THE ESSENTIAL MELVILLE - 160+ Titles in One Edition. Герман Мелвилл
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or in operating upon the more sensitive portions of the body, as was the case in the present instance. Others presented several points distributed in a line, somewhat resembling the teeth of a saw. These were employed in the coarser parts of the work, and particularly in pricking in straight marks. Some presented their points disposed in small figures, and being placed upon the body, were, by a single blow of the hammer, made to leave their indelible impression. I observed a few the handles of which were mysteriously curved, as if intended to be introduced into the orifice of the ear, with a view perhaps of beating the tattoo upon the tympanum. Altogether the sight of these strange instruments recalled to mind that display of cruel-looking mother-of-pearl-handled things which one sees in their velvet-lined cases at the elbow of a dentist.
The artist was not at this time engaged on an original sketch, his subject being a venerable savage, whose tattooing had become somewhat faded with age and needed a few repairs, and accordingly he was merely employed in touching up the works of some of the old masters of the Typee school, as delineated upon the human canvas before him. The parts operated upon were the eyelids, where a longitudinal streak, like the one which adorned Kory-Kory, crossed the countenance of the victim.
In spite of all the efforts of the poor old man, sundry twitchings and screwings of the muscles of the face denoted the exquisite sensibility of these shutters to the windows of his soul, which he was now having repainted. But the artist, with a heart as callous as that of an army surgeon, continued his performance, enlivening his labours with a wild chant, tapping away the while as merrily as a woodpecker.
So deeply engaged was he in his work, that he had not observed our approach, until, after having, enjoyed an unmolested view of the operation, I chose to attract his attention. As soon as he perceived me, supposing that I sought him in his professional capacity, he seized hold of me in a paroxysm of delight, and was an eagerness to begin the work. When, however, I gave him to understand that he had altogether mistaken my views, nothing could exceed his grief and disappointment. But recovering from this, he seemed determined not to credit my assertion, and grasping his implements, he flourished them about in fearful vicinity to my face, going through an imaginary performance of his art, and every moment bursting into some admiring exclamation at the beauty of his designs.
Horrified at the bare thought of being rendered hideous for life if the wretch were to execute his purpose upon me, I struggled to get away from him, while Kory-Kory, turning traitor, stood by, and besought me to comply with the outrageous request. On my reiterated refusals the excited artist got half beside himself, and was overwhelmed with sorrow at losing so noble an opportunity of distinguishing himself in his profession.
The idea of engrafting his tattooing upon my white skin filled him with all a painter’s enthusiasm; again and again he gazed into my countenance, and every fresh glimpse seemed to add to the vehemence of his ambition. Not knowing to what extremities he might proceed, and shuddering at the ruin he might inflict upon my figure-head, I now endeavoured to draw off his attention from it, and holding out my arm in a fit of desperation, signed to him to commence operations. But he rejected the compromise indignantly, and still continued his attack on my face, as though nothing short of that would satisfy him. When his forefinger swept across my features, in laying out the borders of those parallel bands which were to encircle my countenance, the flesh fairly crawled upon my bones. At last, half wild with terror and indignation, I succeeded in breaking away from the three savages, and fled towards old Marheyo’s house, pursued by the indomitable artist, who ran after me, implements in hand. Kory-Kory, however, at last interfered and drew him off from the chase.
This incident opened my eyes to a new danger; and I now felt convinced that in some luckless hour I should be disfigured in such a manner as never more to have the FACE to return to my countrymen, even should an opportunity offer.
These apprehensions were greatly increased by the desire which King Mehevi and several of the inferior chiefs now manifested that I should be tattooed. The pleasure of the king was first signified to me some three days after my casual encounter with Karky the artist. Heavens! what imprecations I showered upon that Karky. Doubtless he had plotted a conspiracy against me and my countenance, and would never rest until his diabolical purpose was accomplished. Several times I met him in various parts of the valley, and, invariably, whenever he descried me, he came running after me with his mallet and chisel, flourishing them about my face as if he longed to begin. What an object he would have made of me!
When the king first expressed his wish to me, I made known to him my utter abhorrence of the measure, and worked myself into such a state of excitement, that he absolutely stared at me in amazement. It evidently surpassed his majesty’s comprehension how any sober-minded and sensible individual could entertain the least possible objection to so beautifying an operation.
Soon afterwards he repeated his suggestion, and meeting with a little repulse, showed some symptoms of displeasure at my obduracy. On his a third time renewing his request, I plainly perceived that something must be done, or my visage was ruined for ever; I therefore screwed up my courage to the sticking point, and declared my willingness to have both arms tattooed from just above the wrist to the shoulder. His majesty was greatly pleased at the proposition, and I was congratulating myself with having thus compromised the matter, when he intimated that as a thing of course my face was first to undergo the operation. I was fairly driven to despair; nothing but the utter ruin of my ‘face divine’, as the poets call it, would, I perceived, satisfy the inexorable Mehevi and his chiefs, or rather, that infernal Karky, for he was at the bottom of it all.
The only consolation afforded me was a choice of patterns: I was at perfect liberty to have my face spanned by three horizontal bars, after the fashion of my serving-man’s; or to have as many oblique stripes slanting across it; or if, like a true courtier, I chose to model my style on that of royalty, I might wear a sort of freemason badge upon my countenance in the shape of a mystic triangle. However, I would have none of these, though the king most earnestly impressed upon my mind that my choice was wholly unrestricted. At last, seeing my unconquerable repugnance, he ceased to importune me.
But not so some other of the savages. Hardly a day passed but I was subjected to their annoying requests, until at last my existence became a burden to me; the pleasures I had previously enjoyed no longer afforded me delight, and all my former desire to escape from the valley now revived with additional force.
A fact which I soon afterwards learned augmented my apprehension. The whole system of tattooing was, I found, connected with their religion; and it was evident, therefore, that they were resolved to make a convert of me.
In the decoration of the chiefs it seems to be necessary to exercise the most elaborate pencilling; while some of the inferior natives looked as if they had been daubed over indiscriminately with a house-painter’s brush. I remember one fellow who prided himself hugely upon a great oblong patch, placed high upon his back, and who always reminded me of a man with a blister of Spanish flies, stuck between his shoulders. Another whom I frequently met had the hollow of his eyes tattooed in two regular squares and his visual organs being remarkably brilliant, they gleamed forth from out this setting like a couple of diamonds inserted in ebony.
Although convinced that tattooing was a religious observance, still the nature of the connection between it and the superstitious idolatry of the people was a point upon which I could never obtain any information. Like the still more important system of the ‘Taboo’, it always appeared inexplicable to me.
There is a marked similarity, almost an identity, between the religious institutions of most of the Polynesian islands, and in all exists the mysterious ‘Taboo’, restricted in its uses to a greater or less extent. So strange and complex in its arrangements is this remarkable system, that I have in several cases met with individuals who, after residing for years among the islands in the Pacific, and acquiring a considerable knowledge of the language, have nevertheless been altogether unable to give any satisfactory account of its operations. Situated as I was in the Typee valley, I perceived every hour the effects of this all-controlling power, without in the least comprehending it. Those effects were, indeed, wide-spread and universal, pervading the most important as well as the minutest transactions of life. The savage, in short, lives in the continual observance of its dictates, which guide and control every action of his being.
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