An Illustrated History of Ireland from AD 400 to 1800. Mary Frances Cusack
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were at once the instructors in and the preservers of letters, will account for the immediate disuse of whatever alphabet the druids may have had. The third objection is a mere argumentum ad ignorantiam.
CUNEIFORM CHARACTERS.
It is to be regretted that the subject of Ogham writing has not been taken up by a careful and competent hand.[161] There are few people who have not found out some method of recording their history, and there are few subjects of deeper interest than the study of the efforts of the human mind to perpetuate itself in written characters. The Easterns had their cuneiform or arrow-headed symbols, and the Western world has even yet its quipus, and tells its history by the number of its knots.
The Quipus
The peasant girl still knots her handkerchief as her memoria technica, and the lady changes her ring from its accustomed finger. Each practice is quite as primitive an effort of nature as the Ogham of the Celtic bard. He used a stone pillar or a wooden stick for his notches—a more permanent record than the knot or the Indian quipus.[162] The use of a stick as a vehicle for recording ideas by conventional marks, appears very ancient; and this in itself forms a good argument for the antiquity of Ogham writing. Mr. O'Curry has given it expressly as his opinion, "that the pre-Christian Gaedhils possessed and practised a system of writing and keeping records quite different from and independent of the Greek and Roman form and characters, which gained currency in the country after the introduction of Christianity." He then gives in evidence passages from our ancient writings which are preserved, in which the use of the Ogham character is distinctly mentioned. One instance is the relation in the Táin bó Chuailgné of directions having been left on wands or hoops written in Ogham by Cuchulainn for Méav. When these were found, they were read for her by Fergus, who understood the character. We have not space for further details, but Professor O'Curry devotes some pages to the subject, where fuller information may be found. In conclusion, he expresses an opinion that the original copies of the ancient books, such as the Cuilmenn and the Saltair of Tara, were not written in Ogham. He supposes that the druids or poets, who, it is well known, constantly travelled for educational purposes, brought home an alphabet, probably the Roman then in use. "It is, at all events, quite certain that the Irish druids had written books before the coming of St. Patrick, in 432; since we find the statement in the Tripartite Life of the saint, as well as in the Annotations of Tirechan, preserved in the Book of Armagh, which were taken by him from the lips and books of his tutor, St. Mochta, who was the pupil and disciple of St. Patrick himself."
Ogham stone
SAGRANI FILI CUNOTAMI
We give two illustrations of Ogham writing. The pillar-stone is from the collection of the Royal Irish Academy. It is about four and a-half feet high, and averages eleven inches across. It was found, with three others similarly inscribed, built into the walls of a dwelling-house in the county Kerry, to which it is believed they had been removed from the interior of a neighbouring rath. The bilingual Ogham was found at St. Dogmael's, near Cardiganshire. The Ogham alphabet is called beithluisnion, from the name of its two first letters, beith, which signifies a birch-tree, and luis, the mountain-ash. If this kind of writing had been introduced in Christian times, it is quite unlikely that such names would have been chosen. They are manifestly referable to a time when a tree had some significance beyond the useful or the ornamental. It has been supposed that the names of the letters were given to the trees, and not the names of the trees to the letters. It is at least certain that the names of the trees and the letters coincide, and that the trees are all indigenous to Ireland. The names of the letters in the Hebrew alphabet are also significant, but appear to be chosen indiscriminately, while there is a manifest and evidently arbitrary selection in the Celtic appellations. The number of letters also indicate antiquity. The ancient Irish alphabet had but sixteen characters, thus numerically corresponding with the alphabet brought into Greece by Cadmus. This number was gradually increased with the introduction of the Roman form, and the arrangement was also altered to harmonize with it. The Ogham alphabet consists of lines, which represent letters. They are arranged in an arbitrary manner to the right or left of a stemline, or on the edge of the material on which they are traced. Even the names of those letters, fleasg (a tree), seem an indication of their origin. A cross has been found, sculptured more or less rudely, upon many of these ancient monuments; and this has been supposed by some antiquarians to indicate their Christian origin. Doubtless the practice of erecting pillar-stones, and writing Oghams thereon, was continued after the introduction of Christianity; but this by no means indicates their origin. Like many other pagan monuments, they may have been consecrated by having the sign of the cross engraven on them hundreds of years after their erection.
During the few months which have elapsed between the appearance of the first edition and the preparation of the second edition, my attention has been called to this portion of the history by four or five eminent members of the Royal Irish Academy, who express their regret that I should appear to have adopted, or at least favoured, Mr. D'Alton's view of the Christian origin of the round towers. I cannot but feel gratified at the interest which they manifested, and not less so at their kind anxiety that my own views should accord with those of the majority. I am quite aware that my opinion on such a subject could have little weight. To form a decided opinion on this subject, would require many years' study; but when one of these gentlemen, the Earl of Dunraven, distinguished for his devotion to archæology, writes to me that both Irish, English, and Continental scholars are all but unanimous in ascribing a Christian origin to these remarkable buildings, I cannot but feel that I am bound to accept this opinion, thus supported by an overwhelming weight of authority. It may, however, be interesting to some persons to retain an account of the opposing theories, and for this reason I still insert page 115 of the original edition, only making such modifications as my change of opinion make necessary.
The theories which have been advanced on this subject may be classified under seven heads—
(1) That the Phoenicians erected them for fire temples.
(2) That the Christians built them for bell towers.
(3) That the Magians used them for astronomical purposes.
(4) That they were for Christian anchorites to shut themselves up in.
(5) That they were penitentiaries.
(6) That the Druids used them to proclaim their festivals.
(7) That the Christians used them to keep their church plate and treasures.
URN AND ITS CONTENTS FOUND IN A CROMLECH IN THE PHOENIX PARK, DUBLIN.
Contradictory as these statements appear, they may easily be ranged into two separate theories of pagan or Christian origin. Dr. Petrie has been the great supporter of the latter opinion, now almost generally received. He founds his opinion: (1) On the assumption that the Irish did not know the use of lime mortar before the time of St. Patrick. For this assumption, however, he gives no evidence. (2) On the presence of certain Christian emblems on some of these towers, notably at Donaghmore and Antrim. But the presence of Christian emblems, like the cross on the Ogham stones, may merely indicate that Christians wished to consecrate them to Christian use. (3) On the assumption that they were used as keeps or monastic castles, in which church plate was concealed, or wherein the clergy could shelter themselves from