The Complete Short Stories of Edgar Allan Poe. Эдгар Аллан По

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The Complete Short Stories of Edgar Allan Poe - Эдгар Аллан По


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Duchess, with all my heart.”

      “Pshaw, no! — but with all your nose?”

      “Every bit of it, my love,” said I: — so I gave it a twist or two, and found myself at Almack’s.

      The rooms were crowded to suffocation.

      “He is coming!” said somebody on the staircase.

      “He is coming!” said somebody farther up.

      “He is coming!” said somebody farther still.

      “He is come!” exclaimed the Duchess. “He is come, the little love!” — and, seizing me firmly by both hands, she kissed me thrice upon the nose.

      A marked sensation immediately ensued.

      “Diavolo!” cried Count Capricornutti.

      “Dios guarda!” muttered Don Stiletto.

      “Mille tonnerres!” ejaculated the Prince de Grenouille.

      “Tousand teufel!” growled the Elector of Bluddennuff.

      It was not to be borne. I grew angry. I turned short upon Bluddennuff.

      “Sir!” said I to him, “you are a baboon.”

      “Sir,” he replied, after a pause, “Donner und Blitzen!”

      This was all that could be desired. We exchanged cards. At Chalk-Farm, the next morning, I shot off his nose — and then called upon my friends.

      “Bête!” said the first.

      “Fool!” said the second.

      “Dolt!” said the third.

      “Ass!” said the fourth.

      “Ninny!” said the fifth.

      “Noodle!” said the sixth.

      “Be off!” said the seventh.

      At all this I felt mortified, and so called upon my father.

      “Father,” I asked, “what is the chief end of my existence?”

      “My son,” he replied, “it is still the study of Nosology; but in hitting the Elector upon the nose you have overshot your mark. You have a fine nose, it is true; but then Bluddennuff has none. You are damned, and he has become the hero of the day. I grant you that in Fum-Fudge the greatness of a lion is in proportion to the size of his proboscis — but, good heavens! there is no competing with a lion who has no proboscis at all.”

      The End

      Morella (1835)

       Table of Contents

      Αυτο χαθ’ αυτο μεθ’ αυτου, μονο ειδες αιει ον.

       Itself — alone by itself — eternally one and single.

       Plato, Sympos.

      With a feeling of deep yet most singular affection I regarded my friend Morella. Thrown by accident into her society many years ago, my soul, from our first meeting, burned with fires it had never before known; but the fires were not of Eros, and bitter and tormenting to my spirit was the gradual conviction that I could in no manner define their unusual meaning, or regulate their vague intensity. Yet we met; and fate bound us together at the altar; and I never spoke of passion, nor thought of love. She, however, shunned society, and, attaching herself to me alone, rendered me happy. It is a happiness to wonder; — it is a happiness to dream.

      Morella’s erudition was profound. As I hope to live, her talents were of no common order — her powers of mind were gigantic. I felt this, and, in many matters, became her pupil. I soon, however, found that, perhaps on account of her Presburg education, she placed before me a number of those mystical writings which are usually considered the mere dross of the early German literature. These, for what reason I could not imagine, were her favorite and constant study — and that, in process of time they became my own, should be attributed to the simple but effectual influence of habit and example.

      In all this, if I err not, my reason had little to do. My convictions, or I forget myself, were in no manner acted upon by the ideal, nor was any tincture of the mysticism which I read, to be discovered, unless I am greatly mistaken, either in my deeds or in my thoughts. Persuaded of this, I abandoned myself implicitly to the guidance of my wife, and entered with an unflinching heart into the intricacies of her studies. And then — then, when, pouring over forbidden pages, I felt a forbidden spirit enkindling within me — would Morella place her cold hand upon my own, and rake up from the ashes of a dead philosophy some low, singular words, whose strange meaning burned themselves in upon my memory. And then, hour after hour, would I linger by her side, and dwell upon the music of her voice — until, at length, its melody was tainted with terror, — and there fell a shadow upon my soul — and I grew pale, and shuddered inwardly at those too unearthly tones. And thus, joy suddenly faded into horror, and the most beautiful became the most hideous, as Hinnon became Ge-Henna.

      It is unnecessary to state the exact character of those disquisitions which, growing out of the volumes I have mentioned, formed, for so long a time, almost the sole conversation of Morella and myself. By the learned in what might be termed theological morality they will be readily conceived, and by the unlearned they would, at all events, be little understood. The wild Pantheism of Fichte; the modified Παλιγγενεσια of the Pythagoreans; and, above all, the doctrines of Identity as urged by Schelling, were generally the points of discussion presenting the most of beauty to the imaginative Morella. That identity which is termed personal, Mr. Locke, I think, truly defines to consist in the saneness of rational being. And since by person we understand an intelligent essence having reason, and since there is a consciousness which always accompanies thinking, it is this which makes us all to be that which we call ourselves — thereby distinguishing us from other beings that think, and giving us our personal identity. But the principium individuationis — the notion of that identity which at death is or is not lost for ever, was to me — at all times, a consideration of intense interest; not more from the perplexing and exciting nature of its consequences, than from the marked and agitated manner in which Morella mentioned them.

      But, indeed, the time had now arrived when the mystery of my wife’s manner oppressed me as a spell. I could no longer bear the touch of her wan fingers, nor the low tone of her musical language, nor the lustre of her melancholy eyes. And she knew all this, but did not upbraid; she seemed conscious of my weakness or my folly, and, smiling, called it Fate. She seemed ,also, conscious of a cause, to me unknown, for the gradual alienation of my regard; but she gave me no hint or token of its nature. Yet was she woman, and pined away daily. In time, the crimson spot settled steadily upon the cheek, and the blue veins upon the pale forehead became prominent; and one instant, my nature melted into pity, but, in the next, I met the glance of her meaning eyes, and then my soul sickened and became giddy with the giddiness of one who gazes downward into some dreary and unfathomable abyss.

      Shall I then say that I longed with an earnest and consuming desire for the moment of Morella’s decease? I did; but the fragile spirit clung to its tenement of clay for many days — for many weeks and irksome months — until my tortured nerves obtained the mastery over my mind, and I grew furious through delay, and, with the heart of a fiend, cursed the days, and the hours, and the bitter moments, which seemed to lengthen and lengthen as her gentle life declined — like shadows in the dying of the day.

      But one autumnal evening, when the winds lay still in heaven, Morella called me to her bedside. There was a dim mist over all the earth, and a warm glow upon the waters, and, amid the rich October leaves of the forest, a rainbow from the firmament had surely fallen.

      “It is a day of days,” she said, as I approached; “a day of all days either to live or die. It is a fair day for the sons of earth and life — ah, more fair for the daughters


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