History of Modern Philosophy. Richard Falckenberg

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History of Modern Philosophy - Richard  Falckenberg


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of the two was reversed, since he made the perception of self dependent on the precedent perception of external objects. This antithesis was made still sharper in later thinking, when Condillac made full use of the priority of sensation, which in Locke had remained without much effect; while Berkeley, on the other hand, reduced external perception to internal perception.

      All original ideas are representations either of the external senses or of the internal sense, or of both. And since, in the case of ideas of sensation, there is a distinction between those which are perceived by a single one of the external senses and those which come from more than one, four classes of simple ideas result: (1) Those which come from one external sense, as colors, sounds, tastes, odors, heat, solidity, and the like. (2) Those which come from more than one external sense (sight and touch), as extension, figure, and motion. (3) Reflection on the operations of our minds yields ideas of perception or thinking (with its various modes, remembrance, judging, knowledge, faith, etc.), and of volition or willing. (4) From both external and internal perception there come into the mind the ideas of pleasure and pain, existence, power, unity, and succession. These are approximately our original ideas, which are related to knowledge as the letters to written discourse; as all Homer is composed out of only twenty-four letters, so these few simple ideas constitute all the material of knowledge. The mind can neither have more nor other simple ideas than those which are furnished to it by these two sources of experience.

      Locke differs from Descartes again in regard to extension and thought. Extension does not constitute the essence of matter, nor thought the essence of mind. Extension and body are not the same; the former is presupposed by the latter as its necessary condition, but it is the former alone which yields mathematical matter. The essence of physical matter consists rather in solidity: where impenetrability is found there is body, and the converse; the two are absolutely inseparable. With space the case is different. I cannot conceive unextended matter, indeed, but I can easily conceive immaterial extension, an unfilled space Further, if the essence of the soul consisted in thought, it must be always thinking. As the Cartesians maintained, it must have ideas as soon as it begins to be, which is manifestly contrary to experience. Thinking is merely an activity of the mind, as motion is an activity of the body, and not its essential characteristic. The mind does not receive ideas until external objects occasion perception in it through impressions, which it is not able to avert. The understanding may be compared to a mirror, which, without independent activity and without being consulted, takes up the images of things. Some of the simple ideas which have been mentioned above represent the properties of things as they really are, others not. The former class includes all ideas of reflection (for we are ourselves the immediate object of the inner sense); but among the ideas of sensation those only which come from different senses, hence extension, motion and rest, number, figure, and, further, solidity, are to be accounted primary qualities, i. e., such as are actual copies of the properties of bodies. All other ideas, on the contrary, have no resemblance to properties of bodies; they represent merely the ways in which things act, and are not copies of things. The ideas of secondary or derivative qualities (hard and soft, warm and cold, colors and sounds, tastes and odors) are in the last analysis caused—as are the primary—by motion, but not perceived as such. Yellow and warm are merely sensations in us, which we erroneously ascribe to objects; with equal right we might ascribe to fire, as qualities inherent in it, the changes in form and color which it produces in wax and the pain which it causes in the finger brought into proximity with it. The warmth and the brightness of the blaze, the redness, the pleasant taste, and the aromatic odor of the strawberry, exist in these bodies merely as the power to produce such sensations in us by stimulation of the skin, the eye, the palate, and the nose. If we remove the perceptions of them, they disappear as such, and their causes alone remain—the bulk, figure, number, texture, and motion of the insensible particles. The ground of the illusion lies in the fact that such qualities as color, etc., bear no resemblance to their causes, in no wise point to these, and in themselves contain naught of bulk, density, figure, and motion, and that our senses are too weak to discover the material particles and their primary qualities.—The distinction between qualities of the first and second order—first advanced by the ancient atomists, revived by Galileo and Descartes on the threshold of the modern period, retained by Locke, and still customary in the natural science of the day—forms an important link in the transition from the popular view of all sense-qualities as properties of things in themselves to Kant's position, that spatial and temporal qualities also belong to phenomena alone, and are based merely on man's subjective mode of apprehension, while the real properties of things in themselves are unknowable.

      Thus far the procedure of the understanding has been purely passive. But besides the capacity for passively receiving simple ideas, it possesses the further power of variously combining and extending these original ideas which have come into it from without, of working over the material given in sensation by the combination, relation, and separation of its various elements. In this it is active, but not creative. It is not able to form new simple ideas (and just as little to destroy such as already exist), but only freely to combine the elements furnished without its assistance by perception (or, following the figure mentioned above, to combine into syllables and words the separate letters of sensation). Complex ideas arise from simple ideas through voluntary combination of the latter.

      Perception is the first step toward knowledge. After perception the most indispensable faculty is retention, the prolonged consciousness of present ideas and the revival of those which have disappeared, or, as it were, have been put aside. For an idea to be "in the memory" means that the mind has the capacity to reproduce it at will, whereupon it recognizes it as previously experienced. If our ideas are not freshened up from time to time by new impressions of the same sort they gradually fade out, until finally (as the idea of color in one become blind in early life) they completely disappear. Ideas impressed upon the mind by frequent repetition are rarely entirely lost. Memory is the basis for the intellectual functions of discernment and comparison, of composition, abstraction, and naming. Since, amid the innumerable multitude of ideas, it is not possible to assign to each one a definite sign, the indispensable condition of language is found in the power of abstraction, that is, in the power of generalizing ideas, of compounding many ideas into one, and of indicating by the names of the general ideas, or of the classes and species, the particular ideas also which are contained under these. Here is the great distinction between man and the brute. The brute lacks language because he lacks (not all understanding whatever, e.g., not a capacity, though an imperfect one, of comparison and composition, but) the faculty of abstraction and of forming general ideas. The object of language is simply the quick and easy communication of our thoughts to others, not to give expression to the real essence of objects. Words are not names for particular things, but signs of general ideas; and abstracta nothing more than an artifice for facilitating intellectual intercourse. This abbreviation, which aids in the exchange of ideas, involves the danger that the creations of the mind denoted by words will be taken for images of real general essences, of which, in fact, there are none in existence, but only particular things. In order to prevent anyone to whom I am speaking from understanding my words in a different sense from the one intended, it is necessary for me to define the complex ideas by analyzing them into their elements, and, on the other hand, to give examples in experience of the simple ideas, which do not admit of definition, or to explain them by synonyms. Thus much from Locke's philosophy of language, to which he devotes the third book of the Essay.

      Complex ideas, which are very numerous, may be divided into three classes:

       Modes, Substances, and Relations.

      Modes (states, conditions) are such combinations of simple ideas which do not "contain in them the supposition of subsisting by themselves, but are considered as dependencies on, or affections of substances." They fall into two classes according as they are composed of the same simple ideas, or simple ideas of various kinds; the former are called simple, the latter mixed, modes. Under the former class belong, for example, a dozen or a score, the idea of which is composed of simple units; under the latter, running, fighting, obstinacy, printing, theft, parricide. The formation of mixed modes is greatly influenced by national customs. Very complicated transactions (sacrilege, triumph, ostracism), if often considered and discussed, receive for the sake of brevity comprehensive names, which cannot be rendered by a single expression in the language


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