THE COMPLETE WORKS OF F. SCOTT FITZGERALD. ФрÑнÑÐ¸Ñ Ð¡ÐºÐ¾Ñ‚Ñ‚ Фицджеральд
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artists must explore were not for her, ever. She was fine-spun, inbred — eventually she might find rest in some quiet mysticism. Exploration was for those with a measure of peasant blood, those with big thighs and thick ankles who could take punishment as they took bread and salt, on every inch of flesh and spirit.
— Not for you, he almost said. It’s too tough a game for you.
Yet in the awful majesty of her pain he went out to her unreservedly, almost sexually. He wanted to gather her up in his arms, as he so often had Nicole, and cherish even her mistakes, so deeply were they part of her. The orange light through the drawn blind, the sarcophagus of her figure on the bed, the spot of face, the voice searching the vacuity of her illness and finding only remote abstractions.
As he arose the tears fled lava-like into her bandages.
“That is for something,” she whispered. “Something must come out of it.”
He stooped and kissed her forehead.
“We must all try to be good,” he said.
Leaving her room he sent the nurse in to her. There were other patients to see: an American girl of fifteen who had been brought up on the basis that childhood was intended to be all fun — his visit was provoked by the fact that she had just hacked off all her hair with a nail scissors. There was nothing much to be done for her — a family history of neurosis and nothing stable in her past to build on. The father, normal and conscientious himself, had tried to protect a nervous brood from life’s troubles and had succeeded merely in preventing them from developing powers of adjustment to life’s inevitable surprises. There was little that Dick could say: “Helen, when you’re in doubt you must ask a nurse, you must learn to take advice. Promise me you will.”
What was a promise with the head sick? He looked in upon a frail exile from the Caucasus buckled securely in a sort of hammock which in turn was submerged in a warm medical bath, and upon the three daughters of a Portuguese general who slid almost imperceptibly toward paresis. He went into the room next to them and told a collapsed psychiatrist that he was better, always better, and the man tried to read his face for conviction, since he hung on the real world only through such reassurance as he could find in the resonance, or lack of it, in Doctor Diver’s voice. After that Dick discharged a shiftless orderly and by then it was the lunch hour.
XV
Meals with the patients were a chore he approached with apathy. The gathering, which of course did not include residents at the Eglantine or the Beeches, was conventional enough at first sight, but over it brooded always a heavy melancholy. Such doctors as were present kept up a conversation but most of the patients, as if exhausted by their morning’s endeavor, or depressed by the company, spoke little, and ate looking into their plates.
Luncheon over, Dick returned to his villa. Nicole was in the salon wearing a strange expression.
“Read that,” she said.
He opened the letter. It was from a woman recently discharged, though with skepticism on the part of the faculty. It accused him in no uncertain terms of having seduced her daughter, who had been at her mother’s side during the crucial stage of the illness. It presumed that Mrs. Diver would be glad to have this information and learn what her husband was “really like.”
Dick read the letter again. Couched in clear and concise English he yet recognized it as the letter of a maniac. Upon a single occasion he had let the girl, a flirtatious little brunette, ride into Zurich with him, upon her request, and in the evening had brought her back to the clinic. In an idle, almost indulgent way, he kissed her. Later, she tried to carry the affair further, but he was not interested and subsequently, probably consequently, the girl had come to dislike him, and taken her mother away.
“This letter is deranged,” he said. “I had no relations of any kind with that girl. I didn’t even like her.”
“Yes, I’ve tried thinking that,” said Nicole.
“Surely you don’t believe it?”
“I’ve been sitting here.”
He sank his voice to a reproachful note and sat beside her.
“This is absurd. This is a letter from a mental patient.”
“I was a mental patient.”
He stood up and spoke more authoritatively.
“Suppose we don’t have any nonsense, Nicole. Go and round up the children and we’ll start.”
In the car, with Dick driving, they followed the little promontories of the lake, catching the burn of light and water in the windshield, tunnelling through cascades of evergreen. It was Dick’s car, a Renault so dwarfish that they all stuck out of it except the children, between whom Mademoiselle towered mastlike in the rear seat. They knew every kilometer of the road — where they would smell the pine needles and the black stove smoke. A high sun with a face traced on it beat fierce on the straw hats of the children.
Nicole was silent; Dick was uneasy at her straight hard gaze. Often he felt lonely with her, and frequently she tired him with the short floods of personal revelations that she reserved exclusively for him, “I’m like this — I’m more like that,” but this afternoon he would have been glad had she rattled on in staccato for a while and given him glimpses of her thoughts. The situation was always most threatening when she backed up into herself and closed the doors behind her.
At Zug Mademoiselle got out and left them. The Divers approached the Agiri Fair through a menagerie of mammoth steamrollers that made way for them. Dick parked the car, and as Nicole looked at him without moving, he said: “Come on, darl.” Her lips drew apart into a sudden awful smile, and his belly quailed, but as if he hadn’t seen it he repeated: “Come on. So the children can get out.”
“Oh, I’ll come all right,” she answered, tearing the words from some story spinning itself out inside her, too fast for him to grasp. “Don’t worry about that. I’ll come—”
“Then come.”
She turned from him as he walked beside her but the smile still flickered across her face, derisive and remote. Only when Lanier spoke to her several times did she manage to fix her attention upon an object, a Punch-and-Judy show, and to orient herself by anchoring to it.
Dick tried to think what to do. The dualism in his views of her — that of the husband, that of the psychiatrist — was increasingly paralyzing his faculties. In these six years she had several times carried him over the line with her, disarming him by exciting emotional pity or by a flow of wit, fantastic and disassociated, so that only after the episode did he realize with the consciousness of his own relaxation from tension, that she had succeeded in getting a point against his better judgment.
A discussion with Topsy about the guignol — as to whether the Punch was the same Punch they had seen last year in Cannes — having been settled, the family walked along again between the booths under the open sky. The women’s bonnets, perching over velvet vests, the bright, spreading skirts of many cantons, seemed demure against the blue and orange paint of the wagons and displays. There was the sound of a whining, tinkling hootchy-kootchy show.
Nicole began to run very suddenly, so suddenly that for a moment Dick did not miss her. Far ahead he saw her yellow dress twisting through the crowd, an ochre stitch along the edge of reality and unreality, and started after her. Secretly she ran and secretly he followed. As the hot afternoon went shrill and terrible with her flight he had forgotten the children; then he wheeled and ran back to them, drawing them this way and that by their arms, his eyes jumping from booth to booth.
“Madame,” he cried to a young woman behind a white lottery wheel, “Est-ce que je peux laisser ces petits avec vous deux minutes? C’est très urgent — je vous donnerai dix francs.”
“Mais