The Complete Works: Poetry, Plays, Letters and Extensive Biographies. John Keats

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The Complete Works: Poetry, Plays, Letters and Extensive Biographies - John  Keats


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in another picture, nymphs are wiping

      Cherishingly Diana’s timorous limbs; —

      A fold of lawny mantle dabbling swims

      At the bath’s edge, and keeps a gentle motion

      With the subsiding crystal: as when ocean

      Heaves calmly its broad swelling smoothiness o’er

      Its rocky marge, and balances once more

      The patient weeds; that now unshent by foam

      Feel all about their undulating home.

      Sappho’s meek head was there half smiling down

      At nothing; just as though the earnest frown

      Of over thinking had that moment gone

      From off her brow, and left her all alone.

      Great Alfred’s too, with anxious, pitying eyes,

      As if he always listened to the sighs

      Of the goaded world; and Kosciusko’s worn

      By horrid suffrance – mightily forlorn.

      Petrarch, outstepping from the shady green,

      Starts at the sight of Laura; nor can wean

      His eyes from her sweet face. Most happy they!

      For over them was seen a free display

      Of outspread wings, and from between them shone

      The face of Poesy: from off her throne

      She overlook’d things that I scarce could tell.

      The very sense of where I was might well

      Keep Sleep aloof: but more than that there came

      Thought after thought to nourish up the flame

      Within my breast; so that the morning light

      Surprised me even from a sleepless night;

      And up I rose refresh’d, and glad, and gay,

      Resolving to begin that very day

      These lines; and howsoever they be done,

      I leave them as a father does his son.

      To G. A. W

      Nymph of the downward smile, and sidelong glance,

      In what diviner moments of the day

      Art thou most lovely? When gone far astray

      Into the labyrinths of sweet utterance?

      Or when serenely wand’ring in a trance

      Of sober thought? Or when starting away,

      With careless robe, to meet the morning ray,

      Thou spar’st the flowers in thy mazy dance?

      Haply ’tis when thy ruby lips part sweetly,

      And so remain, because thou listenest:

      But thou to please wert nurtured so completely

      That I can never tell what mood is best.

      I shall as soon pronounce which grace more neatly

      Trips it before Apollo than the rest.

      To a Friend Who Sent Me Some Roses

      As late I rambled in the happy fields,

      What time the sky-lark shakes the tremulous dew

      From his lush clover covert; – when anew

      Adventurous knights take up their dinted shields:

      I saw the sweetest flower wild nature yields,

      A fresh-blown muskrose; ’twas the first that threw

      Its sweets upon the summer: graceful it grew

      As is the wand that queen Titania wields.

      And, as I feasted on its fragrancy,

      I thought the garden-rose it far excell’d:

      But when, O Wells! thy roses came to me

      My sense with their deliciousness was spell’d:

      Soft voices had they, that with tender plea

      Whisper’d of peace, and truth, and friendliness unquell’d.

      An Extempore

      From a Letter to George Keats and His Wife

      When they were come into the Faery’s Court

      They rang – no one at home – all gone to sport

      And dance and kiss and love as faeries do

      For Fa[e]ries be as humans, lovers true -

      Amid the woods they were, so lone and wild,

      Where even the Robin feels himself exil’d

      And where the very brooks as if afraid

      Hurry along to some less magic shade.

      ‘No one at home!’ the fretful princess cried

      ‘And all for nothing such a dre[a]ry ride,

      And all for nothing my new diamond cross,

      No one to see my Persian feathers toss,

      No one to see my Ape, my Dwarf, my Fool,

      Or how I pace my Otaheitan mule.

      Ape, Dwarf and Fool, why stand you gaping there?

      Burst the door open, quick – or I declare

      I’ll switch you soundly and in pieces tear.’

      The dwarf began to tremble and the ape

      Star’d at the fool, the fool was all agape,

      The Princess grasp’d her switch, but just in time

      The dwarf with piteous face began to rhyme.

      ‘O mighty Princess did you ne’er hear tell

      What your poor servants know but too too well?

      Know you the three great crimes in faery land?

      The first, alas! poor Dwarf, I understand -

      I made a whipstock of a faery’s wand -

      The next is snoring in their company -

      The next, the last, the direst of the three

      Is making free when they are not at home.

      I was a Prince – a baby prince – my doom

      You see, I made a whipstock of a wand -

      My top has henceforth slept in faery land.

      He was a Prince, the Fool, a grown up Prince,

      But he has never been a King’s son since

      He fell a-snoring at a faery Ball -

      Your poor Ape was a prince and he, poor thing,

      Picklock’d a faery’s boudour – now no king,

      But ape – so pray your highness stay awhile;

      ’Tis sooth indeed, we know it to our sorrow -

      Persist and you may be an ape tomorrow -

      While the Dwarf spake the Princess all for spite

      Peal’d [sic] the brown hazel twig to lily white,

      Clench’d her small teeth, and held her lips apart,

      Try’d to look unconcem’d with beating heart.

      They saw her highness had made up her mind

      And quaver’d like the reeds before the wind,

      And they had had it, but, O happy chance!

      The Ape for very fear began to dance

      And


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