EDWARD GIBBON: Historical Works, Memoirs & Letters (Including "The History of the Decline and Fall of the Roman Empire"). Edward Gibbon
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descriptions into the decency of modern language. The intervals of lust were filled up with the basest amusements. The influence of a polite age, and the labor of an attentive education, had never been able to infuse into his rude and brutish mind the least tincture of learning; and he was the first of the Roman emperors totally devoid of taste for the pleasures of the understanding. Nero himself excelled, or affected to excel, in the elegant arts of music and poetry: nor should we despise his pursuits, had he not converted the pleasing relaxation of a leisure hour into the serious business and ambition of his life. But Commodus, from his earliest infancy, discovered an aversion to whatever was rational or liberal, and a fond attachment to the amusements of the populace; the sports of the circus and amphitheatre, the combats of gladiators, and the hunting of wild beasts. The masters in every branch of learning, whom Marcus provided for his son, were heard with inattention and disgust; whilst the Moors and Parthians, who taught him to dart the javelin and to shoot with the bow, found a disciple who delighted in his application, and soon equalled the most skilful of his instructors in the steadiness of the eye and the dexterity of the hand.
The servile crowd, whose fortune depended on their master’s vices, applauded these ignoble pursuits. The perfidious voice of flattery reminded him, that by exploits of the same nature, by the defeat of the Nemaean lion, and the slaughter of the wild boar of Erymanthus, the Grecian Hercules had acquired a place among the gods, and an immortal memory among men. They only forgot to observe, that, in the first ages of society, when the fiercer animals often dispute with man the possession of an unsettled country, a successful war against those savages is one of the most innocent and beneficial labors of heroism. In the civilized state of the Roman empire, the wild beasts had long since retired from the face of man, and the neighborhood of populous cities. To surprise them in their solitary haunts, and to transport them to Rome, that they might be slain in pomp by the hand of an emperor, was an enterprise equally ridiculous for the prince and oppressive for the people. 30 Ignorant of these distinctions, Commodus eagerly embraced the glorious resemblance, and styled himself (as we still read on his medals 31* The club and the lion’s hide were placed by the side of the throne, amongst the ensigns of sovereignty; and statues were erected, in which Commodus was represented in the character, and with the attributes, of the god, whose valor and dexterity he endeavored to emulate in the daily course of his ferocious amusements. 32
Elated with these praises, which gradually extinguished the innate sense of shame, Commodus resolved to exhibit before the eyes of the Roman people those exercises, which till then he had decently confined within the walls of his palace, and to the presence of a few favorites. On the appointed day, the various motives of flattery, fear, and curiosity, attracted to the amphitheatre an innumerable multitude of spectators; and some degree of applause was deservedly bestowed on the uncommon skill of the Imperial performer. Whether he aimed at the head or heart of the animal, the wound was alike certain and mortal. With arrows whose point was shaped into the form of crescent, Commodus often intercepted the rapid career, and cut asunder the long, bony neck of the ostrich. 33 A panther was let loose; and the archer waited till he had leaped upon a trembling malefactor. In the same instant the shaft flew, the beast dropped dead, and the man remained unhurt. The dens of the amphitheatre disgorged at once a hundred lions: a hundred darts from the unerring hand of Commodus laid them dead as they run raging round the Arena. Neither the huge bulk of the elephant, nor the scaly hide of the rhinoceros, could defend them from his stroke. Aethiopia and India yielded their most extraordinary productions; and several animals were slain in the amphitheatre, which had been seen only in the representations of art, or perhaps of fancy. 34 In all these exhibitions, the securest precautions were used to protect the person of the Roman Hercules from the desperate spring of any savage, who might possibly disregard the dignity of the emperor and the sanctity of the god. 35
But the meanest of the populace were affected with shame and indignation when they beheld their sovereign enter the lists as a gladiator, and glory in a profession which the laws and manners of the Romans had branded with the justest note of infamy. 36 He chose the habit and arms of the Secutor, whose combat with the Retiarius formed one of the most lively scenes in the bloody sports of the amphitheatre. The Secutor was armed with a helmet, sword, and buckler; his naked antagonist had only a large net and a trident; with the one he endeavored to entangle, with the other to despatch his enemy. If he missed the first throw, he was obliged to fly from the pursuit of the Secutor, till he had prepared his net for a second cast. 37 The emperor fought in this character seven hundred and thirty-five several times. These glorious achievements were carefully recorded in the public acts of the empire; and that he might omit no circumstance of infamy, he received from the common fund of gladiators a stipend so exorbitant that it became a new and most ignominious tax upon the Roman people. 38 It may be easily supposed, that in these engagements the master of the world was always successful; in the amphitheatre, his victories were not often sanguinary; but when he exercised his skill in the school of gladiators, or his own palace, his wretched antagonists were frequently honored with a mortal wound from the hand of Commodus, and obliged to seal their flattery with their blood. 39 He now disdained the appellation of Hercules. The name of Paulus, a celebrated Secutor, was the only one which delighted his ear. It was inscribed on his colossal statues, and repeated in the redoubled acclamations 40 of the mournful and applauding senate. 41 Claudius Pompeianus, the virtuous husband of Lucilla, was the only senator who asserted the honor of his rank. As a father, he permitted his sons to consult their safety by attending the amphitheatre. As a Roman, he declared, that his own life was in the emperor’s hands, but that he would never behold the son of Marcus prostituting his person and dignity. Notwithstanding his manly resolution Pompeianus escaped the resentment of the tyrant, and, with his honor, had the good fortune to preserve his life. 42
Commodus had now attained the summit of vice and infamy. Amidst the acclamations of a flattering court, he was unable to disguise from himself, that he had deserved the contempt and hatred of every man of sense and virtue in his empire. His ferocious spirit was irritated by the consciousness of that hatred, by the envy of every kind of merit, by the just apprehension of danger, and by the habit of slaughter, which he contracted in his daily amusements. History has preserved a long list of consular senators sacrificed to his wanton suspicion, which sought out, with peculiar anxiety, those unfortunate persons connected, however remotely, with the family of the Antonines, without sparing even the ministers of his crimes or pleasures. 43 His cruelty proved at last fatal to himself. He had shed with impunity the noblest blood of Rome: he perished as soon as he was dreaded by his own domestics. Marcia, his favorite concubine, Eclectus, his chamberlain, and Laetus, his Praetorian praefect, alarmed by the fate of their companions and predecessors, resolved to prevent the destruction which every hour hung over their heads, either from the mad caprice of the tyrant,* or the sudden indignation of the people. Marcia seized the occasion of presenting a draught of wine to her lover, after he had fatigued himself with hunting some wild beasts. Commodus retired to sleep; but whilst he was laboring with the effects of poison and drunkenness, a robust youth, by profession a wrestler, entered his chamber, and strangled him without resistance. The body was secretly conveyed out of the palace, before the least suspicion was entertained in the city, or even in the court,