Field and Hedgerow. Richard Jefferies
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to please the children, and how to puzzle me. Ingenious dandelion! If you find out that its correct botanical name is Leontodon taraxacum or Leontodon dens-leonis, that will bring it into botany; and there is a place called Dandelion Castle in Kent, and a bell with the inscription—
John de Dandelion with his great dog
Brought over this bell on a mill cog
—which is about as relevant as the mere words Leontodon taraxacum. Botany is the knowledge of plants according to the accepted definition; naturally, therefore, when I began to think I would like to know a little more of flowers than could be learned by seeing them in the fields, I went to botany. Nothing could be more simple. You buy a book which first of all tells you how to recognise them, how to classify them; next instructs you in their uses, medical or economical; next tells you about the folk-lore and curious associations; next enters into a lucid explanation of the physiology of the plant and its relation to other creatures; and finally, and most important, supplies you with the ethical feeling, the ideal aspiration to be identified with each particular flower. One moderately thick volume would probably suffice for such a modest round as this.
Lo! now the labour of Hercules when he set about bringing up Cerberus from below, and all the work done by Apollo in the years when he ground corn, are but a little matter compared with the attempt to master botany. Great minds have been at it these two thousand years, and yet we are still only nibbling at the edge of the leaf, as the ploughboys bite the young hawthorn in spring. The mere classification—all plant-lore was a vast chaos till there came the man of Sweden, the great Linnæus, till the sexes were recognised, and everything was ruled out and set in place again. A wonderful man! I think it would be true to say it was Linnæus who set the world on its present twist of thinking, and levered our mental globe a little more perpendicular to the ecliptic. He actually gathered the dandelion and took it to bits like a scientific child; he touched nature with his fingers instead of sitting looking out of window—perhaps the first man who had ever done so for seventeen hundred years or so, since superstition blighted the progress of pagan Rome. The work he did! But no one reads Linnæus now; the folios, indeed, might moulder to dust without loss, because his spirit has got into the minds of men, and the text is of little consequence. The best book he wrote to read now is the delightful 'Tour in Lapland,' with its quaint pen-and-ink sketches, so realistically vivid, as if the thing sketched had been banged on the paper and so left its impress. I have read it three times, and I still cherish the old yellow pages; it is the best botanical book, written by the greatest of botanists, specially sent on a botanical expedition, and it contains nothing about botany. It tells you about the canoes, and the hard cheese, and the Laplander's warehouse on top of a pole, like a pigeon-house; and the innocent way in which the maiden helped the traveller in his bath, and how the aged men ran so fast that the devil could not catch them; and, best of all, because it gives a smack in the face to modern pseudo-scientific medical cant about hygiene, showing how the Laplanders break every 'law,' human and 'divine', ventilation, bath, and diet—all the trash—and therefore enjoy the most excellent health, and live to a great old age. Still I have not succeeded in describing the immense labour there was in learning to distinguish plants on the Linnæan system. Then comes in order of time the natural system, the geographical distribution; then there is the geological relationship, so to say, to Pliocene plants, natural selection and evolution. Of that let us say nothing; let sleeping dogs lie, and evolution is a very weary dog. Most charming, however, will be found the later studies of naturalists on the interdependence of flowers and insects; there is another work the dandelion has got to do—endless, endless botany! Where did the plants come from at first? Did they come creeping up out of the sea at the edge of the estuaries, and gradually run their roots into the ground, and so make green the earth? Did Man come out of the sea, as the Greeks thought? There are so many ideas in plants. Flora, with a full lap, scattering knowledge and flowers together; everything good and sweet seems to come out of flowers, up to the very highest thoughts of the soul, and we carry them daily to the very threshold of the other world. Next you may try the microscope and its literature, and find the crystals in the rhubarb.
I remember taking sly glances when I was a very little boy at an old Culpepper's Herbal, heavily bound in leather and curiously illustrated. It was so deliciously wicked to read about the poisons; and I thought perhaps it was a book like that, only in papyrus rolls, that was used by the sorceress who got ready the poisoned mushrooms in old Rome. Youth's ideas are so imaginative, and bring together things that are so widely separated. Conscience told me I had no business to read about poisons; but there was a fearful fascination in hemlock, and I recollect tasting a little bit—it was very nasty. At this day, nevertheless, if any one wishes to begin a pleasant, interesting, unscientific acquaintance with English plants, he would do very well indeed to get a good copy of Culpepper. Grey hairs had insisted in showing themselves in my beard when, all those weary years afterwards, I thought I would like to buy the still older Englishman, Gerard, who had no Linnæus to guide him, who walked about our English lanes centuries ago. What wonderful scenes he must have viewed when they were all a tangle of wild flowers, and plants that are now scarce were common, and the old ploughs, and the curious customs, and the wild red-deer—it would make a good picture, it really would, Gerard studying English orchids! Such a volume!—hundreds of pages, yellow of course, close type, and marvellously well printed. The minute care they must have taken in those early days of printing to get up such a book—a wonderful volume both in bodily shape and contents. Just then the only copy I could hear of was much damaged. The cunning old bookseller said he could make it up; but I have no fancy for patched books, they are not genuine; I would rather have them deficient; and the price was rather long, and so I went Gerardless. Of folk-lore and medicinal use and history and associations here you have hints. The bottom of the sack is not yet; there are the monographs, years of study expended upon one species of plant growing in one locality, perhaps; some made up into thick books and some into broad quarto pamphlets, with most beautiful plates, that, if you were to see them, would tempt you to cut them out and steal them, all sunk and lost like dead ships under the sand: piles of monographs. There are warehouses in London that are choked to the beams of the roof with them, and every fresh exploration furnishes another shelf-load. The source of the Nile was unknown a very few years ago, and now, I have no doubt, there are dozens of monographs on the flowers that flourish there. Indeed, there is not a thing that grows that may not furnish a monograph. The author spends perhaps twenty years in collecting his material, during which time he must of course come across a great variety of amusing information, and then he spends another ten years writing out a fair copy of his labours. Then he thinks it does not quite do in that form, so he snips a paragraph out of the beginning and puts it at the end; next he shifts some more matter from the middle to the preface; then he thinks it over. It seems to him that it is too big, it wants condensation. The scientific world will say he has made too much of it; it ought to read very slight, and present the facts while concealing the labour. So he sets about removing the superfluous—leaves out all the personal observations, and all the little adventures he has met with in his investigations; and so, having got it down to the dry bones and stones thereof and omitted all the mortar that stuck them together, he sends for the engraver, and the next three years are occupied in working up the illustrations. About this time some new discovery is made by a foreign observer, which necessitates a complete revision of the subject; and so having shifted the contents of the book about hither and thither till he does not know which is the end and which is the beginning, he pitches the much-mutilated copy into a drawer and turns the key. Farewell, no more of this; his declining days shall be spent in peace. A few months afterwards a work is announced in Leipsic which 'really trenches on my favourite subject, and really after spending a lifetime I can't stand it.' By this time his handwriting has become so shaky he can hardly read it himself, so he sends in despair for a lady who works a type-writer, and with infinite patience she makes a clean manuscript of the muddled mass. To the press at last, and the proofs come rapidly. Such a relief! How joyfully easy a thing is when you set about it! but by-and-by this won't do. Sub-section A ought to be in a foot-note, family B is doubtful; and so the corrections grow and run over the margin in a thin treble hand, till they approach the bulk of the original book—a good profit for the printer; and so after about forty years the monograph is published—the work of a life is accomplished. Fifty copies are sent round to as many public libraries and learned societies, and the rest of the impression