The Complete Works of F. Scott Fitzgerald: The Great Gatsby, Tender Is the Night, This Side of Paradise, The Curious Case of Benjamin Button, The Beautiful and Damned, The Love of the Last Tycoon and many more stories…. Фрэнсис Скотт Фицджеральд
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Table of Contents
Nassau Literary Magazine (June 1917)
I.
This story has no moral value. It is about a man who had fought for two years and how he came back to England for two days, and then how he went away again. It is unfortunately one of those stories which must start at the beginning, and the beginning consists merely of a few details. There were two brothers (two sons of Lord Blachford) who sailed to Europe with the first hundred thousand. Lieutenant Richard Harrington Syneforth, the elder, was killed in some forgotten raid; the younger, Lieutenant Clay Harrington Syneforth is the hero of this story. He was now a Captain in the Seventeenth Sussex and the immoral thing in the story happens to him. The important part to remember is that when his father met him at Paddington station and drove him up town in his motor, he hadn’t been in England for two years—and this was in the early spring of nineteen-seventeen. Various circumstances had brought this about, wounds, advancement, meeting his family in Paris, and mostly being twenty-two and anxious to show his company an example of indefatigable energy. Besides, most of his friends were dead and he had rather a horror of seeing the gaps they’d leave in his England. And here is the story.
He sat at dinner and thought himself rather stupid and unnecessarily moody as his sister’s light chatter amused the table, Lord and Lady Blachford, himself and two unsullied aunts. In the first place he was rather doubtful about his sister’s new manner. She seemed, well, perhaps a bit loud and theatrical, and she was certainly pretty enough not to need so much paint. She couldn’t be more than eighteen, and paint—it seemed so useless. Of course he was used to it in Lois mother, would have been shocked had she appeared in her unrouged furrowedness, but on Clara it merely accentuated her youth. Altogether he had never seen such obvious paint, and, as they had always been a shockingly frank family, he told her so.
“You’ve got too much stuff on your face.” He tried to speak casually and his sister, nothing wroth, jumped up and ran to a mirror.
“No, I haven’t,” she said, calmly returning.
“I thought,” he continued rather annoyed, “that the criterion of how much paint to put on, was whether men were sure you’d used any or not.”
His sister and mother exchanged glances and both spoke at once.
“Not now, Clay, you know——” began Clara.
“Really, Clay,” interrupted his mother, “you don’t know exactly what the standards are, so you can’t quite criticize. It happens to be a fad to paint a little more.”
Clayton was now rather angry.
“Will all the women at Mrs. Severance’s dance tonight be striped like this?”
Clara’s eyes flashed.
“Yes!”
“Then I don’t believe I care to go.”
Clara, about to flare up, caught her mother’s eye and was silent.
“Clay, I want you to go,” said Lady Blachford hastily. “People want to see you before they forget what you look like. And for tonight let’s not talk about war or paint.”
In the end Clay went. A navy subaltran called for his sister at ten and he followed in lonesome state at half-past. After half an hour he had had all he wanted. Frankly, the dance seemed all wrong. He remembered Mrs. Severance’s ante-bellum affairs—staid, correct occasions they were, with only a mere scattering from the faster set, just those people who couldn’t possibly be left out. Now it all was blent, some how, in one set. His sister had not exaggerated, practically every girl there was painted, overprinted; girls whom he remembered as curate-hunters, holders of long conversations with earnest young men on incence and the validity of orders, girls who had been terrifyingly masculine and had talked about dances as if they were the amusement of the feeble minded—all were there, trotting through the most extreme steps from over the water. He danced stiffly with many who had delighted his youth, and he found that he wasn’t enjoying himself at all. He found that he had come to picture England as a land of sorrow and acetisism and while there was little extravagance displayed tonight, he thought that the atmosphere had fallen to that of artificial gayety rather than risen to a stern calmness. Even under the carved, gilt ceiling of the Severances’ there was strangely an impression of dance-hall rather than dance, people arrived and departed most informally and, oddly enough, there was a dearth of older people rather than of younger. But there was something in the very faces of the girls, something which was half enthusiasm and half recklessness, that depressed him more than any concrete thing.
When he had decided this and had about made up his mind to go, Eleanor Marbrooke came in. He looked at her keenly. She had not lost, not a bit. He fancied that she had not quiet so much paint on as the others, and when he and she talked he felt a social refuge in her cool beauty. Even then he felt that the difference between she and the others was in degree rather than in kind. He stayed, of course, and one o’clock found them sitting apart, watching. There had been a drifting away and now there seemed to be nothing but officers and girls; the Severances themselves seemed out of place as they chattered volubly in a corner to a young couple who looked as if they would rather be left alone.
“Eleanor,” he demanded, “why is it that everyone looks so—well, so loose—so socially slovenly?”
“It’s terribly obvious, isn’t it?” she agreed, following his eyes around the room.
“And no one seems to care” he continued.
“No one does,” she responded, “but my dear man, we can’t sit here and criticize our hosts. What about me? How do I look?”
He regarded her critically.
“I’d say on the whole, that you’ve kept your looks.”
“Well, I like that,” she raised her brows at him in reproof. “You talk as if I were some shelved, old play—about, just over some domestic catastrophy.”
There was a pause; then he asked her directly.
“How about Dick?”
She grew serious at once.
“Poor Dick—I suppose we were engaged.”
“Suppose,” he said astonished, “why it was understood by everyone, both our families knew. I know I used to lie awake and envy my lucky brother.”
She laughed.
“Well, we certainly thought ourselves engaged. If war hadn’t come we’d be comfortably married now, but if he were still alive under these circumstances, I doubt if we’d be even engaged.”
“You weren’t in love with him?”
“Well, you see, perhaps that wouldn’t be the question, perhaps he wouldn’t marry me and perhaps I wouldn’t marry him.”
He jumped to his feet astounded and her warning hush just prevented him from exclaiming aloud. Before he could control his voice enough to speak she had whisked off with a staff officer. What could she mean?—except that in some moment of emotional excitement she had—but he couldn’t bear to think of Eleanor in that light. He must have misunderstood—he must talk more with her. No, surely—if it had been true she wouldn’t have said it so casually. He watched her—how close she danced. Her bright brown hair lay against the staff officer’s shoulder and her vivacious face was only two or three inches from his when she talked. All things considered Clay was becoming more angry every minute with things in general.
Next time he danced with her she seized his arm, and before he knew her intention, they had said goodbyes to the Severances’ and were speeding away in Eleanor’s limousine.
“It’s a nineteen-thirteen car—imagine having a four year old limousine