The Turn of the Screw & Other Novels - 4 Books in One Edition. Генри Джеймс

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The Turn of the Screw & Other Novels - 4 Books in One Edition - Генри Джеймс


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a face and such a manner? Yet if there was much she neither knew nor dreamed of, it passed between them at this very moment that he was quite familiar with himself as the subject of such quandaries. If he recognised his younger daughter’s happy aspect as a sensible value, he had from the first still more exactly appraised his own. The great wonder was not that in spite of everything his own had helped him; the great wonder was that it hadn’t helped him more. However, it was, to its old, eternal, recurrent tune, helping him all the while; her drop into patience with him showed how it was helping him at this moment. She saw the next instant precisely the line he would take. “Do you really ask me to believe you’ve been making up your mind to that?”

      She had to consider her own line. “I don’t think I care, papa, what you believe. I never, for that matter, think of you as believing anything; hardly more,” she permitted herself to add, “than I ever think of you as yourself believed. I don’t know you, father, you see.”

      “And it’s your idea that you may make that up?”

      “Oh dear, no; not at all. That’s no part of the question. If I haven’t understood you by this time, I never shall, and it doesn’t matter. It has seemed to me that you may be lived with, but not that you may be understood. Of course I’ve not the least idea how you get on.”

      “I don’t get on,” Mr. Croy almost gaily replied.

      His daughter took in the place again, and it might well have seemed odd that in so little to meet the eye there should be so much to show. What showed was the ugliness — so positive and palpable that it was somehow sustaining. It was a medium, a setting, and to that extent, after all, a dreadful sign of life; so that it fairly put a point into her answer. “Oh, I beg your pardon. You flourish.”

      “Do you throw it up at me again,” he pleasantly inquired, “that I’ve not made away with myself?”

      She treated the question as needing no reply; she sat there for real things. “You know how all our anxieties, under mamma’s will, have come out. She had still less to leave than she feared. We don’t know how we lived. It all makes up about two hundred a year for Marian, and two for me, but I give up a hundred to Marian.”

      “Oh, you weak thing!” her father kindly sighed.

      “For you and me together,” she went on, “the other hundred would do something.”

      “And what would do the rest?”

      “Can you yourself do nothing?” He gave her a look; then, slipping his hands into his pockets and turning away, stood for a little at the window she had left open. She said nothing more — she had placed him there with that question, and the silence lasted a minute, broken by the call of an appealing costermonger, which came in with the mild March air, with the shabby sunshine, fearfully unbecoming to the room, and with the small homely hum of Chirk Street. Presently he moved nearer, but as if her question had quite dropped. “I don’t see what has so suddenly wound you up.”

      “I should have thought you might perhaps guess. Let me at any rate tell you. Aunt Maud has made me a proposal. But she has also made me a condition. She wants to keep me.”

      “And what in the world else could she possibly want?”

      “Oh, I don’t know — many things. I’m not so precious a capture,” the girl a little dryly explained. “No one has ever wanted to keep me before.”

      Looking always what was proper, her father looked now still more surprised than interested. “You’ve not had proposals?” He spoke as if that were incredible of Lionel Croy’s daughter; as if indeed such an admission scarce consorted, even in filial intimacy, with her high spirit and general form.

      “Not from rich relations. She’s extremely kind to me, but it’s time, she says, that we should understand each other.”

      Mr. Croy fully assented. “Of course it is — high time; and I can quite imagine what she means by it.”

      “Are you very sure?”

      “Oh, perfectly. She means that she’ll ‘do’ for you handsomely if you’ll break off all relations with me. You speak of her condition. Her condition’s of course that.”

      “Well then,” said Kate, “it’s what has wound me up. Here I am.”

      He showed with a gesture how thoroughly he had taken it in; after which, within a few seconds, he had, quite congruously, turned the situation about. “Do you really suppose me in a position to justify your throwing yourself upon me?”

      She waited a little, but when she spoke it was clear. “Yes.”

      “Well then, you’re a bigger fool than I should have ventured to suppose you.”

      “Why so? You live. You flourish. You bloom.”

      “Ah, how you’ve all always hated me!” he murmured with a pensive gaze again at the window.

      “No one could be less of a mere cherished memory,” she declared as if she had not heard him. “You’re an actual person, if there ever was one. We agreed just now that you’re beautiful. You strike me, you know, as — in your own way — much more firm on your feet than I am. Don’t put it to me therefore as monstrous that the fact that we are, after all, parent and child should at present in some manner count for us. My idea has been that it should have some effect for each of us. I don’t at all, as I told you just now,” she pursued, “make out your life; but whatever it is I hereby offer you to accept it. And, on my side, I’ll do everything I can for you.”

      “I see,” said Lionel Croy. Then, with the sound of extreme relevance, “And what can you?” She only, at this, hesitated, and he took up her silence. “You can describe yourself — to yourself — as, in a fine flight, giving up your aunt for me; but what good, I should like to know, would your fine flight do me?” As she still said nothing he developed a little. “We’re not possessed of so much, at this charming pass, please to remember, as that we can afford not to take hold of any perch held out to us. I like the way you talk, my dear, about ‘giving up!’ One doesn’t give up the use of a spoon because one’s reduced to living on broth. And your spoon, that is your aunt, please consider, is partly mine as well.” She rose now, as if in sight of the term of her effort, in sight of the futility and the weariness of many things, and moved back to the poor little glass with which she had communed before. She retouched here again the poise of her hat, and this brought to her father’s lips another remark in which impatience, however, had already been replaced by a funny flare of appreciation. “Oh, you’re all right! Don’t muddle yourself up with me!“

      His daughter turned round to him. “The condition Aunt Maud makes is that I shall have absolutely nothing to do with you; never see you, nor speak, nor write to you, never go near you nor make you a sign, nor hold any sort of communication with you. What she requires is that you shall simply cease to exist for me.”

      He had always seemed — it was one of the marks of what they called the “unspeakable” in him — to walk a little more on his toes, as if for jauntiness, in the presence of offence. Nothing, however, was more wonderful than what he sometimes would take for offence, unless it might be what he sometimes wouldn’t. He walked at any rate on his toes now. “A very proper requirement of your Aunt Maud, my dear — I don’t hesitate to say it!” Yet as this, much as she had seen, left her silent at first from what might have been a sense of sickness, he had time to go on: “That’s her condition then. But what are her promises? Just what does she engage to do? You must work it, you know.”

      “You mean make her feel,” Kate asked after a moment, “how much I’m attached to you?”

      “Well, what a cruel, invidious treaty it is for you to sign. I’m a poor old dad to make a stand about giving up — I quite agree. But I’m not, after all, quite the old dad not to get something for giving up.”

      “Oh, I think her idea,” said Kate almost gaily now, “is that I shall


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