Lucy Maud Montgomery, The Woman Behind The Books - Memoirs & Private Letters (Including The Complete Anne of Green Gables Series, Emily Starr Trilogy & The Blue Castle). Lucy Maud Montgomery

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Lucy Maud Montgomery, The Woman Behind The Books - Memoirs & Private Letters (Including The Complete Anne of Green Gables Series, Emily Starr Trilogy & The Blue Castle) - Lucy Maud Montgomery


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of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a “perfectly elegant tea;” and then came the delicious occupation of dressing in Diana’s little room upstairs. Diana did Anne’s front hair in the new pompadour style and Anne tied Diana’s bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement.

      True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana’s jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it.

      Then Diana’s cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl and sapphire brimmed with wine and fire. Tinkles of sleigh bells and distant laughter, that seemed like the mirth of wood elves, came from every quarter.

      “Oh, Diana,” breathed Anne, squeezing Diana’s mittened hand under the fur robe, “isn’t it all like a beautiful dream? Do I really look the same as usual? I feel so different that it seems to me it must show in my looks.”

      “You look awfully nice,” said Diana, who having just received a compliment from one of her cousins, felt that she ought to pass it on. “You’ve got the loveliest color.”

      The program that night was a series of “thrills” for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink-silk waist with a string of pearls about her smooth white throat and real carnations in her hair — rumor whispered that the master had sent all the way to town for them for her—”climbed the slimy ladder, dark without one ray of light,” Anne shivered in luxurious sympathy; when the choir sang “Far Above the Gentle Daisies” Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate “How Sockery Set a Hen” Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony’s oration over the dead body of Caesar in the most heart-stirring tones — looking at Prissy Andrews at the end of every sentence — Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way.

      Only one number on the program failed to interest her. When Gilbert Blythe recited “Bingen on the Rhine” Anne picked up Rhoda Murray’s library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled.

      It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate.

      “Let’s undress here,” said Diana. “It’s so nice and warm.”

      “Hasn’t it been a delightful time?” sighed Anne rapturously. “It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?”

      “Yes, of course, someday. They’re always wanting the big scholars to recite. Gilbert Blythe does often and he’s only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line,

      “THERE’S ANOTHER, not A SISTER,

      he looked right down at you.”

      “Diana,” said Anne with dignity, “you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let’s run a race and see who’ll get to the bed first.”

      The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then — something — moved beneath them, there was a gasp and a cry — and somebody said in muffled accents:

      “Merciful goodness!”

      Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs.

      “Oh, who was it — WHAT was it?” whispered Anne, her teeth chattering with cold and fright.

      “It was Aunt Josephine,” said Diana, gasping with laughter. “Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It’s dreadful — it’s really dreadful — but did you ever know anything so funny, Anne?”

      “Who is your Aunt Josephine?”

      “She’s father’s aunt and she lives in Charlottetown. She’s awfully old — seventy anyhow — and I don’t believe she was EVER a little girl. We were expecting her out for a visit, but not so soon. She’s awfully prim and proper and she’ll scold dreadfully about this, I know. Well, we’ll have to sleep with Minnie May — and you can’t think how she kicks.”

      Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls.

      “Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn’t disturb your aunt, Diana.”

      Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde’s on an errand for Marilla.

      “So you and Diana nearly frightened poor old Miss Barry to death last night?” said Mrs. Lynde severely, but with a twinkle in her eye. “Mrs. Barry was here a few minutes ago on her way to Carmody. She’s feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning — and Josephine Barry’s temper is no joke, I can tell you that. She wouldn’t speak to Diana at all.”

      “It wasn’t Diana’s fault,” said Anne contritely. “It was mine. I suggested racing to see who would get into bed first.”

      “I knew it!” said Mrs. Lynde, with the exultation of a correct guesser. “I knew that idea came out of your head. Well, it’s made a nice lot of trouble, that’s what. Old Miss Barry came out to stay for a month, but she declares she won’t stay another day and is going right back to town tomorrow, Sunday and all as it is. She’d have gone today if they could have taken her. She had promised to pay for a quarter’s music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they’d like to keep on the good side of her. Of course, Mrs. Barry didn’t say just that to me, but I’m a pretty good judge of human nature, that’s what.”

      “I’m such an unlucky girl,” mourned Anne. “I’m always getting into scrapes myself and getting my best friends — people I’d shed my heart’s blood for — into them too. Can you tell me why it is so, Mrs. Lynde?”

      “It’s because you’re too heedless and impulsive, child, that’s what. You never stop to think — whatever comes into your head to say or do you say or do it without a moment’s reflection.”

      “Oh, but that’s the best of it,” protested Anne. “Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven’t you never felt


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