Egyptian Myths And Legend. Donald Mackenzie

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Egyptian Myths And Legend - Donald  Mackenzie


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of the Red Sea, they entered the verdurous valley of the Nile over a direct desert route, or throughthe highlands of Abyssinia. They were armed with weapons of copper, and effected their earliest settlement, it would appear, at Edfu. Then by gradual conquest they welded together the various tribes, extending their sway over an ever−increasing area. New and improved methods of agriculture were introduced. Canals were constructed for purposes of irrigation. The people increased in number and prosperity, and law and order was firmly established in the land.

      These invaders were sun worshippers of the Horus−hawk cult, but they also embraced the religious beliefs of the people with whom they mingled, including the worship of the corn god Osiris. From Edfu and Hierakonpolis they pressed northward to sacred Abydos, the burial place of kings, and to Thinis, the capitalof four united provinces. Several monarchs, who wore with dignity the white crown of Upper Egypt, reigned and "abode their destined hour". Then arose a great conqueror who was named Zaru, "The Scorpion". He led his victorious army down the Nile valley, extending his kingdom as he went, until he reached the frontier of the Fayum province, which was then a great swamp. There his progress was arrested. But a new era had dawned in Egypt, for there then remained but two kingdoms the Upper and the Lower.

      King Zaru was not slain at the Sed festival in accordance with the suggested ancient custom. He impersonated Osiris, throned in solitary dignity and wearing his crown, within a small curtained enclosure which opened at the front, and he held the crook in one hand and the flail in the other. The people made obeisance before him. It is not possible to follow the details of the ceremony, but from pictorial records it appears that large numbers of captives and oxen and cattle were offered up in sacrifice,so that slaughter might be averted by slaughter. The monarch was believed to have died a ceremonial death and to have come to life again with renewed energy which prolonged his years. An Abydos inscription declares of an Osiris ruler in this connection: "Thou dost begin thy days anew; like the holy moon child thou art permitted to prosper . . . thou hast grown young and thou art born to life again." An important event at the festival was the appearance before the Pharaoh of his chosen successor, who performed a religious dance; and he was afterwards given for wife a princess of the royal line, so that his right to the throne might be secured.

      The closing years of Zaru's reign were apparently occupied in organizing and improving the conquered territory. As befitted an Osirian king, he de−voted much attention to agriculture, and land was reclaimed by irrigation. An artist depicted him in the act of digging on the river bank with a hoe, as if performing the ceremony of "cutting the first sod" of a new canal. The people are shown to have had circular dwellings, with fruit trees protected by enclosures. Their square fields were surrounded by irrigating ditches.

      When the king died he was buried at Abydos, like other rulers of his line, in one of the brick tombs of the time. The investigation of these by Flinders Petrie has made possible the reconstruction in outline of the history of Egypt immediately prior to the founding of the First Dynasty. It is significant to note that the dead were buried at full length instead of in contracted posture as in Lower Egypt.

      The next great monarch was Narmer, who is believed by certain authorities to have been Mena. Petrie, however, holds that they were separate personalities. Another view is that the deeds of two or three monarchs were attributed to Mena, as in the case of the Sesostris of the Greeks. Evidently many myths attached to the memory of the heroic figure who accomplished the conquest of the northern kingdom and founded the First Dynasty of united Egypt. Mena was represented, for instance) as the monarch who taught the people how to gorge luxuriously while he lay upon a couch and slaves massaged his stomach, and tradition asserted that he met his death, apparently while intoxicated, by falling into the Nile, in which he was devoured by a hippopotamus. But these folk tales hardly accord with the character of a conqueror of tireless energy, who must have been kept fully occupied in organizing his new territory and stamping out the smouldering fires of rebellion.

