Poor Miss Finch. Wilkie Collins Collins
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most heartily my journey among your beautiful hills."
"Oh! you like the hills? Excuse my dress. I was half an hour late this morning. When you lose half an hour in this house, you never can pick it up again, try how you may." (I soon discovered that Mrs. Finch was always losing half an hour out of her day, and that she never, by any chance, succeeded in ending it again, as she had just told me.)
"I understand, madam. The cares of a numerous family—"
"Ah! that's just where it is." (This was a favorite phrase with Mrs. Finch). "There's Finch, he gets up in the morning and goes and works in the garden. Then there's the washing of the children; and the dreadful waste that goes on in the kitchen. And Finch, he comes in without any notice, and wants his breakfast. And of course I can't leave the baby. And half an hour does slip away so easily, that how to overtake it again, I do assure you I really don't know." Here the baby began to exhibit symptoms of having taken more maternal nourishment than his infant stomach could comfortably contain. I held the novel, while Mrs. Finch searched for her handkerchief—first in her bedgown pocket; secondly, here, there, and everywhere in the room.
At this interesting moment there was a knock at the door. An elderly woman appeared—who offered a most refreshing contrast to the members of the household with whom I had made acquaintance thus far. She was neatly dressed, and she saluted me with the polite composure of a civilized being.
"I beg your pardon, ma'am. My young lady has only this moment heard of your arrival. Will you be so kind as to follow me?"
I turned to Mrs. Finch. She had found her handkerchief, and had put her overflowing baby to rights again. I respectfully handed back the novel. "Thank you," said Mrs. Finch. "I find novels compose my mind. Do you read novels too? Remind me—and I'll lend you this one to-morrow." I expressed my acknowledgments, and withdrew. At the door, I look round, saluting the lady of the house. Mrs. Finch was promenading the room, with the baby in one hand and the novel in the other, and the dimity bedgown trailing behind her.
We ascended the stairs, and entered a bare white-washed passage, with drab-colored doors in it, leading, as I presumed, into the sleeping chambers of the house.
Every door opened as we passed; children peeped out at me, screamed at me, and banged the door to again. "What family has the present Mrs. Finch?" I asked. The decent elderly woman was obliged to stop, and consider. "Including the baby, ma'am, and two sets of twins, and one seven months' child of deficient intellect—fourteen in all." Hearing this, I began—though I consider priests, kings, and capitalists to be the enemies of the human race—to feel a certain exceptional interest in Reverend Finch. Did he never wish that he had been a priest of the Roman Catholic Church, mercifully forbidden to marry at all? While the question passed through my mind, my guide took out a key, and opened a heavy oaken door at the further end of the passage.
"We are obliged to keep the door locked, ma'am," she explained, "or the children would be in and out of our part of the house all day long."
After my experience of the children, I own I looked at the oaken door with mingled sentiments of gratitude and respect.
We turned a corner, and found ourselves in the vaulted corridor of the ancient portion of the house.
The casement windows, on one side—sunk deep in recesses—looked into the garden. Each recess was filled with groups of flowers in pots. On the other side, the old wall was gaily decorated with hangings of bright chintz. The doors were colored of a creamy white, with gilt moldings. The brightly ornamented matting under our feet I at once recognized as of South American origin. The ceiling above was decorated in delicate pale blue, with borderings of flowers. Nowhere down the whole extent of the place was so much as a single morsel of dark color to be seen anywhere.
At the lower end of the corridor, a solitary figure in a pure white robe was bending over the flowers in the window. This was the blind girl whose dark hours I had come to cheer. In the scattered villages of the South Downs, the simple people added their word of pity to her name, and called her compassionately—"Poor Miss Finch." As for me, I can only think of her by her pretty Christian name. She is "Lucilla" when my memory dwells on her. Let me call her "Lucilla" here.
When my eyes first rested on her, she was picking off the dead leaves from her flowers. Her delicate ear detected the sound of my strange footstep, long before I reached the place at which she was standing. She lifted her head—and advanced quickly to meet me with a faint flush on her face, which came and died away again in a moment. I happen to have visited the picture gallery at Dresden in former years. As she approached me, nearer and nearer, I was irresistibly reminded of the gem of that superb collection—the matchless Virgin of Raphael, called "The Madonna di San Sisto." The fair broad forehead; the peculiar fullness of the flesh between the eyebrow and the eyelid; the delicate outline of the lower face; the tender, sensitive lips; the color of the complexion and the hair—all reflected, with a startling fidelity, the lovely creature of the Dresden picture. The one fatal point at which the resemblance ceased, was in the eyes. The divinely-beautiful eyes of Raphael's Virgin were lost in the living likeness of her that confronted me now. There was no deformity; there was nothing to recoil from, in my blind Lucilla. The poor, dim, sightless eyes had a faded, changeless, inexpressive look—and that was all. Above them, below them, round them, to the very edges of her eyelids, there was beauty, movement, life. In them—death! A more charming creature—with that one sad drawback—I never saw. There was no other personal defect in her. She had the fine height, the well-balanced figure, and the length of the lower limbs, which make all a woman's movements graceful of themselves. Her voice was delicious—clear, cheerful, sympathetic. This, and her smile—which added a charm of its own to the beauty of her mouth—won my heart, before she had got close enough to me to put her hand in mine. "Ah, my dear!" I said, in my headlong way, "I am so glad to see you!" The instant the words passed my lips, I could have cut my tongue out for reminding her in that brutal manner that she was blind.
To my relief, she showed no sign of feeling it as I did. "May I see you, in my way?" she asked gently—and held up her pretty white hand. "May I touch your face?"
I sat down at once on the window-seat. The soft rosy tips of her fingers seemed to cover my whole face in an instant. Three separate times she passed her hand rapidly over me; her own face absorbed all the while in breathless attention to what she was about. "Speak again!" she said suddenly, holding her hand over me in suspense. I said a few words. She stopped me by a kiss. "No more!" she exclaimed joyously. "Your voice says to my ears, what your face says to my fingers. I know I shall like you. Come in, and see the rooms we are going to live in together."
As I rose, she put her arm round my waist—then instantly drew it away again, and shook her fingers impatiently, as if something had hurt them.
"A pin?" I asked.
"No! no! What colored dress have you got on?"
"Purple."
"Ah! I knew it! Pray don't wear dark colors. I have my own blind horror of anything that is dark. Dear Madame Pratolungo, wear pretty bright colors, to please me!" She put her arm caressingly round me again—round my neck, however, this time, where her hand could rest on my linen collar. "You will change your dress before dinner—won't you?" she whispered. "Let me unpack for you, and choose which dress I like."
The brilliant decorations of the corridor were explained to me now!
We entered the rooms; her bed-room, my bed-room, and our sitting-room between the two. I was prepared to find them, what they proved to be—as bright as looking-glasses, and gilding, and gaily-colored ornaments, and cheerful knick-knacks of all sorts could make them. They were more like rooms in my lively native country than rooms in sober colorless England. The one thing which I own did still astonish me, was that all this sparkling beauty of adornment in Lucilla's habitation should have been provided for the express gratification of a young lady who could not see. Experience was yet to show me that the blind can live in their imaginations, and have their favorite fancies and illusions like the rest of us.
To satisfy Lucilla by changing my dark purple dress, it was necessary that I should first have my boxes. So far