CHAPTER II

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      Dulce et decorum est pro patria mori. The tag has been all but outworn during these unending days of death; it has become almost a cant phrase which the judicious shrink from using. Yet to hundreds of thousands of mourning men and women there has been nothing but its truth to bring consolation. They are conscious of the supreme sacrifice and thereby are ennobled. The cause in which they made it becomes more sacred. The community of grief raises human dignity. In England, at any rate, there are no widows of Ashur. All are silent in their lamentations. You see little black worn in the public ways. The Fenimores mourned for their only son, the idol of their hearts; but the manifestation of their grief was stoical compared with their unconcealed desolation on the occasion of a tragedy that occurred the year before.

      Towards the end of the preceding June their only daughter, Althea, had been drowned in the canal. Here was a tragedy unrelieved, stupid, useless. Here was no consoling knowledge of glorious sacrifice; no dying for one's country. There was no dismissing it with a heroic word that caught in the throat.

      I have not started out to write this little chronicle of Wellingsford in order to weep over the pain of the world. God knows there is in it an infinity of beauty, fresh revelations of which are being every day unfolded before my eyes.

      If I did not believe with all my soul that out of Darkness cometh Light, I would take my old service revolver from its holster and blow out my brains this very minute. The eternal laughter of the earth has ever since its creation pierced through the mist of tears in which at times it has been shrouded. What has been will be. Nay, more, what has been shall be. It is the Law of what I believe to be God. … As a concrete instance, where do you find a fuller expression of the divine gaiety of the human spirit than in the Houses of Pain, strewn the length and breadth of the land, filled with maimed and shattered men who have looked into the jaws of Hell? If it comes to that, I have looked into them myself, and have heard the heroic jests of men who looked with me.

      For some years up to the outbreak of the war which has knocked all so-called modern values silly, my young friends, with a certain respectful superciliousness, regarded me as an amiable person hopelessly out of date. Now that we are at grip with elementals, I find myself, if anything, in advance of the fashion. This, however, by the way. What I am clumsily trying to explain is that if I am to make this story intelligible I must start from the darkness where its roots lie hidden. And that darkness is the black depths of the canal by the lock gates where Althea Fenimore's body was found.

      It was high June, in leafy England, in a world at peace. Can one picture it? With such a wrench of memory does one recall scenes of tender childhood. In the shelter of a stately house lived Althea Fenimore. She was twenty-one; pretty, buxom, like her mother, modern, with (to me) a pathetic touch of mid-Victorian softness and sentimentality; independent in outward action, what we call "open-air"; yet an anomaly, fond at once of games and babies. I have seen her in the morning tearing away across country by the side of her father, the most passionate and reckless rider to hounds in the county, and in the evening I have come across her, a pretty mass of pink flesh and muslin—no, it can't be muslin—say chiffon—anyhow, something white and filmy and girlish—curled up on a sofa and absorbed in a novel of Mrs. Henry Wood, borrowed, if one could judge by the state of its greasy brown paper cover, from the servants' hall. I confess that, though to her as to her brother I was "Uncle Duncan," and loved her as a dear, sweet English girl, I found her lacking in spirituality, in intellectual grasp, in emotional distinction. I should have said that she was sealed by God to be the chaste, healthy, placid mother of men. She was forever laughing—just the spontaneous laughter of the gladness of life.

      On the last afternoon of her existence she came to see me, bringing me a basket of giant strawberries from her own particular bed. We had tea in the garden, and with her young appetite she consumed half the fruit she had brought. At the time I did not notice an unusual touch of depression. I remember her holding by its stalk a great half-eaten strawberry and asking me whether sometimes I didn't find life rather rotten. I said idly:

      "You can't expect the world to be a peach without a speck on it. Of such is the Kingdom of Heaven. The wise person avoids the specks."

      "But suppose you've bitten a specky bit by accident?"

      "Spit it out," said I.

      She laughed. "You think you're like the wise Uncle in the Sunday School books, don't you?"

      "I know I am," I said.

      Whereupon she laughed again, finished the strawberry, and changed the conversation.

      There seemed to be no foreshadowing of tragedy in that. I had known her (like many of her kind) to proclaim the rottenness of the Universe when she was off her stroke at golf, or when a favourite young man did not appear at a dance. I attributed no importance to it. But the next day I remembered. What was she doing after half-past ten o'clock, when she had bidden her father and mother goodnight, on the steep and lonely bank of the canal, about a mile and a half away? No one had seen her leave the house. No one, apparently, had seen her walking through the town. Nothing was known of her until dawn when they found her body by the lock gate. She had been dead some hours. It was a mysterious affair, upon which no light was thrown at the inquest. No one save myself had observed any sign of depression, and her half-bantering talk with me was trivial enough. No one could adduce a reason for her midnight walk on the tow-path. The obvious question arose. Whom had she gone forth to meet? What man? There was not a man in the neighbourhood with whom her name could be particularly associated. Generally, it could be associated with a score or so. The modern young girl of her position and upbringing has a drove of young male intimates. With one she rides, with another she golfs, with another she dances a two-step, with another she Bostons; she will let Tom read poetry to her, although, as she expresses it, "he bores her stiff," because her sex responds to the tribute; she plays lady patroness to Dick, and tries to intrigue him into a soft job; and as for Harry she goes on telling him month after month that unless he forswears sack and lives cleanly she will visit him with her high displeasure. Meanwhile, most of these satellites have affaires de coeur of their own, some respectable, others not; they regard the young lady with engaging frankness as a woman and a sister, they have the run of her father's house, and would feel insulted if anybody questioned the perfect correctness of their behaviour. Each man has, say, half a dozen houses where