How gay they seemed! How happy! André watched them, fascinated. He followed the various incidents of the game with eyes that soon lost their abstraction and sparkled with responsive delight. He nearly laughed aloud when an elegant gentleman in plum-coloured satin cloth, his eyes bandaged, tripped over a chair mischievously placed in his way by one of the ladies--a girl whose pink silk panniers over a short skirt of delicate green brocade made her look like a rosebud: so, at least, thought André.
He quite forgot himself while he stood and watched. Like a child at a show, he laughed when they laughed, gasped when capture was imminent, rejoiced when a narrow escape was successful. M. le Curé, overcome by the heat, had gone fast asleep in his chair.
André, absorbed in watching, did not even notice that the crowd of merrymakers had invaded the terrace immediately in front of the window against which he stood. "Blindman" now was the young girl with the fair hair, free from powder, whose dress made her look like a rosebud. With arms outstretched she groped, after the clumsy fashion peculiar to a genuine blindman, and her playmates darted around her, giving her a little push here, another there, all of them unheedful of the silent, motionless watcher by the open window. And suddenly "Blindman," still with arms outstretched, lost her bearings, tripped against the narrow window sill and wound have fallen headlong into the room had not André instinctively put out his arms. She fell, laughing, panting, and with a little cry of alarm, straight into him.
There was a sudden gasp of surprise on the part of the others, a second or two of silence, and then a loud and prolonged outburst of laughter. André held on with both arms. Never in his life had he felt anything as sweet, as fragrant, so close to him. The most delicious odour of roses and violets came to his nostrils, while the downiest, softest little curls tickled his nose and lips. As to moving, he could not have stirred a muscle had his life depended on it.
But at the prolonged laughter of her friends the girl at once began to struggle; also, she felt the rough cloth beneath her touch, while to her delicate nostrils there came, instead of the sweet perfumes that always pervaded the clothes of her friends, a scent of earth and hay and of damp cloth. She wanted to snatch away the bandage from her eyes, but strong, muscular arms were round her shoulders, and she could not move.
"Let me go!" she called out. "Let me go! Who is it? Madeleine--Edith, who is it?"
The next moment a firm step resounded on the marble floor of the terrace, a peremptory voice called out: "You young muckworm, how dare you?" and the hold round her shoulders relaxed. André received a resounding smack on the side the face, while the girl, suddenly freed, staggered slightly backward even while she snatched the handkerchief from her eyes.
The first thing she saw was a dark young face with a heavy chestnut curl falling over a frowning brow, a pair of eyes dark as aloes flashing with hatred and rage. She heard the voice of her cousin, the Comte de Mauléon, saying hoarsely:
"Get out! Get out, I say!" And then calling louder still: "Here! Léon! Henri! Some of you kick this garbage out."
It was all terrible. The ladies crowded round her and helped to put her pretty dress straight again, but the girl was too frightened to think of them or her clothes. Why she should have been frightened she didn't know, for Aurore de Marigny had never been frightened in her life before: she was a fearless little rider and a regular tomboy at climbing or getting into dangerous scrapes; but there was something in that motionless figure in the rough clothes, in those flashing eyes and hard, set mouth which puzzled the child and terrified her. Here was something that she had never met before, something that seemed to emit evil, cruelty, hatred, none of his had ever come within sight of her sheltered, happy life.
Pierre de Mauléon was obviously in a fury and kept calling for the lackeys, who, fortunately, were not within hearing, for heaven alone knew what would happen if anyone dared lay hands on that incarnation of fury. The boy--Aurore saw that he was only a boy, not much older than herself--looked now like a fierce animal making ready for a spring; he had thrust one hand into his breeches' pocket and brought out a knife--a miserable, futile kind of pocketknife, but still a knife; and his teeth--sharp and white as those of a young wolf--were drawing blood out of his full red lips.
Some of the laidies screamed; others giggled nervously. The men laughed, but no one thought of interfering. Inside the room, M. le Curé, roused from his slumbers, had obviously not yet made up his mind whether he was awake or dreaming.
Just then the two lackeys, Léon and Henri, came hurrying along the terrace. A catastrophe appeared imminent, for the boy had seen them; knew, probably, what it would mean to him and all these bedizened puppets if those men dared to touch him. He was seeing red; for the first time in his life he felt the desire to see a human creature's blood. With jerky movements he grasped the flimsy, gimcrack pocketknife with which he meant to defend himself to the death. He met the girl's eyes with their frightened, half-shy glance and exulted in the thought that in a few seconds, perhaps, she would see one of her lackeys lying dead at her feet.
Not even on that fatal day when he had tasted the very dregs of humiliation had his young soul been such a complete prey to rebellion and hatred. Why, oh, why had he allowed his heart to melt at sight of his mother's wretchedness? Why had he ever set foot across this cursed threshold? Pay! Pay! Pay! Those were once his mother's words. Pay, while these marionettes laughed and played; pay, so that their bellies might be full, their pillows downy, their hair powdered and perfumed. He hated them all. Oh, how he hated them!
These riotous thoughts were tumbling about in André's brain, chasing one another with lightning speed while he was contemplating murder and hurling defiant glances at the pretty child, the cause of this new--this terrible catastrophe.
Ever afterwards he was ready to swear that not by a quiver of an eyelid had he betrayed fear or asked for protection. Asked? Heaveans above! He would sooner have fallen dead across this window sill than have asked help from any of these gaudy nincompoops.
Be that as it may, there is no doubt that it was the girl's piping, childish voice which broke the uncomfortable spell that had fallen over the entire lively throng.
"Ohé!" she cried, with a ripple of laughter. "How solemn you all look! Pierre, it is your turn. Come, Véronique, you hold him while I do the blindfolding; don't let him go--it is his turn."
Her friend to whom she called was close by and ready enough to resume the game. Before Pierre de Mauléon had the chance to resist she had him by the hand, while Aurore tied the handkerchief over his eyes. A scream of delight went up all round. All seriousness, puzzlement, was forgotten. Pierre tried to snatch the handkerchief away, but two of them held onto his hands; the others pushed and pinched and teased. They dragged him along the terrace; they vaulted over the marble balusters; they were children, in fact, once more, tomboys, madcaps, running about among the bosquets and the flowers, irresponsible and irrepressed, while André, without another word, another look, turned on his heel and fled out of this cursed château, leaving M. le Curé to call and to gasp and to explain to Monseigneur, as best he could, what, in point of fact, had actually happened.
Book II
Chapter VIII
There are several biographies extant of André Vallon, some written by friends, others by enemies. No man who has played a rôle on the world stage has ever been without his detractors, and only a few have been without their apologists. To have really complete conception of Vallon's temperament, character, and subsequent conduct, it would be necessary to know something of his life during the