      The initial triumph of the traditional Mena, in his Narmer character, was achieved in the swampy Fayum, the buffer state between Upper and Lower Egypt. It had long resisted invasion, but in the end the southern forces achieved a great victory. The broad Delta region then lay open before them, and their ultimate success was assured. King Narmer is shown on a slate palette clutching with one hand the headlocks of the Fayum chief−who kneels in helpless posture−while with the other he swings high a mace to smite the final blow. A composed body servant waits upon the conquering monarch, carrying the royal sandals and a water jar. The ha−wk symbol is also depicted to signify that victory was attributed to Horus, the tribal god. Two enemies take flight beneath, and above the combatants are two cow heads of the pastoral and sky goddess Hathor.This great scene was imitated, in the true conservative spirit of the ancient Egyptians, on the occasion of similar acts of conquest in after time. Indeed, for a period of 3000 years each succeeding Pharaoh who achieved victory in battle was depicted, like Narmer, smiting his humbled foeman, and his importance was everemphasized by his gigantic stature. It was an artistic convention in those ancient days to represent an Egyptian monarch among his enemies or subjects like a Gulliver surrounded by Lilliputians.

      After the conquest of the Fayum, the Libyans appear to have been the dominating people in Lower Egypt. Their capital was at Sais, the seat of their goddess Neith. The attributes of this deity reflect the character of the civilization of her worshippers. Her symbol was a shield and two arrows. She was depicted with green hands and face, for she was an earth spirit who provided verdure for the flocks of a pastoral people. A weaver's shuttle was tattooed upon her body, to indicate apparently that she imparted to women their skill at the loom.

      Mena conquered the Libyans in battle, and many thousands were slain, and he extended his kingdom to the shores of the Mediterranean. Then he assumed, in presence of his assembled army, the red crown of Lower Egypt. He appears also to have legitimatized the succession by taking for wife Neithhotep, "Neith rests", a princess of the royal house of Sais.

      So was the Horus tribe united with the Libyans who worshipped a goddess. In aftertime the triad of Sais was composed of Osiris, Neith, and Horus. Neith was identified with Isis.

      The race memory of the conquest of Lower Egypt is believed to be reflected in the mythical tale of Horus overcoming Set. The turning−point in the campaignwas the Fayum conflict where the animal gods of Set were slain. Petrie urges with much circumstantial detail the striking view that the expulsion of Set from Egypt signifies the defeat of the military aristocracy of "Semites " by the Horus people, who, having espoused the religion of Osiris, also espoused the cause of the tribe which introduced his worship into the land. It is evident, from an inscription on a temple of southern Edfu, that many conquests were effected in the Delta region ere the union was accomplished. One version of the great folk tale states that when Horus overcame Set he handed him over to Isis bound in chains. She failed, however, to avenge her husband's death, and set her oppressor at liberty again. In his great wrath Horus then tore the crown from her head. This may refer particularly to the circumstances which led to the Libyan conquest. "We can hardly avoid", says Petrie, "reading the history of the animosities of the gods as being the struggles of their worshippers."

      The Libyans were ever a troublesome people to the Pharaohs, whose hold on the western district of the Delta was never certain. Mena apparently endeavoured to break their power by taking captive no fewer than 120,000 prisoners. His spoils included also 100,000 oxen and 1,420,000 goats.

      This displacement of so large a proportion of the inhabitants of the north was not without its effect in the physical character of the Nile−valley peoples. The differences of blend between north and south were well marked prior to the conquest. After the union of the two kingdoms the ruling classes of Upper Egypt approximated closely to the Delta type. It is evident that the great native civilization which flourished in the Nile valley for over forty centuries owed much to the virility and genius of the Mediterranean race, which promoted culture where ver its people effected settlements. One is struck, indeed) to note in this connection that the facial characteristics of not a few Pharaohs resemble those of certain great leaders of men who have achieved distinction among the nations of Europe.

      The culture of the Horite conquerors was evidently well adapted for the Nile valley. It developed there rapidly during the three centuries which elapsed before the Delta was invaded, and assumed a purely Egyptian character. Hieroglyphics were in use from the beginning, copper was worked


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