ELDORADO. Emma Orczy
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a pen, and wrote a few words rapidly in a loose, scrawly hand. He strewed sand over the writing, then handed it across the table to de Batz.
“Will that do?” he asked briefly.
The other was reading the note through carefully.
“I see you only grant me a fortnight,” he remarked casually.
“For that amount of money it is sufficient. If you want an extension you must pay more.”
“So be it,” assented de Batz coolly, as he folded the paper across. “On the whole a fortnight’s immunity in France these days is quite a pleasant respite. And I prefer to keep in touch with you, friend Heron. I’ll call on you again this day fortnight.”
He took out a letter-case from his pocket. Out of this he drew a packet of bank-notes, which he laid on the table in front of Heron, then he placed the receipt carefully into the letter-case, and this back into his pocket.
Heron in the meanwhile was counting over the banknotes. The light of ferocity had entirely gone from his eyes; momentarily the whole expression of the face was one of satisfied greed.
“Well!” he said at last when he had assured himself that the number of notes was quite correct, and he had transferred the bundle of crisp papers into an inner pocket of his coat — “well, what about your friend?”
“I knew him years ago,” rejoined de Batz coolly; “he is a kinsman of citizen St. Just. I know that he is one of the confederates of the Scarlet Pimpernel.”
“Where does he lodge?”
“That is for you to find out. I saw him at the theatre, and afterwards in the green-room; he was making himself agreeable to the citizeness Lange. I heard him ask for leave to call on her to-morrow at four o’clock. You know where she lodges, of course!”
He watched Heron while the latter scribbled a few words on a scrap of paper, then he quietly rose to go. He took up his cloak and once again wrapped it round his shoulders. There was nothing more to be said, and he was anxious to go.
The leave-taking between the two men was neither cordial nor more than barely courteous. De Batz nodded to Heron, who escorted him to the outside door of his lodging, and there called loudly to a soldier who was doing sentinel at the further end of the corridor.
“Show this citizen the way to the guichet,” he said curtly. “Good-night, citizen,” he added finally, nodding to de Batz.
Ten minutes later the Gascon once more found himself in the Rue du Temple between the great outer walls of the prison and the silent little church and convent of St. Elizabeth. He looked up to where in the central tower a small grated window lighted from within showed the place where the last of the Bourbons was being taught to desecrate the traditions of his race, at the bidding of a mender of shoes — a naval officer cashiered for misconduct and fraud.
Such is human nature in its self-satisfied complacency that de Batz, calmly ignoring the vile part which he himself had played in the last quarter of an hour of his interview with the Committee’s agent, found it in him to think of Heron with loathing, and even of the cobbler Simon with disgust.
Then with a self-righteous sense of duty performed, and an indifferent shrug of the shoulders, he dismissed Heron from his mind.
“That meddlesome Scarlet Pimpernel will find his hands over-full to-morrow, and mayhap will not interfere in my affairs for some time to come,” he mused; “meseems that that will be the first time that a member of his precious League has come within the clutches of such unpleasant people as the sleuth-hounds of my friend Heron!”
CHAPTER IX
WHAT LOVE CAN DO
“Yesterday you were unkind and ungallant. How could I smile when you seemed so stern?”
“Yesterday I was not alone with you. How could I say what lay next my heart, when indifferent ears could catch the words that were meant only for you?”
“Ah, monsieur, do they teach you in England how to make pretty speeches?”
“No, mademoiselle, that is an instinct that comes into birth by the fire of a woman’s eyes.”
Mademoiselle Lange was sitting upon a small sofa of antique design, with cushions covered in faded silks heaped round her pretty head. Armand thought that she looked like that carved cameo which his sister Marguerite possessed.
He himself sat on a low chair at some distance from her. He had brought her a large bunch of early violets, for he knew that she was fond of flowers, and these lay upon her lap, against the opalescent grey of her gown.
She seemed a little nervous and agitated, his obvious admiration bringing a ready blush to her cheeks.
The room itself appeared to Armand to be a perfect frame for the charming picture which she presented. The furniture in it was small and old; tiny tables of antique Vernis-Martin, softly faded tapestries, a pale-toned Aubusson carpet. Everything mellow and in a measure pathetic. Mademoiselle Lange, who was an orphan, lived alone under the duennaship of a middle-aged relative, a penniless hanger-on of the successful young actress, who acted as her chaperone, housekeeper, and maid, and kept unseemly or over-bold gallants at bay.
She told Armand all about her early life, her childhood in the backshop of Maitre Meziere, the jeweller, who was a relative of her mother’s; of her desire for an artistic career, her struggles with the middle-class prejudices of her relations, her bold defiance of them, and final independence.
She made no secret of her humble origin, her want of education in those days; on the contrary, she was proud of what she had accomplished for herself. She was only twenty years of age, and already held a leading place in the artistic world of Paris.
Armand listened to her chatter, interested in everything she said, questioning her with sympathy and discretion. She asked him a good deal about himself, and about his beautiful sister Marguerite, who, of course, had been the most brilliant star in that most brilliant constellation, the Comedie Francaise. She had never seen Marguerite St. Just act, but, of course, Paris still rang with her praises, and all art-lovers regretted that she should have married and left them to mourn for her.
Thus the conversation drifted naturally back to England. Mademoiselle professed a vast interest in the citizen’s country of adoption.
“I had always,” she said, “thought it an ugly country, with the noise and bustle of industrial life going on everywhere, and smoke and fog to cover the landscape and to stunt the trees.”
“Then, in future, mademoiselle,” he replied, “must you think of it as one carpeted with verdure, where in the spring the orchard trees covered with delicate blossom would speak to you of fairyland, where the dewy grass stretches its velvety surface in the shadow of ancient monumental oaks, and ivy-covered towers rear their stately crowns to the sky.”
“And the Scarlet Pimpernel? Tell me about him, monsieur.”
“Ah, mademoiselle, what can I tell you that you do not already know? The Scarlet Pimpernel is a man who has devoted his entire existence to the benefit of suffering mankind. He has but one thought, and that is for those who need him; he hears but one sound the cry of the oppressed.”
“But they do say, monsieur, that philanthropy plays but a sorry part in your hero’s schemes. They aver that he looks on his own efforts and the adventures through which he goes only in the light of sport.”
“Like all Englishmen, mademoiselle, the Scarlet Pimpernel is a little ashamed of sentiment. He would deny its very existence with his lips, even whilst his noble heart brimmed over with it. Sport? Well! mayhap the sporting instinct is as keen as that of charity — the race for lives, the tussle for the rescue of human creatures, the throwing of a life on the hazard of a die.”
“They